This is my third Fuji camera, and I love the brand. This particular camera is loaded with lots of features, from special filters to a 40xzoom. And as always, Fuji cameras are user friendly. I especially love the double zoom switch, one on top of the camera and a rocker style switch on the lens barrel, so you can use it right or left handed. The picture quality is awesome, and the menu is easy to navigate.
Excellent high-resolution LCD screen
In summary the Nikon Coolpix S8200 improves a couple of major features and adds a few new functions to further improve on a camera that we already liked a lot. Unfortunately it still has some key deficiencies, most notably the so-so image quality especially at the higher ISO speeds, the frustrating need to access the main menu for commonly used options like ISO speed, and the lack of any manual controls for more advanced users.
Feature packed, Good zoom range, Decent image quality
The Fujifilm FinePix S8200 is typical of many bridge cameras on the market. You get loads of useful features which make using the camera a similar experience to a DSLR. Highlights include 10 fps continuous shooting, good battery life, the electronic viewfinder and full manual controls. The downside is that image quality isn't the best you'll get on a camera though, but for those who like to share pictures on sites such as Facebook, this isn't really a big issue for many users.
Great camera, With Limitations
I would only recommend this camera for kids that need a camera that can take a beating or using this around extreme outdoors. For general indoor and sight seeing by land you want to keep your existing camera that probably has better zoom, better in low light, and hopefully better picture quality when blown up on the computer.
Burst modes are very fast which is great for candid street scenes
The price varies depending on retailer but for an average price of around £179, the Fujifilm FinePix XP60 is a good little camera. You get some decent features built in while any issues that surround it, such as the centrally located flash producing red-eye and having an awesome red-eye reduction feature. If you're looking to go on your travels and you want a little camera that has some decent features, the XP60 will suit your needs.
Image stabilisation, Quick focusing
The Fujifilm FinePix XP60 looks good, and offers an impressive set of features including full HD video recording, it's waterproof to 6 metres, and is available in a number of colours. With a 16 megapixel CMOS sensor it offers high speed shooting and fast focusing, however, as it's not a backlit sensor, noise is high and this has a negative effect on images. The lens suffers from vignetting, as well as soft corners, giving disappointing image quality.
Full manual controls & Raw capture
The XF1 enters a competitive field in the form of the enthusiast compact market, where it primarily distinguishes itself from its peers through its smart, retro design. The camera's leather and matte aluminium finish, along with the manual zoom operation make the XF1 a pleasing camera to hold and use. Retract the lens fully and the camera can also be easily pocketed. Despite these obvious pluses, the XG1 is not without its faults.
Image quality is good, Takes excellent panorama pictures
If you're in the market for a serious compact camera, the Fujifilm XF1 is an appealing option, particularly as it is available for less than £400. It has a wide range of features, highlights being the f/1.8 maximum aperture lens, panorama modes, advanced filters which all lead to the camera taking impressive, unique pictures. For a serious compact camera, we'd like to see a higher resolution screen and some users may like a hotshoe socket so they can add a flash unit.
Good low-mid ISO image quality
We have handfuls of love for the XF1 thanks to its decent image quality, collapsible manual zoom lens, competitive price and retro, pocketable design. But that's met with a few pinches of disappointment too: the maximum f/4.9 aperture at the full extent of the zoom, lack of optional viewfinder, ongoing "white orb" issues due to the sensor and that not-so-nice faux-leather finish.
Very low image noise, Stellar dynamic-range
The Fuji XF1 is the only pocketable digital camera with a mechanical zoom. This premium compact features direct manual-controls including dual control-dials and a highly customizable interface.
This model uses a 12 MP BSI-CMOS sensor with Fuji EXR technology which gives it a class-leading dynamic range. It is paired with a ultra-bright F/1.8 - 4.9 ultra-wide-angle 4X optical zoom lens.
The Fuji XF1 delivers good image quality for mid-size prints up to ISO 1600.
LCD is sharp and you can control many aspects of the display
If you like the look of this camera, and you want a unique model that you can show off to friends and family, the XF1's photographic quality is more than good enough to justify this camera's high price tag. However, if you aren't thrilled with this camera's retro look and if you prefer a plain-old power button on your cameras, the XF1 probably isn't worth your time.
Wide aperture, Raw shooting option, Stills image quality
The XF1 is a camera that both looks great and takes impressive photos. The unusual power control on the manual zoom wheel, however, is a little fiddly and won't suit everyone. Get beyond this, though, and the wide maximum aperture and raw image recording make for a very exciting, truly pocket-sized compact.
Raw file capture plus Full HD video recording with stereo soundtracks
Introduced at Photokina 2012 as the entry-level model in Fujifilm's X-series of cameras, the FinePix XF1 shares a lot of features with the FinePix X10 but is sleeker, slimmer and lighter. The camera's aluminium body has a synthetic leather cladding that comes in black, tan or red and the retro design is in line with other cameras in the series. Coordinating retro-style cases are available.
Really intuitive to use
There's a lot to like about the XF1: it's got plenty of retro style, it's easy to use, it's packed with useful shooting features and it takes a great picture. Yes, switching it on and off can be a bit fiddly, but the double payback for this is a super-sharp manually operated zoom that's a real pleasure to use, along with a camera that's small enough to happily sit inside a coat pocket when switched off.
Build quality is good
At £334 the Fujifilm FinePix SL1000 is not a cheap compact camera. However, the 50x optical zoom is currently untouched and that's worth a premium. If you're a photographer of many disciplines, enjoying a variety of styles, then this is the camera for you. Likewise if you're wanting to learn about the art of photography, the extra features will help you get there such as the external flash and RAW recording.
Fast aperture, JPEG + raw shooting
Detail is the sword by which this camera lives and dies. On paper the Fuji SL1000 is brilliant - so much so you might even question why you'd need an DSLR, if you're considering this as a backup. Both still image and video quality are fantastic. The 50x zoom is supreme. And the ability to shoot in raw format gives you more control over your images. This is a camera with a lot of manual controls that a beginner can grow with as you gain confidence.
Feature packed, Large optical zoom lens
Fujifilm have been keen producers of compact cameras with large amounts of zoom at a low price for a while now, the downside is the image quality is not generally all that good. We are pleasantly surprised to find that you can take decent pictures with the SL1000, they even have impressive detail at 50x optical zoom.
50x zoom, Low price, Raw file recording
You'll save both space and an awful lot of money with the Fujifilm FinePix SL1000's 50x captive zoom lens. Image quality could be better, but with a fairly healthy selection of manual controls -- plus raw image shooting -- it's a good choice for the more ambitious novice looking to hone their skills on a budget.
Reproduction of details in distant objects is poor
We don't see any reason to recommend the FinePix SL1000. If someone gifts it to you, regret that you didn't get the Canon PowerShot SX50 HS, which is a stellar performer that you can buy for the same price. The FinePix SL1000 absolutely isn't worth Rs 29,999 considering its dismal performance and frustrating-to-use interface. 50x optical zoom aside, you can get a much better performer (in terms of quality and UI) for half the price - for example, Fujifilm FinePix F660EXR and Canon PowerShot...
Powerful 50x optical zoom, Captures in RAW, Good low-light photos
The Fujifilm FinePix SL1000 absolutely blows you away with its powerful 50x optical zoom. While it is bulky, the build is very good. In addition to the pull-out LCD, there is also an EVF that is more useful during outdoor shoots. The overall image quality is good and the colours are faithfully captured. The option to shoot RAW gives it an advantage. However, the smaller image sensor produces some noise of its own, somewhat offsetting the advantages offered by RAW photo capture.
20x zoom, RAW capture, Compact size, Attractive shape and size
Buying a digital camera is not as easy as it was in the early days of the digital imaging revolution and that's a good thing for consumers. Today's digital camera marketplace provides an almost endless parade of new cameras and photographers (at every experience level) have more choices than they've ever had before.
Good colour reproduction, Wi-Fi connectivity
Like the versions before it, the Fujifilm FinePix F800EXR is one of the smallest cameras available with a 20x optical zoom lens, and its design with large front grip helps keep the camera steady when shooting. The camera takes pleasing photos with good colour reproduction and has a variety of useful options including the ability to get better dynamic range in bright or difficult shooting conditions, although this is at a lower resolution when using the EXR modes.
EXR mode works well in a variety of conditions
Although it sounds good value, the F800EXR lacks some "must have" features and fails to address long-zoom focus issues of its predecessors. Lens-based image stabilisation lacks and lens flare is an ongoing issue, and while picture quality is reasonable and the EXR mode successful, it's no better than its F770EXR in this department. Fujifilm needs to iron out the bugs in the system before the F-series can push forward as, for now, competitors continue to advance ahead of this model.
Sprightly performance, high quality photos
If you're looking for an easy-to-use, able-bodied travel compact that has a beefy collection of tools on-board then the F800EXR is hard to fault considering its bargain-basement price.
Good overall resolution and sufficient zoom without paying for an SLR
Resolution is similar compared to other P&S with similar MP resolution but does not stand out.
The F800EXR is a recently released upgrade to the F770. A lot of stores may start to discount the F770 if you want to get similar quality images as the F800 at a lower price you can consider the F770.
For someone who shoots a lot of videos, this camera is definitely worth buying on the video alone. You don't have to pay for an expensive camcorder to do the job.
Compact metal body, Good front and rear grip
How does this product compare with main market rivals? The Fujifilm FinePix F900EXR updates the F800EXR with a new sensor with built in phase detection focus, giving extremely quick focus and shutter reponse. The camera has built in Wi-Fi for easy transfer to smartphones, or alternatively backup to PC. With the Fujifilm EXR sensor you get the benefit of extended dynamic range, although at a reduced resolution of 8 megapixels, however we feel that the compromise is worth it.
20x optical zoom, raw file shooting ability
The F900EXR still isn't quite the champion of its kind, but through the series' progressive ironing-out of bugs and shortcomings we feel it's a whisker ahead of its F800EXR predecessor. In short: it's a decent compact with plenty of quirks - some good, some bad - that amounts to a generally decent snapper.
Full 1080p movie recording with stereo sound
£469 / $549 is undoubtedly a lot of money to pay for a compact camera with such a small image sensor, but if the image quality meets your requirements then the HS50EXR makes a compelling argument to be the only camera that you need. Super-zooms remain one of the few growth areas in the compact camera world, and its easy to see why when cameras as good as the Fujifilm FinePix HS50EXR are being released. Highly recommended!
Good viewfinder, Pleasing handling, Impressive focus performance
There a lot to like about the HS50 EXR. Not only is it one of the best-specified superzoom bridge cameras on the market, but it also has the performance to match. It has an excellent viewfinder, lightning-quick focusing system and truly ergonomic design, and is only really let down by poor video quality and a few usability issues. Although it's far from the smallest and lightest superzoom bridge camera available, at its current price it's certainly one of the best on the market.
Good colour reproduction
The Fujifilm FinePix HS50 EXR updates the HS30/35 and offers a longer 42x optical zoom lens with manual zoom control, and is quite large compared to the previous model, with other cameras offering 50x optical zoom lens, such as the Fujifilm FinePix SL1000, and Canon Powershot SX50.
Decent image quality, raw capture option
We like the FinePix HS50EXR a lot: it's an accomplished superzoom that's put Fujifilm right back up there and in the mix and shown just what this brand can do. It can hold its head up side by side with the levels of its nearest competitors, it just ought to be a touch more cost effective by comparison.
Very fast focus, AF system
The HS50 EXR is one of the most fully-featured superzoom cameras currently available, with a superb focusing system, excellent viewfinder and ergonomic design to recommend it.
Despite sub-par video quality, images are detailed and relatively noise-free throughout the range and the ability to capture and process Raw files only furthers the standard achievable from the camera.
Intuitive handling and speedy performance
The new XQ1 is clearly designed to take on the all-conquering Sony Cyber-shot DSC-RX100 (our Compact Camera of the Year in 2012) and the popular Canon PowerShot S-series. It essentially offers image quality somewhere between the two at a very attractive price that is lower than both, whilst offering the same appealing retro design and great build quality that epitomises the X-series camera range.
Delivers excellent image quality
Ultimately, we prefer the X-A1 to the X-M1, as it delivers the same handling, features and performance, and, crucially, very similar image quality at a lower price. This is turn mitigates some of the issues that we had with the X-M1, principally concerning the lack of a viewfinder, so much so that we'd recommend that you save your cash and choose the X-A1 rather than the X-Trans, X-M1 version.
Most affordable Fuji CSC, Natural, vibrant images, Tilting LCD
Most photographers will tell you that image quality is their biggest consideration when selecting a camera, but the build and functionality of the camera are also key factors along with the price. Many manufacturers reduce the functionality and build quality of their more entry-level cameras in order to keep cost down, but Fuji is in the unusual position of being able to achieve the same thing while keeping these two elements the same.
Impressive performance, Outstanding detail and ISO performance
The Fujifilm X-A1 delivers an excellent standard of image quality, is an attractively designed camera and has a strong level of performance. While the lenses in the X series might not be the cheapest on the market, the X-A1 is well worthy of consideration in the entry-level CSC market.
Very good value for money, Excellent noise performance
The 16-50mm OIS kit lens, despite being a kit lens, delivers excellent image quality with a useful wide-angle to telephoto zoom range and includes a good sized lens hood. The combination of this lens and the compact body makes for a compelling package, with the added bonus of a good 3inch tilting screen and built in Wi-Fi connectivity.
Entry-level looks lavish and feels flimsy
When we reviewed the X-M1, we concluded that it was a camera with an excellent sensor in a chintzy body. The X-A1 keeps the same cheap suit, drops in a marginally inferior sensor, and charges you $200 less. Is that a good thing? It depends on what you're shopping for.
Outstanding sharpness scores
The Fujifilm X-E1 is all of the fun and none of the frivolity of the X-Pro1. The decision to exchange the hybrid OVF for lower costs will make a lot of consumers happy, but keeping performance at basically the same level is the real achievement here. We loved having this camera in-house and hate to see it go. Anyone whoâ?? s been watching this series but put off by the price should take a second look.
Intuitive handling, fantastic image quality
Retailing for £749 in the UK and $1000 in the US for the body-only, or £1149 / $1399 with the new 18-55mm f/2.8-4 OIS lens, means that you can buy the X-E1 with a great kit lens for less than the body-only launch price of the X-Pro1 (although obviously this is now significantly less). It also pits the X-E1 directly against the Olympus OM-D E-M5 and the Sony NEX-7, both of which are great cameras, but both of which are quite different in their approach.
Excellent image quality, Superb high ISO noise performance
The X-E1 is a great follow up model to Fujifilm's X-Pro 1 providing most of what the more expensive flagship model offers at a significantly lower price point. For purists, an optical viewfinder on a rangefinder style camera will be a must-have feature and the X-Pro 1's hybrid viewfinder is a technological wonder. But if you can live without an optical viewfinder, the X-E1's EVF is one of the best around and is arguably better suited to an interchangeable lens camera.
Unique camera design makes you want to take pictures
Overall, we really enjoyed shooting with the Fujifilm X-E1, and I'm very pleased with the images I got out of it. The camera crashed on occasion (it wouldn't be a new X-series camera if it didn't have some bugs...), leaving buttons unresponsive, and focus and exposure sometimes delivered odd results, but powering off usually cleared the error.
Stunning image quality
While it might be tempting to think of the X-E1 as a stripped back X-Pro1, that does it something of a disservice in that the X-E1 is a great camera in its own right. Gifted with the same premium grade construction and finish, the X-E1 feels more refined and balanced than it's more expensive sibling.
Impressive colour reproduction
The Fujifilm X-Pro1 and X-E1 are the definition of retro digital cameras, and the moment you pick it up, you'll be reminded of an old film camera from the past. With manual controls on the lens and body it is very easy to adjust settings and the menus and controls are well thought out and easy to get to grips with. The electronic viewfinder is excellent with an extremely high resolution and is great to use, although it's a shame the 2.8inch screen isn't larger and a higher resolution.
Image quality is excellent, build quality is superb
It's not cheap and the autofocus speed isn't going to see off its nearest competitors, but the X-E1 is a tool that never takes its eye off the image-quality ball, all wrapped up into a super chic retro-styled body. It looks great, its images look even greater, and that's where this retro snapper wins. However the limited selection of current XF lenses may be seen as an issue and this pro-targeted model isn't going to suit all tastes or needs on account of its AF system.
Extremely low image noise up to ISO 6400
The Fuji X-E1 follows the X-Pro1 with the same 16 MP CMOS sensor that delivers class-leading image quality thanks to its unique X-Trans sensor which does not use an anti-alias filter.
The X-E1 is an excellent successor to the X-Pro1. While it does not address all issues, it improves upon the X-Pro1 considerably with a better EVF in a smaller body, faster performance and even a considerably lower price tag.
Retro styling, Less daunting than the X-Pro1
The 16.3 effective megapixel, 1920x1080 pixels Full HD video shooting Fujifilm X-E1 competes directly with the Olympus OM-D E-M5 in the retro styled compact camera system stakes. While, if you prefer the more modernist look, the Sony NEX-7 and cheaper Sony NEX-6 likewise offer an eye-level viewfinder, as well as the larger format APS-C sensor for almost DSLR-style picture quality.
© 2007-14 ReviewGist.com. All Rights Reserved.