Best Digital Camera with Resolution Atleast 10 Megapixel

This is definitely the camera to throw into a bag or a pocket, head out the door, and just have some fun. Canon SD1200's quality is good enough as a pocket snapshooter, probably not great for photography enthusiasts, however. Color is generally good from the Canon SD1200. Video quality is pretty good, easily replacing the family camcorder for simple video snippets. *

FEATURES OVERVIEW This camera comes with a number of features that make it easy to use. Image Stabilization This camera has an internal image stabilization system that gets rid of the "shaky hand syndrome" that many photographers have, including yours truly. *

The pocket-friendly Canon SD1200 is well built and does cover all features expected of a point-and-shoot plus a few extras such as AE-L (Auto-Exposure-Lock) and the choice of 3 metering modes. *

The Canon PowerShot SD1200 IS is an affordable pocket camera with an interesting variety of shooting modes, excellent image quality, and optical image stabilisation. Colours looked vivid and accurate, and exposure, for the most part, was good, though sometimes details were a bit blown out. The 10Mp Canon PowerShot SD1200 IS camera has as solid feature set for a novice photographer who's ready to move beyond snapping photos in automatic mode. *

The combination of performance and quality make this an excellent camera for the family or as a small backup to a larger camera. Despite its size, it's packed full of useful features. Our indoor image quality was excellent. Image noise is also kept very low, allowing for ISO settings of 400 and under to show very little or no noise. Image quality of our outdoor sample shots is very good, which we have come to expect from Canon. *

The ability to see and alter settings on the back of the camera is great when you're working on a tripod. Canon's Rebel line has been very strong for a while now, so the most astonishing thing about the T1i is that Canon has managed to dramatically improve the image quality. Overall image quality is great, and the camera does a startlingly good job of shooting in low light at high ISOs. Excellent image quality. *

This makes T1i images look slightly weird because the edges are all sharp, but distant bushes will have no texture, similar to cartoons. ISO 12,800 looks nasty. Video is jumpy because it's only 30 frames per second at best. *

The EOS Rebel T1i camera is compatible with Canon's complete line of over 60 Canon EF and EF-S lenses, to help provide an incredible variety of visual effects to both still and
super-telephoto. The new Canon EOS Rebel T1i raises the entry-level bar with a host of enhanced Canon
technologies now available in an entry-level DSLR . Canon's "CA" Creative Full Auto setting available on the EOS Rebel T1i, EOS 50D
the image" with ease. *

The bottom line: A low price boosts the Canon EOS Digital Rebel's appeal for amateur film-SLR photographers going digital and high-end snapshooters who want to experiment more.

The T1i is compatible with all Canon lenses in the EF and EF-S line-up, ranging from ultra-wide angle to super telephoto lenses. The Rebel T1i is compatible with all Canon lenses in the EF and EF-S lineup, ranging from ultra-wide angle to super telephoto lenses. *

In summary, the Panasonic GH1 is better able to compete with the best from Nikon and Canon, and bests other Four Thirds players like the Olympus E-30 and even the Panasonic G1. Printed output finalizes the impression that the Panasonic GH1 is an excellent digital camera, as it easily outputs 13x19-inch prints from JPEGs and 20x30-inch prints from RAW files. The Panasonic GH1 is an improvement on the already excellent Lumix G1, and a five-star Dave's Pick . Taking the Panasonic GH1 out for a stroll really made me appreciate its small size and versatility. *

The Panasonic Lumix DMC-GH1 is easy to use, and you get the hang of it quickly. *

In the PC World Test Center's jury-based imaging evaluations, the GH1 produced sharp but dark images. If shooting HD video is a priority, the beginner-friendly GH1 is a great option. But it's pricey, and it's not quite a DSLR. The DMC-GH1 did an impressive job adjusting to different light conditions during a single video sequence; I panned from bright sunlight to a shadowy scene to an interior shot in one take, and the camera made accurate adjustments within a second of the lighting conditions changing. The GH1's design plays into its video-friendliness, too, thanks to a dedicated video button. In my hands-on tests, 1080p video recorded in AVCHD was stunning: It looked smooth and sharp, with bright colors. Both its ability to let you swap lenses and its support for 1080p video at 24 frames per second (as well as 720p video at 60 fps) make this camera compelling to high-definition videographers. *

The bottom line here is that the $1500 GH1 is a near perfect choice for shooters graduating from a prosumer/long zoom digicam to their first dSLR. For more serious photographers who eschew video in favor of still photography, the GH1 might not be their best option. *

This may be the ultimate bridge camera, delivering both amazing ease of use and impressive creative functionality with no intolerable compromises. *

If you're looking for a versatile, easy-to-use digital camera that you can slip into a larger pocket, the Panasonic ZS3 is a great choice. Overall, the Panasonic Lumix ZS3 offers a lot of photographic power, covering wide and telephoto with better quality than many larger cameras, and slipping quietly into a pocket or bag. Overall, a good performance for a pocket long zoom digital camera. Color is somewhat muted in some respects, especially yellows, some of which have a slight green tint. Dark skintones are a little more saturated, but lighter tones are pretty spot on. ISO 1,600 is quite messy. Printed : ISO 80, 100, and 200 look good printed at 13x19 inches, with good color and detail. ISO 800 shots are usable at 8x10, and better at 5x7. *

The Lumix DMC-ZS3S is very much a "set-it-and-forget-it" model; it's dead simple for a novice to take a good photograph, because the camera is packed with complex automated features. The camera is downright shake-proof, providing crystal-clear images even when I shook it around at full zoom. In PC World Test Center image-quality jury evaluations, the Lumix DMC-ZS3S earned an overall image quality score of Good. Noise became visible in photos taken at ISO 800 and 1600, but it wasn't invasive enough to ruin the shots. *

Panasonic has done it again--they've succeeded in creating a beast of the consumer persuasion. One that spits fire with a champion image performance. One that claws at the competition with a solid set of features. And best of all, a beast that decimates all in its path with a great HD video performance and the ability to zoom while recording. Yes, folks, the Panasonic Lumix DMC-ZS3 is definitely worth the extra 100 clams over the . Can it match the likes of the formidable ? In some regards ...

The bottom line: As long as you don't want much in the way of manual features, the Panasonic Lumix DMC-ZS3 is a very nice camera that can handle a variety of shooting situations.

The bottom line: As long as you don't want much in the way of manual features, the Panasonic Lumix DMC-ZS3 is a very nice camera that can handle a variety of shooting situations.

The bottom line: Like the D80 before it, the Nikon D90 delivers an excellent dSLR for the money.

I can't find any real flaws, just the occasional small feature not present on more expensive cameras. The D90 works great. The Nikon D90 is a fantastic camera. In daylight at f/.4, you can get poor images that flicker in and out slowly. The D90 provides automatic correction of lateral chromatic color fringes. Playback works great, with all the usual Nikon tricks. *

In good light, ISO 3200 is shockingly clean, with even the "high" ISO 6400 being very usable. The D90 really impressed me at high ISOs. Photo quality was excellent. The D90 took well-exposed photos with pleasing, accurate colors. You can select low, medium, or high levels of D-Lighting, and keep in mind that this feature may bring out some noise in your images. I don't know what Nikon did to pull over such great high ISO performance, but my hat's off to them. Image sharpness is typical of a digital SLR: slightly soft, but they sharpen up well in your favorite image editor. Noise and noise reduction artifacting are more prevalent at ISO 1600, though small to midsize prints can still be produced, especially if you shoot RAW. The colors are nice and saturated, though not over-the-top like Nikon's cheaper D-SLRs. At ISO 400 and 800, noise becomes more obvious, though a midsize or perhaps even large print is still very much a possibility. *

The bottom line: Like the D80 before it, the Nikon D90 delivers an excellent dSLR for the money.

Great image quality. The video feature is easy to use, but if you're accustomed to shooting video with a point-and-shoot camera, you'll have to think a little differently. Video quality is very good, though some might be frustrated that the D90 doesn't shoot full 1080p video. *