As with all new technology.. there are always some glitches
As far as picture quality (the lens does work with the exception of the two things mentioned) I have been very happy. I do feel like adding a few steps of sharpness helps the images (custom picture settings are available for user to define), but I am wondering now if that may also be the lens issue.
Excellent image quality, straight-forward handling and quick performance
So while the Nikon D5300 doesn't add that many new features to the year-old D5200, what it does add makes it a unique product at the mid-range price-point, offering something genuinely different to the likes of the Canon EOS 650D, Pentax K-5 II and the Sony A65. The combination of a free-angle screen, great video mode, high-quality stills and new connectivity options mean that the Nikon D5300 is a worthy winner of our Highly Recommended award.
1080p60 HD video mode, Excellent image quality
The Nikon D5300 is what's often referred to in the technology world as an 'evolutionary' upgrade. Nikon has abandoned the D5200's optical low pass filter, which might have been considered revolutonary a year ago, but now looks, to borrow a fashion industry term, 'on trend'. That's not to say it's frivolous or unwarranted, given that it improves the D5300's image quality with no apparent drawbacks (Moire wasn't an issue in any of my test shots) it's absolutely the right move.
Built-in Wi-fi addition, Good build quality
Although the Nikon D5300 certainly isn't perfect, with the lack of a touchscreen and a high price-tag at launch two noticeable issues, it's among best DSLRs on the market and is certainly worthy of consideration if you're in the market for an upgrade from your first DSLR, CSC or advanced compact.
Built in Wi-Fi and GPS, Improved ISO performance
The Nikon D5300 takes the tried and tested Nikon D5x00 series and updates it with a new more compact body, upgrading the screen in the process to a larger 3.2inch version and adding built in Wi-Fi and GPS into the mix. Along with this the 24 megapixel sensor now features no optical low pass filter, which will give improved image quality when shooting with high quality lenses, and we would recommend using prime lenses to get the best out of the camera.
Delivers great performance, weather-resistant build quality
We really can't think of anything bad to say about the new Pentax K-3, other than it deserves a better lens than either the 18-55 or 18-135mm kit lenses to realise its true potential. Pentax may not be as big or have the kudos of Nikon and Canon, but in the new K-3, they definitely have a fantastic semi-pro DSLR camera that's worthy of our highest Essential! award.
Superb clarity in image quality with 24MP sensor
Pentax have been consistently producing outstanding DSLRs, well specified and rugged. The K-3 continues that tradition, but honing areas that needed attention such as the AF tracking system and the video capability. The increased resolution and the clean images it produces all set off a well-rounded package that comes very close indeed to challenging very much more expensive kit.
Image quality is unsurprisingly excellent
Ultimately the E-P5 joins the E-M5 as a fantastic compact system camera, albeit again a rather pricey one. It's different enough to its older sibling to warrant careful consideration - smaller, lighter, in some ways more flexible, and with some genuinely useful extra features - so much so that we can recommend the new Olympus E-P5 just as highly as our favourite compact system camera of 2012.
Beautifully-styled and built, with lots of external controls
The E-P5 is the most substantial re-working of the original PEN model, and it's the most impressive yet. It produces the same excellent image quality as the E-M5 and has a proper two-dial control system. This, combined with a better touch screen and arguably the prettiest PEN body, make it a more attractive and more complete camera than the series has seen before.
Excellent image quality, Excellent colour reproduction
The Olympus PEN E-P5 sits at the top of the Olympus PEN range and is the desirable premium mirrorless camera, while lacking weather sealing of the OM-D, the additional features and high IQ from the OM-D should make the E-P5 top of the list for a mirrorless camera. The VF-4 EVF (electronic viewfinder) with a high resolution, large view, and rapid refresh is an excellent bit of kit and well worth adding to the E-P5, making it a real pleasure to shoot with.
Super-fast autofocus, responsive touchscreen
Substance and style meld into one excellent camera. If you're after a compact system camera without a built-in viewfinder then the E-P5 is as good as they come. If a viewfinder is essential then the VF-4 accessory is great, but it might make better financial sense to buy an OM-D E-M5 instead.
Attractive retro design, Efficient and intuitive controls
All the staffers who had a chance to try out the E-P5 loved it, and we were sad to see it leave our hands. It's nicely designed, has a ton of features, and produces really nice images. The noise filter is a bit aggressive that results in less-than-sharp images, but this is easily fixable by adjusting the settings to your liking. The E-P5 is a camera that will do really well in any number of shooting situations, as long as you can handle the price tag.
Better handling and importantly faster performance than its predecessor
The new Fujifilm X-E2 offers more features, better handling and importantly faster performance than its predecessor, which we already loved, making it our favourite X-series camera and one of the best compact system cameras around. Fujifilm have clearly listened to their users and produced a camera that may look very much like the original X-E1, but which improves on it in virtually all ways.
Impressive noise performance, Great build quality and handling
The Fujifilm X-E2 improves on the X-E1 and addresses a number of the issues we found with the original camera, including accidentally knocking the exposure compensation dial, this hasn't happened on this new model, as well as adding a larger higher resolution screen. Focus speeds and continuous shooting speed has also been improved with the camera feeling extremely responsive in use.
Fantastic little camera
Very nice quality pictures that can handle high iso noises pretty well, Video quality is amazing with very fast auto focusing. Even at low light, the focus was amazingly well done. I own Canon 7D and I bought this camera for my wife and she is loving it so far. Lots of fun functions built in camera editor, as well as full touch screen effects are really nice. I highly recommend this camera whoever wants to buy a mirrorless. It even comes with free lightroom4 software!
Sharp images even from kit lens, Great Wi-Fi connectivity
The Samsung NX300 really does earn the title of the flagship NX mirrorless camera. It offers a classic leatherette skin draped over a sleek metal body. It is solid and sturdy--the best made NX of the entire lineup. Its image quality is clean and sharp, only giving way to serious pixel degradation at ISOs above 6400.
Deliver significantly more features and performance
The NX300's new 20.3 megapixel sensor delivers excellent still image quality, with a very usable ISO range of 100-6400, plus 1080p HD video at a range of frame rates complete with auto-focusing, full control over the exposure settings, stereo sound and a wealth of other options.
Image quality, Build quality and design
It's clear that a lot of consideration has gone into not only what the Samsung NX300 should do, but also how it should do it, since you're never more than a couple of clicks - or screen taps - away from any particular setting.
Samsung's iFunction lens system continues to impress, with the new Lens Priority function opening up the world of attractive short depth of field photography to less experienced users.
Great image quality
The Samsung NX300 is an welcome refresh to the Samsung NX range, with an impressive 3.31 inch touch screen (the largest on any mirrorless camera), and a good range of Wi-Fi features built in. Image quality is impressive with better results than the previous model, the NX210, thanks to improved noise performance, and excellent levels of detail.
iFunction control system, low light performance
The NX line-up was already strong, and the NX300 solidifies its position as one of the best compact system camera options currently on sale.
There's a pretty heady mix of specs inside its beautiful retro body, with - to coin a clich - something for everyone. For the pros, there's a large sensor, top notch low light performance, and of course the bundled Lightroom software.
Easy Wi-Fi connectivity
Samsung delivers a camera with plenty of power and features to satisfy photographers who want to step-up to an interchangeable lens model. That said, the lack of viewfinder options may be off putting to those who are looking for a compact alternative to an SLR.
The NX300 sells for AU$899 with an 18-55mm OIS III lens. It comes bundled with a free copy of Adobe Lightroom 4, which normally retails at AU$98.75 as a stand-alone package.
A generational camera
The x100S has fine enough image quality and speed, in such a reasonably sized package, that the next generation of camera doesn't appeal to me. The x200S could have twice the resolution and twice the speed and I simply wouldn't care. I'm not suggesting that the x100S is the pinnacle of fixed lens digital cameras. But I am saying that Fuji has achieved such a balance of features and performance with the x100S that I can't reasonably see myself upgrading or switching for the foreseeable future.
Capable of excellent performance
While we could certainly dock the X100S for a lack of newbie-friendly features, this is still a $1,299.99 fixed-lens camera; there's probably not many beginners willing to shell out that kind of money for a camera lacking the flexibility of a system camera. Those in this part of the market probably know their way around a RAW converter or two, and are willing to suffer a bit for their art. Especially for street photographers who don't want to shell out for a Leica, the X100S is a fine choice.
Compelling mix of intuitive handling, impeccable image quality
There's no denying that £1099 / $1299 is a lot of money to pay for a compact camera with a fixed lens, but the Fujifilm X100S offers so many improvements that if you ever found yourself looking longingly at its predecessor, there's very little reason not to take a much, much closer look at this new version. Quite simply the new Fujifilm X100S is one of the best cameras that we've ever reviewed and joins its illustrious predecessor as a worthy winner of our coveted Essential! award.
Fast Hybrid AF with manual focus aids, Hybrid optical/electronic viewfinder.
The Fujifilm X100S builds on the success of its predecessor, the X100, with a new sensor, faster, more accurate focusing and a raft of other improvements. Fujifilm has concentrated on improving what needed it and fixing (most of) what was broken, while leaving what what best and most loved well alone - namely the X100's retro styling, composition and traditional controls.
Detail-rich images, Bright lens
By taking some of the best elements of the Fuji X-Pro1, such as the sensor design and Quick Menu, Fuji has produced a worthy update to the X100, and many owners of this camera will feel sorely tempted by the X100S. The improved handling and image quality makes it a very desirable step up.
Excellent resolution and detail in photos
The Fujifilm X100s improves quite dramatically over the Fujifilm X100, with a new 16 megapixel sensor that delivers excellent noise performance and detail in photos. The X100s gives the same familiar controls as the original X100 as well as a higher resolution electronic viewfinder, that when combined with the hybrid optical viewfinder, makes this camera a unique proposition.
Very nice camera
Great image quality, very nice zoom range. Crisp sharp images with great low light focus. I was looking for a nice carry around camera and after trying several others such as olympus omd m1, panasonics fz200 and canon hs50 and finally the fuji xs1(which is the only one of the group I kept) none compared to the rx10 in features or image quality. This camera is a nice compliment to the canon gear I am currently using for work - t5i, 7d, 70d, 6d and 5d miii.
Full-featured, best-performing super-zoom
Offering excellent image quality, great build, speedy performance, and slick ease-of-use, the Sony Cyber-shot DSC-RX10 is the best super-zoom camera currently on the market. Only you can decide if all of that is worth the the admittedly substantial investment - we'd strongly suggest that it is...
Ability to shoot Raw as well as JPEG
With the ability to shoot Raw as well as JPEG, high quality video with stereo sound and do both in otherwise testing conditions, this is one compact styled CSC that just about does it all. Given this perhaps the asking price isn't as excessive as it might first seem in comparison with regular non-protected 'J' series Nikons.
Waterproof to 15 metres, High speed shooting at 60fps
The Nikon 1 AW1 is unique in offering a completely waterproof and shockproof interchangeable lens camera, making it ideal for travelling, swimming, snorkelling, scuba diving, or for giving to the kids to take photos with. Although with a limited number of lens options that are also waterproof, the choice of waterproof lenses is a little bit limiting at the moment, and it would benefit from a brighter prime lens or a wider zoom lens, as the standard zoom lens isn't very wide or very bright.
Above average image noise for a mirrorless
The Nikon 1 AW1 is absolutely unique. It is the only waterproof or shockproof interchangeable lens camera every made. Its relatively large 1" CMOS sensor provide it with image-quality superior to all other waterpoof cameras. This makes it an obvious choice for anyone serious about underwater photography but not able to spend on a DSLR submersible casing or willing to deal with the bulk and complexity of such a system.
First waterproof interchangeable lens camera
In its primary capacity as an underwater camera, the AW1 performs very well. Does it deliver the best photos from an ILC? No. But it is the only rugged model that will withstand whatever you can throw at it and give you the flexibility of changing between lenses. As a feat of pure engineering, the AW1 is a marvel.
Superb video quality, Excellent grip design and button layout
Compact system cameras have always been the product of compromise; smaller sensors allow for a smaller package, but a smaller package means less physical control. The GH3 compromises very little, with image quality and video capability matching cameras that cost quite a bit more. It's a fine camera in every right with enough features and control to satisfy photographers of any level.
Fantastic camera in its own right
Overall the Panasonic Lumix DMC-GH3 is a fantastic camera in its own right, transcending the boundaries of mirrorless, DSLR, Micro Four Thirds, stills and video. The compelling mix of outstanding image quality, ease-of-use, intuitive design and a rich feature-set makes it very easy for us to highly recommend the new Panasonic Lumix DMC-GH3 - only that eye-watering price prevents us from awarding it our highest Essential rating.
Sensational video quality, Good stills image quality
The GH3 offers the best video quality of any camera we've ever seen and does a pretty good job of making it available to a wide range of users. This footage is available without external recorders, making it ideal for in-the-field shooting as well as more formal rigged-up setups. It's also a pretty handy stills camera with plenty of external controls, making it an impressively flexible package, overall.
Responsive touchscreen, Quick and easy controls
The Panasonic GH3 offers all modern conveniences we want in a digital compact system camera these days; a decent EVF, an articulating capacitive touchscreen, Wi-Fi connectivity and a fast autofocus system.
It may be a little larger than most compact system cameras, but it has a superb featureset in a very well-made body that is compatible with a wide variety of lenses. This makes it more versatile than most CSCs on the market and it turns out high quality images in most situations.
Class-leading touchscreen control
As Panasonic's flagship digital single lens mirrorless (DSLM) camera (more commonly referred to as a compact system camera) the Lumix GH3 has come on a long way from the two-year-old GH2 and brings with it a generous range of improvements. Indeed, with its larger hand grip, bigger battery, superb touchscreen and integrated Wi-Fi connectivity we don't have any hesitation in saying the GH3 is one of the most intuitive CSCs we've used.
Excellent range of lenses, Excellent handling
The Panasonic Lumix GH3 with a rugged weather sealed body and Digital SLR styling and controls, is one of the most advanced Micro Four Thirds cameras available, and has an extensive range of useful photographic and video upgrades in comparison to previous Panasonic cameras. In fact, it's one of the most advanced Full HD video recording cameras available at the moment.
Video capture is as good as it gets, feature-packed
Packed with features, exceptional on the video capture front, but otherwise a bit bulky and certainly pricey. Despite the GH3's obvious improvements over its predecessor, including in the image quality department, it's the significant price jump which sees the score slip.
A solidly built camera for professionals
The Lumix DMC-GH3 has all sorts of buttons and dials that can help you set the scene for your photos. If you use them correctly, you'll end up with images that are clean, highly detailed, and a pleasure to look at. You could also just plonk it in Intelligent Auto mode and let it do all the work for you, but that would go against the grain of the camera's design, which is meant to be a playground for pros and enthusiasts.
Very low image-noise until ISO 800
The Panasonic Lumix DMC-GH3 takes over the GH2 as Panasonic's flagship mirrorless camera. Its large body is weather-sealed and features triple control-dials among a plethora of buttons to make it efficient in use. The built-in EVF has been upgraded to 1.7 MP and the LCD to 610K pixels to improve viewing.
Love this Camera!!!
I am a proud owner of the Pentax K-5 and very happy with everything about it. I just received the Pentax K-5 II and tested it out. I tried it in a low light situation and the images are better. In addition, the LCD screen on the back of the camera is much better and I can better determine if the image is tack sharp or not. I would highly recommend to spend the extra amount and go for the K-5 II instead of the K-5 at a discount.
Vastly improved autofocus in low-light shooting
Photographers buying their first top-tier DSLR will have a tough choice ahead, but Pentaxians are likely to stick with the home team. If you're looking to upgrade from a K-7, K20D, or K-x and don't shoot in low light or with fast primes (brighter than f/2.8), the K-5 is a great choice and a real money-saver. But if you just love shallow depth of field and need the flexibility to shoot in extremely dim light, the K-5 II is your answer.
Image quality is excellent
The K-5 II's image quality is excellent, producing noise-free images all the way from from ISO 80-800. Noise starts to become apparent at ISO 1600, with a little more noise and smearing of fine detail at the higher settings of 3200 and 6400, while the fastest speeds of 12800, 25600 are suitable for smaller prints. The incredible headline-grabbing top-speed of 512000 is frankly unusable - Pentax should have followed Nikon's lead and stopped the range at 25600.
Good detail and dynamic range (even better in Raw)
A good, solid, weather-sealed camera with a tried-and-true sensor, the Pentax K-5 II remains a solid digital SLR that's easy to recommend. With a decided bent toward enthusiast users, the Pentax K-5 II pairs well with the company's line of Limited lenses, and is good to have along with a Weather Resistant lens on a rainy day.
Solid build, Ease of use, Decent sensor
Like its predecessor, the Pentax K-5 II succeeds where it matters most. It produces high image quality (although its resolution scores are a little low), boasts strong autofocus performance, high build quality and is easy to use. It is a pity we can't add the camera's exposure metering to the list of superlatives, because capable though it is, the few occasions where overexposure does occur can frustrate.
However, the biggest problem the Pentax K-5 II faces is the old Pentax K-5.
Impressive AF in low light
First and foremost, the Pentax K-5 II represents a relatively minor upgrade over its predecessor, the K-5. It's worth noting though that the original K-5 was a pretty impressive DSLR, so the lack of any great sweeping changes isn't necessarily a bad thing. The main improvements the new model does bring to the table are with regards to AF performance and the viewability of the LCD screen, both of which make a noticeable difference.
Fast operation, Outstanding colour reproduction
The Pentax K-5 II is a rugged, magnesium alloy bodied, weatherproof, well designed and high quality camera with a kit zoom that is really very good indeed, and provides a package that looks very exciting against its rivals. It is more compact, arguably slicker in operation and provides the highest standards at a relatively low price level. There's not much to dislike, so the K-5 can be totally recommended.
Excellent control over image noise
The Pentax K-5 II follows its predecessor by two years with an almost identical specification which hides the most sensitive autofocus system yet. The new SAFOX X AF system is sensitive down to -3 EV which is beyond any available digital camera. The simultaneously-launched K-5 IIs which lacks an anti-alias filter is the only DSLR to top the image quality of the original K-5. The K-5 II lands right between them.
Image quality, Colour reproduction
Pentax has followed up its highly regarded K5 with an equally impressive consumer dSLR. With good image quality and great interface design in both the hardware and software, it's a very enjoyable camera to use. Although a little more expensive than some direct competitors, it's well worth serious consideration.
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