Better handling and importantly faster performance than its predecessor
The new Fujifilm X-E2 offers more features, better handling and importantly faster performance than its predecessor, which we already loved, making it our favourite X-series camera and one of the best compact system cameras around. Fujifilm have clearly listened to their users and produced a camera that may look very much like the original X-E1, but which improves on it in virtually all ways.
Impressive noise performance, Great build quality and handling
The Fujifilm X-E2 improves on the X-E1 and addresses a number of the issues we found with the original camera, including accidentally knocking the exposure compensation dial, this hasn't happened on this new model, as well as adding a larger higher resolution screen. Focus speeds and continuous shooting speed has also been improved with the camera feeling extremely responsive in use.
Delivers excellent image quality
Ultimately, we prefer the X-A1 to the X-M1, as it delivers the same handling, features and performance, and, crucially, very similar image quality at a lower price. This is turn mitigates some of the issues that we had with the X-M1, principally concerning the lack of a viewfinder, so much so that we'd recommend that you save your cash and choose the X-A1 rather than the X-Trans, X-M1 version.
Most affordable Fuji CSC, Natural, vibrant images, Tilting LCD
Most photographers will tell you that image quality is their biggest consideration when selecting a camera, but the build and functionality of the camera are also key factors along with the price. Many manufacturers reduce the functionality and build quality of their more entry-level cameras in order to keep cost down, but Fuji is in the unusual position of being able to achieve the same thing while keeping these two elements the same.
Impressive performance, Outstanding detail and ISO performance
The Fujifilm X-A1 delivers an excellent standard of image quality, is an attractively designed camera and has a strong level of performance. While the lenses in the X series might not be the cheapest on the market, the X-A1 is well worthy of consideration in the entry-level CSC market.
Very good value for money, Excellent noise performance
The 16-50mm OIS kit lens, despite being a kit lens, delivers excellent image quality with a useful wide-angle to telephoto zoom range and includes a good sized lens hood. The combination of this lens and the compact body makes for a compelling package, with the added bonus of a good 3inch tilting screen and built in Wi-Fi connectivity.
Entry-level looks lavish and feels flimsy
When we reviewed the X-M1, we concluded that it was a camera with an excellent sensor in a chintzy body. The X-A1 keeps the same cheap suit, drops in a marginally inferior sensor, and charges you $200 less. Is that a good thing? It depends on what you're shopping for.
Excellent - this camera should cost more
If you're considering an NEX or u43 kit, keep in mind that neither those nor the X-M1 are pocketable. You'll likely carry those cameras in a bag. If you want something truly pocketable, you're probably better off looking at an RX100. So if you'll be using a bag anyways, I would recommend the X-M1 over the NEX or any of the smaller u43 cameras.
Smaller, lighter and significantly cheaper
Ultimately, while we actually preferred the X-E1 to its big brother, the X-Pro1, the same can't be said about the X-M1, despite it being significantly cheaper and shipping with a good kit lens. The lack of a viewfinder is the main problem - for us, it just feels wrong to pick-up an X-series camera and not be able to hold it up to your eye.
Excellent high ISO noise performance
The Fujifilm X-M1 is an interesting development in the X-series and provides the opportunity for those who hanker after the style and performance of the X-E1, but at a more affordable price. With the concurrent launch of a quality kit lens, a telephoto zoom coming later in 2013, and the promise of more affordable XC lenses to come, it's clearly a product the company is committed to.
Solid build quality, despite composite construction
The X-M1 is Fujifilm's entry-level mirrorless camera with its unique X-Trans sensor. While it lacks the build quality and EVF of the more expensive X-E1, it adds a sharper, tilting LCD and Wi-Fi. The X-M1 is capable of taking incredibly sharp photos with very little noise. Performance is very good, although AF speeds are not as quick as the best-in-class mirrorless cameras.The camera is missing a few other handy features too, like an electronic level and remote control via Wi-Fi.
Tilting screen, Small size, Large APS-C sensor
When it comes to shopping for a camera like this, although image quality is good, appearance is still very important. If you're willing to part with a large chunk of change in return for something that looks beautiful but still delivers in the image quality department, then you'll no doubt be pleased with the Fuji X-M1.
If, however, you're looking for your first camera in the interchangeable lens category, and you're on a budget, this wouldn't be our first recommendation.
Low noise, Excellent colour, 3 inch tilting screen
The X-Pro1 and X-E1 with manual control dials, and built in viewfinders were a joy to use due to classic styling and quick photographic control. The Fujifilm X-M1 on the other hand no longer features as many external controls, and with the 16-50mm OIS lens aperture and shutter speed is controlled by the two control wheels. However, the additional of a 3inch tilting screen and built in Wi-Fi, along with a more compact body helps make up for this.
Great image quality is super-sharp
The X-M1 is new ground for Fujifilm: it's a camera targeted towards the masses, yet it maintains a decent level of its all-important pro-spec look and feel. Imperfections there may be, and it can feel a little more B-movie than Hollywood at times, but the X-M1 will score a cult-movie-like following for all its positives. A compact system camera that really shouldn't be overlooked, there's more to it than meets the eye.
A generational camera
The x100S has fine enough image quality and speed, in such a reasonably sized package, that the next generation of camera doesn't appeal to me. The x200S could have twice the resolution and twice the speed and I simply wouldn't care. I'm not suggesting that the x100S is the pinnacle of fixed lens digital cameras. But I am saying that Fuji has achieved such a balance of features and performance with the x100S that I can't reasonably see myself upgrading or switching for the foreseeable future.
Capable of excellent performance
While we could certainly dock the X100S for a lack of newbie-friendly features, this is still a $1,299.99 fixed-lens camera; there's probably not many beginners willing to shell out that kind of money for a camera lacking the flexibility of a system camera. Those in this part of the market probably know their way around a RAW converter or two, and are willing to suffer a bit for their art. Especially for street photographers who don't want to shell out for a Leica, the X100S is a fine choice.
Compelling mix of intuitive handling, impeccable image quality
There's no denying that £1099 / $1299 is a lot of money to pay for a compact camera with a fixed lens, but the Fujifilm X100S offers so many improvements that if you ever found yourself looking longingly at its predecessor, there's very little reason not to take a much, much closer look at this new version. Quite simply the new Fujifilm X100S is one of the best cameras that we've ever reviewed and joins its illustrious predecessor as a worthy winner of our coveted Essential! award.
Fast Hybrid AF with manual focus aids, Hybrid optical/electronic viewfinder.
The Fujifilm X100S builds on the success of its predecessor, the X100, with a new sensor, faster, more accurate focusing and a raft of other improvements. Fujifilm has concentrated on improving what needed it and fixing (most of) what was broken, while leaving what what best and most loved well alone - namely the X100's retro styling, composition and traditional controls.
Detail-rich images, Bright lens
By taking some of the best elements of the Fuji X-Pro1, such as the sensor design and Quick Menu, Fuji has produced a worthy update to the X100, and many owners of this camera will feel sorely tempted by the X100S. The improved handling and image quality makes it a very desirable step up.
Excellent resolution and detail in photos
The Fujifilm X100s improves quite dramatically over the Fujifilm X100, with a new 16 megapixel sensor that delivers excellent noise performance and detail in photos. The X100s gives the same familiar controls as the original X100 as well as a higher resolution electronic viewfinder, that when combined with the hybrid optical viewfinder, makes this camera a unique proposition.
Full 1080p movie recording with stereo sound
£469 / $549 is undoubtedly a lot of money to pay for a compact camera with such a small image sensor, but if the image quality meets your requirements then the HS50EXR makes a compelling argument to be the only camera that you need. Super-zooms remain one of the few growth areas in the compact camera world, and its easy to see why when cameras as good as the Fujifilm FinePix HS50EXR are being released. Highly recommended!
Good viewfinder, Pleasing handling, Impressive focus performance
There a lot to like about the HS50 EXR. Not only is it one of the best-specified superzoom bridge cameras on the market, but it also has the performance to match. It has an excellent viewfinder, lightning-quick focusing system and truly ergonomic design, and is only really let down by poor video quality and a few usability issues. Although it's far from the smallest and lightest superzoom bridge camera available, at its current price it's certainly one of the best on the market.
Good colour reproduction
The Fujifilm FinePix HS50 EXR updates the HS30/35 and offers a longer 42x optical zoom lens with manual zoom control, and is quite large compared to the previous model, with other cameras offering 50x optical zoom lens, such as the Fujifilm FinePix SL1000, and Canon Powershot SX50.
Decent image quality, raw capture option
We like the FinePix HS50EXR a lot: it's an accomplished superzoom that's put Fujifilm right back up there and in the mix and shown just what this brand can do. It can hold its head up side by side with the levels of its nearest competitors, it just ought to be a touch more cost effective by comparison.
Very fast focus, AF system
The HS50 EXR is one of the most fully-featured superzoom cameras currently available, with a superb focusing system, excellent viewfinder and ergonomic design to recommend it.
Despite sub-par video quality, images are detailed and relatively noise-free throughout the range and the ability to capture and process Raw files only furthers the standard achievable from the camera.
Outstanding sharpness scores
The Fujifilm X-E1 is all of the fun and none of the frivolity of the X-Pro1. The decision to exchange the hybrid OVF for lower costs will make a lot of consumers happy, but keeping performance at basically the same level is the real achievement here. We loved having this camera in-house and hate to see it go. Anyone whoâ?? s been watching this series but put off by the price should take a second look.
Intuitive handling, fantastic image quality
Retailing for £749 in the UK and $1000 in the US for the body-only, or £1149 / $1399 with the new 18-55mm f/2.8-4 OIS lens, means that you can buy the X-E1 with a great kit lens for less than the body-only launch price of the X-Pro1 (although obviously this is now significantly less). It also pits the X-E1 directly against the Olympus OM-D E-M5 and the Sony NEX-7, both of which are great cameras, but both of which are quite different in their approach.
Excellent image quality, Superb high ISO noise performance
The X-E1 is a great follow up model to Fujifilm's X-Pro 1 providing most of what the more expensive flagship model offers at a significantly lower price point. For purists, an optical viewfinder on a rangefinder style camera will be a must-have feature and the X-Pro 1's hybrid viewfinder is a technological wonder. But if you can live without an optical viewfinder, the X-E1's EVF is one of the best around and is arguably better suited to an interchangeable lens camera.
Unique camera design makes you want to take pictures
Overall, we really enjoyed shooting with the Fujifilm X-E1, and I'm very pleased with the images I got out of it. The camera crashed on occasion (it wouldn't be a new X-series camera if it didn't have some bugs...), leaving buttons unresponsive, and focus and exposure sometimes delivered odd results, but powering off usually cleared the error.
Stunning image quality
While it might be tempting to think of the X-E1 as a stripped back X-Pro1, that does it something of a disservice in that the X-E1 is a great camera in its own right. Gifted with the same premium grade construction and finish, the X-E1 feels more refined and balanced than it's more expensive sibling.
Impressive colour reproduction
The Fujifilm X-Pro1 and X-E1 are the definition of retro digital cameras, and the moment you pick it up, you'll be reminded of an old film camera from the past. With manual controls on the lens and body it is very easy to adjust settings and the menus and controls are well thought out and easy to get to grips with. The electronic viewfinder is excellent with an extremely high resolution and is great to use, although it's a shame the 2.8inch screen isn't larger and a higher resolution.
Image quality is excellent, build quality is superb
It's not cheap and the autofocus speed isn't going to see off its nearest competitors, but the X-E1 is a tool that never takes its eye off the image-quality ball, all wrapped up into a super chic retro-styled body. It looks great, its images look even greater, and that's where this retro snapper wins. However the limited selection of current XF lenses may be seen as an issue and this pro-targeted model isn't going to suit all tastes or needs on account of its AF system.
Extremely low image noise up to ISO 6400
The Fuji X-E1 follows the X-Pro1 with the same 16 MP CMOS sensor that delivers class-leading image quality thanks to its unique X-Trans sensor which does not use an anti-alias filter.
The X-E1 is an excellent successor to the X-Pro1. While it does not address all issues, it improves upon the X-Pro1 considerably with a better EVF in a smaller body, faster performance and even a considerably lower price tag.
Retro styling, Less daunting than the X-Pro1
The 16.3 effective megapixel, 1920x1080 pixels Full HD video shooting Fujifilm X-E1 competes directly with the Olympus OM-D E-M5 in the retro styled compact camera system stakes. While, if you prefer the more modernist look, the Sony NEX-7 and cheaper Sony NEX-6 likewise offer an eye-level viewfinder, as well as the larger format APS-C sensor for almost DSLR-style picture quality.
This is my third Fuji camera, and I love the brand. This particular camera is loaded with lots of features, from special filters to a 40xzoom. And as always, Fuji cameras are user friendly. I especially love the double zoom switch, one on top of the camera and a rocker style switch on the lens barrel, so you can use it right or left handed. The picture quality is awesome, and the menu is easy to navigate.
Excellent high-resolution LCD screen
In summary the Nikon Coolpix S8200 improves a couple of major features and adds a few new functions to further improve on a camera that we already liked a lot. Unfortunately it still has some key deficiencies, most notably the so-so image quality especially at the higher ISO speeds, the frustrating need to access the main menu for commonly used options like ISO speed, and the lack of any manual controls for more advanced users.
Feature packed, Good zoom range, Decent image quality
The Fujifilm FinePix S8200 is typical of many bridge cameras on the market. You get loads of useful features which make using the camera a similar experience to a DSLR. Highlights include 10 fps continuous shooting, good battery life, the electronic viewfinder and full manual controls. The downside is that image quality isn't the best you'll get on a camera though, but for those who like to share pictures on sites such as Facebook, this isn't really a big issue for many users.
Compact metal body, Good front and rear grip
How does this product compare with main market rivals? The Fujifilm FinePix F900EXR updates the F800EXR with a new sensor with built in phase detection focus, giving extremely quick focus and shutter reponse. The camera has built in Wi-Fi for easy transfer to smartphones, or alternatively backup to PC. With the Fujifilm EXR sensor you get the benefit of extended dynamic range, although at a reduced resolution of 8 megapixels, however we feel that the compromise is worth it.
20x optical zoom, raw file shooting ability
The F900EXR still isn't quite the champion of its kind, but through the series' progressive ironing-out of bugs and shortcomings we feel it's a whisker ahead of its F800EXR predecessor. In short: it's a decent compact with plenty of quirks - some good, some bad - that amounts to a generally decent snapper.
Build quality is good
At £334 the Fujifilm FinePix SL1000 is not a cheap compact camera. However, the 50x optical zoom is currently untouched and that's worth a premium. If you're a photographer of many disciplines, enjoying a variety of styles, then this is the camera for you. Likewise if you're wanting to learn about the art of photography, the extra features will help you get there such as the external flash and RAW recording.
Fast aperture, JPEG + raw shooting
Detail is the sword by which this camera lives and dies. On paper the Fuji SL1000 is brilliant - so much so you might even question why you'd need an DSLR, if you're considering this as a backup. Both still image and video quality are fantastic. The 50x zoom is supreme. And the ability to shoot in raw format gives you more control over your images. This is a camera with a lot of manual controls that a beginner can grow with as you gain confidence.
Feature packed, Large optical zoom lens
Fujifilm have been keen producers of compact cameras with large amounts of zoom at a low price for a while now, the downside is the image quality is not generally all that good. We are pleasantly surprised to find that you can take decent pictures with the SL1000, they even have impressive detail at 50x optical zoom.
50x zoom, Low price, Raw file recording
You'll save both space and an awful lot of money with the Fujifilm FinePix SL1000's 50x captive zoom lens. Image quality could be better, but with a fairly healthy selection of manual controls -- plus raw image shooting -- it's a good choice for the more ambitious novice looking to hone their skills on a budget.
Reproduction of details in distant objects is poor
We don't see any reason to recommend the FinePix SL1000. If someone gifts it to you, regret that you didn't get the Canon PowerShot SX50 HS, which is a stellar performer that you can buy for the same price. The FinePix SL1000 absolutely isn't worth Rs 29,999 considering its dismal performance and frustrating-to-use interface. 50x optical zoom aside, you can get a much better performer (in terms of quality and UI) for half the price - for example, Fujifilm FinePix F660EXR and Canon PowerShot...
Powerful 50x optical zoom, Captures in RAW, Good low-light photos
The Fujifilm FinePix SL1000 absolutely blows you away with its powerful 50x optical zoom. While it is bulky, the build is very good. In addition to the pull-out LCD, there is also an EVF that is more useful during outdoor shoots. The overall image quality is good and the colours are faithfully captured. The option to shoot RAW gives it an advantage. However, the smaller image sensor produces some noise of its own, somewhat offsetting the advantages offered by RAW photo capture.
20x zoom, RAW capture, Compact size, Attractive shape and size
Buying a digital camera is not as easy as it was in the early days of the digital imaging revolution and that's a good thing for consumers. Today's digital camera marketplace provides an almost endless parade of new cameras and photographers (at every experience level) have more choices than they've ever had before.
Good colour reproduction, Wi-Fi connectivity
Like the versions before it, the Fujifilm FinePix F800EXR is one of the smallest cameras available with a 20x optical zoom lens, and its design with large front grip helps keep the camera steady when shooting. The camera takes pleasing photos with good colour reproduction and has a variety of useful options including the ability to get better dynamic range in bright or difficult shooting conditions, although this is at a lower resolution when using the EXR modes.
EXR mode works well in a variety of conditions
Although it sounds good value, the F800EXR lacks some "must have" features and fails to address long-zoom focus issues of its predecessors. Lens-based image stabilisation lacks and lens flare is an ongoing issue, and while picture quality is reasonable and the EXR mode successful, it's no better than its F770EXR in this department. Fujifilm needs to iron out the bugs in the system before the F-series can push forward as, for now, competitors continue to advance ahead of this model.
Sprightly performance, high quality photos
If you're looking for an easy-to-use, able-bodied travel compact that has a beefy collection of tools on-board then the F800EXR is hard to fault considering its bargain-basement price.
Good overall resolution and sufficient zoom without paying for an SLR
Resolution is similar compared to other P&S with similar MP resolution but does not stand out.
The F800EXR is a recently released upgrade to the F770. A lot of stores may start to discount the F770 if you want to get similar quality images as the F800 at a lower price you can consider the F770.
For someone who shoots a lot of videos, this camera is definitely worth buying on the video alone. You don't have to pay for an expensive camcorder to do the job.
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