Fan Freaking Tastic!
Great option for videographers on a budget, but has the looks (and the specs) that gives customers the impression they're getting a lot for their money. I've had other pro-sumer cameras in the past from Sony (A1U, NEX-VG10) but this one beats them all. Definitely worth the buy for those with a 2k or less budget! Of course if the funding is there, more manual options would be nice but then you're probably looking to move into a different price bracket.
Generally excellent video quality and a straightforward.
Panasonic's trio of prosumer camcorders, the hard-disk-based HDC-HS900 and flash-based TM900 and SD800, deliver generally excellent video quality and provide the full set of manual controls and features advanced users want. But you have to be willing to baby the white balance a bit. The TM900 is my top pick of the three for its EVF, but if you're on a tight budget the SD800 should suit just fine.
Excellent color and noise results with great motion and sharpness in 60p.
The HDC-TM900 (MSRP $1099) is a great camcorder, that much is clear. It captured excellent video in a variety of record modes, and its performance recording 1080/60p HD video was as good as it gets. It has a ton of controls, a solid body design, and its 3D recording option (with the purchase of an optional conversion lens) makes it a cutting-edge product.
Despite all this, we are still disappointed with the TM900.
Great image quality in most conditions.
Panasonic's HDC-TM900 offers no revolutionary new features, now that 3D shooting has already started its journey to ubiquity. But like its predecessors it blends excellent enthusiast features, headlined by the lens ring, with supreme image quality. There's also no significant premium being charged for this new model compared to the outgoing TM700, if you can still find it. So the TM900 takes over from its predecessor as our videomaking enthusiast camcorder of choice.
Excellent motion and sharpness in 2D
If you are in the market for a high-end 3D camcorder you only have three options at the moment: the JVC GS-TD1, the Sony HDR-TD10, and the Panasonic HDC-SDT750 (and other Panasonic models that can use the VW-CLT1 3D conversion lens). There are also a few ultracompact models that shoot 3D, as well as a number of digital cameras, but the three models mentioned above are the only high-end HD camcorders aimed at consumers that allow 3D recording.
Affordable price point for the featureset
The JVC GS-TD1 is a high-end camcorder, promoted by JVC as the first consumer level camcorder to offer full HD 3D recording. The GS-TD1's full HD 3D capability is owed to the high speed processor that can simultaneously produce two full HD images (1920 x 1080i), recording in both the left and right streams (a process that JVC refers to as LR Independent Format).
Dual-frame Full HD 3D
With the Everio GS-TD1, JVC has produced the first consumer-grade camcorder to shoot two frames of Full HD in 3D mode, using a pair of parallel lenses and CMOS sensors. The resulting MP4 format is proprietary, but JVC’s approach also means better low-light performance even when shooting 3D in AVCHD mode. It’s the first consumer-grade camcorder to offer optical zoom in 3D mode, too. With a range of manual features as well, the GS-TD1 has loads to offer enthusiasts wishing to move into 3D.
It goes without saying, but without the correct TV setup the GS-TD1 is largely pointless. The 3D quality is among the best we've seen from a consumer camcorder, but the proprietary files means playback is limited to a direct TV connect. A decent camcorder, but other forces look set to conspire against it.
Touch GUI works well
We have to give JVC props for taking a huge step forward in home video, leaping from 2D to 3D. If you get the chance to see some sample footage on a quality 3D HDTV you'll be impressed big time as were we. The stills are another story but for us it's a sideshow to a major move in consumer electronics. The Everio GS-TD1 may not be generating the buzz of that other 3D device but you should definitely take notice.
Impressive 3D quality, well featured
It goes without saying, but without the correct TV setup the GS-TD1 is largely pointless. The 3D quality is among the best we've seen from a consumer camcorder, but the proprietary files means playback is limited to a direct TV connect. A decent camcorder, but other forces look set to conspire against it
A masterpiece of compact engineering
The JVC Everio GS-TD1 redefines what we can expect of a 3D camcorder. This shooter may be a tad cumbersome, but compared to a pro-rig it's a masterpiece of compact engineering. We loved the unparalleled creative control on offer, and 3D image quality is excellent. Overall, this is a remarkable piece of kit.
Best non-broadcast class model
Make no mistake; JVC's GS-TD1 is a highly specialised camcorder. I certainly wouldn't advocate buying it unless you have a serious interest in 3D photography. However if 3D is an area you want to be creative in, this is by far and away the best non-broadcast class model I've seen and puts in an excellent performance.
Excellent aperture, shutter speed, and gain controls
If you're a videographer who wants to use an arsenal of different lenses when you want to shoot video, then the NEX-VG20 should definitely be on your radar. It's one of the only interchangeable lens camcorders you can get for under $2000, although we expect to see more in the future.
Excellent image and video quality
Given the price of other large-sensor, interchangeable-lens systems, the NEX-VG20 offers excellent value for anyone who prefers shooting video on a camcorder-style body rather than on a video-enabled SLR. Retailing at a touch under AU$3000 (and even cheaper when shopping online) the VG20 proves that excellent-quality filmmaking is accessible to those who can't quite reach the upper echelons of a RED or Canon C300, or even Sony's own FS100.
I like it but
Overall, I'm kind of disappointed; especially after spending $2000.00. I don't think the camera is user friendly whatsoever. The only good things I can say is the fact that you can change lenses and the video quality is excellent. The other good thing is all the different video settings for creative style. However, the menu and controls are so unfriendly that changing the settings are not worth messing with, especially if you're in a hurry for a shot.
Shot footage looks great in adequate light, sharp and professional
The Sony NEX-VG10 is a top-of-the-line 1080p HD camcorder compatible with E-mount and A-mount lenses. Its Exmor APS HD CMOS sensor is approximately 19.5 times larger than conventional camcorder sensors while its Quad Capsule Spatial Array stereo microphone promises audio to match its 1080p video.
Bigger CMOS sensor
The Sony NEX-VG10 is slated for availability in September for $2000 (Â£1,296 ex VAT); that's about one-third of the rumoured price for Panasonic's interchangeable-lens AG-AF100 camcorder, which doesn't have official pricing or release-date information at this time. With multiple frame rate options and full 1080p AVCHD video capture, Panasonic's Micro Four-Thirds camcorder is geared more toward professional videographers; there are also far more Micro Four-Thirds lenses available at this time.
Sony NEX-VG10 is the ExmorTM APS HD CMOS Interchangeable Lens Handycam Camcorder with SEL18200 E-mount 18-200mm F3.5-6.3 Lens, it represents the first-ever large sensor video camera, merging the rich colors, enhanced light sensitivity, and shallow depth-of-field of video DSLRs with the shape, size, and functionality of a camcorder. People will be very happy with such a camcorder.
There's no denying that the Sony NEX-VG10 is a serious piece of kit. With its lens-swapping versatility, it has few of the limitations of other consumer camcorders. The large sensor and swappable lenses mean you can achieve the sort of effects previously reserved for photographers shooting with dSLRs.
© 2007-14 ReviewGist.com. All Rights Reserved.
Reviews and Ratings for 1500 to 2000 $ Prices Camcorders from ReviewGist