A jack-of-all-trades with the best amateur video available
This is the most significant DSLR Canon has introduced since the 7D. It's the first one I've reviewed without some major caveat. And that's unusual. Canon doesn't often make game-changing cameras. They do what they did with the 30D, T3i, T5i, and 6D: make incremental improvements and leave a lot on the table. That's not what happened here, and so much the better.
Good still image quality, Good ISO noise performance
Is the 70D an automatic "must have" for 60D owners? If they shoot a lot of video, almost certainly - in video performance alone the 70D really outclasses the 60D, in no small part due to the lack of continuous AF in the 60D to begin with. Primarily shoot stills but a lot of bursts for sports or wildlife photography? Maybe - those extra 2 fps are a fairly significant jump over the 60D. Looking for your first DSLR and want/expect to shoot a lot of video?
Excellent image quality
Indeed, until we see Dual-Pixel CMOS AF inevitably make its way across the EOS range, we'd recommend the new Canon EOS 70D as the APS-C camera to go for if you're currently considering a mid-range DSLR camera. It offers a winning blend of features, performance and image quality that is hard to beat, both by its EOS brothers and other manufacturers' offerings. The new EOS 70D marks a real step forward for both Canon and the venerable SLR camera.
Great image quality, high resolution and low noise
Many cameras involve some compromises in what you can take, but the 70D suffers from little if any of those limitations. It can quickly respond to a wide variety of situations, taking high quality stills, tracking fast action through the viewfinder, shooting high speed bursts and confidently refocusing for movies. These make the 70D one of the most capable all-round cameras I've tested, even if the star of the show is the continuous movie AF.
Great touchscreen performance
The Canon EOS 70D is a real step forward in the world of DSLR photography, and if you shoot a lot of video, or find yourself using live view image capture with any regularity, it's a great choice. But It's not without its faults, with a few bugs in the Creative Filter settings proving particularly disappointing, although on the whole it's an impressive bit of kit that will change the way DSLRs handle AF technology in the future.
Excellent colour, Excellent vari-angle 3inch touch screen
The new dual pixel AF feature noticeably improves focus during video and live view, as promised, this will be particularly impressive and useful for those who shoot with Canon lenses for video or live view use, although at the expense of battery life, which drops dramatically from the otherwise excellent 920 shots offered.
7fps burst at full resolution with decent buffer, great image quality
Great new technology, great image quality, and great in use - there are only a few nitpick shortcomings to the Canon EOS 70D. Otherwise it's as close to redefining the mid-level DSLR sector as we've seen in recent years. It sure does earn its stripes; this is the colonel of cameras and deservedly so.
A 'Fixed' D600 but a Failed Nikon Brand
I purchased the Nikon D600 when it first came out and THANKFULLY returned it when the dust/oil began to pop up on the sensor. I feel horrible for anyone that kept the D600 and now has a faulty camera out of warranty that has (essentially) been decommissioned from Nikon as a faulty product they don't want to fix. Thus the D610: a Nikon D600 with no dust and oil issues.
Great, responsive and versatile tool
That the D610 is lighter than any other Nikon FX digital SLR camera is a real boon to anyone planning to use it for extended periods of time, though be prepared that it's still quite a handful and noticeably heavier than the cheapest auto focus SLRs of the film era (then again, it's a much higher specified model than any of those). The Nikon D610's mirror is surprisingly quiet for a full-frame SLR camera and in normal use it produces only minimal viewfinder blackout.
High build quality, Excellent quality images
While the Nikon D610 is an excellent camera that's capable of recording plenty of detail in images with rich tones, good exposure and pleasant colours it is considerably more expensive the Canon 6D which can be bought for around $1899/£1475.
Those photographers who aren't tied to Nikon by a stash of lenses may feel tempted to invest in the Canon camera instead.
Excellent image quality, Excellent noise performance
The Nikon D610, like the D600 before, is a full-frame 24.3 megapixel camera with excellent image quality and performance. It offers excellent noise performance, excellent image quality with good detail even as the ISO setting increases, and puts it all into a rugged weather sealed body with a great 3.2inch screen. The camera offers advanced Full HD video recording with both microphone and headphone sockets, and video benefits from the full frame sensor in low-light situations.
Perfect Upgrade from D5100
If you're starting to outgrow your lower tier DX camera, get this one - you won't be disappointed. I already have quite a few DX lenses and don't feel like replacing them with FX lenses and I actually prefer the crop factor (1.5x teleconverter in effect) on my big nasty 70-200 2.8.
Sharpness was very strong
Aside from white balance, the D7100 leaves us with little to complain about. Videography is definitely improved over previous models, but there are some strange control quirks, and plenty of better video-oriented SLRs already exist on the market. Nikon could also do a much better job communicating its "unique" control techniques to new users.
Excellent build quality
There isn't much that we can say is wrong with the D7100 except for a couple of minor quibbles. But in the end, this may just be the best darned ASP-C DSLR that we've seen in a while. The fast fps shooting abilities will appeal to birding shooters, the dad photographing their kid's basketball game (and this is probably the perfect camera for it, and for the weekend landscaper.
Exposure, colour and white balance were all uniformly reliable
In summary the new Nikon D7100 further improves on the already excellent D7000 in several key ways and many minor ones, all adding up to make this the best DX-format DSLR to date. Nikon may be focusing on a full-frame future, but the D7100 clearly shows that they haven't forgotten the cropped sensor market. It may look almost identical to its predecessor, but the Nikon D7100 certainly proves that first impressions can be very deceiving.
Outstanding low ISO performance in both JPEG and Raw files
The D7100 is a well-built enthusiast DSLR that offers impressive image quality and easy access to shooting parameters along with a high degree of customization options. Video output is a bit disappointing and a very small image buffer limits sports shooters to JPEG-only mode.
Excellent LCD screen
There's no denying that the D7100 is an incredibly well-rounded DSLR with one of the most complete enthusiast DSLR feature-sets we've seen to date. The lack of an anti-aliasing filter gives images a pleasing crispness, while metering and White Balance systems are also difficult to fault.
Despite all of this, there are faults. Most noticeably, the high saturation of pixels on the sensor means that images are nosier at lower ISO settings then one would hope.
Excellent image quality and detail
The Nikon D7100 offers a compelling set of features, in a well built weather sealed body with a great looking 3.2inch screen. An updated 51 point focus system ensures focus is rapid and reliable, with the camera responding quickly. The camera features 6fps shooting in JPEG for 99 shots, which can be increased to 7fps when using 1.3x crop mode, although this isn't as quick as the Canon EOS 7D, or the Sony Alpha A77 with 12fps shooting.
Decent sharpness when on point
All in all we're impressed with the D7100 - it delivers great images, has an extensive autofocus system with 1.3x crop option, a long-lasting battery life and both the viewfinder and LCD screen are decent. What we'd like to see is yet more sensor improvements and a more capable buffer for burst shooting in the future - that would elevate this series to the next level.
Spectacular image quality
The Nikon D600 was one of the worst-kept secrets in the industry this year, and the enthusiast and prosumer crowd has been foaming at the mouth to see what an affordable full-frame camera from Nikon would look like. The Nikon D600 does not disappoint, offering nearly every bit of control that the impressive D800 offers, with comparable features.
Excellent image quality, Full feature set, Dual SD card slots
The Nikon D600's release (along with that of the Canon 6D) has made full-frame shooting available to a broader market than ever before. This is particularly important for Nikon users since photographers with DX cameras don't have to buy new lenses when stepping up to the D600.
Additionally, the D600 offers a 24 megapixel sensor, a full complement of features that almost rival those of the more expensive D800 and performance that will meet the needs of most photographers.
Great, responsive and versatile tool
If you think you can live with that and a few other limitations / omissions versus the D800; the smaller, lighter and cheaper Nikon D600 will serve you just as well as the more expensive model - and even give you faster frame rates and more manageable raw file sizes as an added bonus.
Built-in AF motor for non AF-S lenses
From Nikon's point of view, the D600 has a tough role to fulfill. Primarily, it's an 'entry level' full frame DSLR designed to appeal to enthusiast photographers looking for the kind of build, image quality and features provided by pro DSLRs at a more affordable price. It's also got to function as a pro model backup, able to tick the same boxes as high end models like the D800 and D4, without being so good it begins to look like an attractively priced replacement rather than a supplement.
Outstanding low and high ISO performance in both JPEG and Raw files
There's a lot to like in the Nikon D600. In fact, really, there are very few areas in which it can be legitimately criticized given its market position and price point. Being a mid-range DSLR (albeit towards the top end) it lacks the customization options of the D800 (and D300S) and borrows its operational ergonomics primarily from the D7000.
Compact and light, Outstanding sensor performance
The superb sensor, extensive yet accessible features and compactness make the Nikon D600 an exceptionally user-friendly full-frame.
It's a pity the Nikon D600's larger sensor commands such a price premium over the Nikon D7000, but assuming it sees the kind of price reductions that the D800 has undergone, we're in for a treat.
But Nikon won't have this sector to itself for long. Canon's new full-frame EOS 6D will undercut the Nikon D600 on size, weight and price. Let battle commence.
Compact design may well appeal to many
On paper the D600 looks to be an attractive proposition and Nikon's attempt to once again bring an affordable full-frame DSLR to the enthusiast market is certainly to be applauded. There are, however, two things that may hold it back. The first of these is its closeness in price to the higher-spec and more robust D800, although given time we wouldn't be surprised to see the gap in price widen between the two models.
Excellent image quality, Excellent noise performance
The Nikon D600 is a full-frame 24.3 megapixel camera with excellent image quality and performance. It offers excellent noise performance, excellent image quality with good detail even as the ISO setting increases, and puts it all into a rugged weather sealed body with a great 3.2inch screen. The camera offers advanced Full HD video recording with both microphone and headphone sockets, and videos benefit from the full frame sensor in low-light situations.
Excellent image quality, small and light for a full-frame camera
The D600 opens the full-frame door to many that would never otherwise be able to afford such a DSLR. It's not exactly cheap, but it's great value for money when considering both the build and image quality. The feature set is much like a D800 mashed up with a D7000 - an excellent blend of pro and consumer features therefore kit out this full-framer and it definitely gets our seal of approval.
Love this Camera!!!
I am a proud owner of the Pentax K-5 and very happy with everything about it. I just received the Pentax K-5 II and tested it out. I tried it in a low light situation and the images are better. In addition, the LCD screen on the back of the camera is much better and I can better determine if the image is tack sharp or not. I would highly recommend to spend the extra amount and go for the K-5 II instead of the K-5 at a discount.
Vastly improved autofocus in low-light shooting
Photographers buying their first top-tier DSLR will have a tough choice ahead, but Pentaxians are likely to stick with the home team. If you're looking to upgrade from a K-7, K20D, or K-x and don't shoot in low light or with fast primes (brighter than f/2.8), the K-5 is a great choice and a real money-saver. But if you just love shallow depth of field and need the flexibility to shoot in extremely dim light, the K-5 II is your answer.
Image quality is excellent
The K-5 II's image quality is excellent, producing noise-free images all the way from from ISO 80-800. Noise starts to become apparent at ISO 1600, with a little more noise and smearing of fine detail at the higher settings of 3200 and 6400, while the fastest speeds of 12800, 25600 are suitable for smaller prints. The incredible headline-grabbing top-speed of 512000 is frankly unusable - Pentax should have followed Nikon's lead and stopped the range at 25600.
Good detail and dynamic range (even better in Raw)
A good, solid, weather-sealed camera with a tried-and-true sensor, the Pentax K-5 II remains a solid digital SLR that's easy to recommend. With a decided bent toward enthusiast users, the Pentax K-5 II pairs well with the company's line of Limited lenses, and is good to have along with a Weather Resistant lens on a rainy day.
Solid build, Ease of use, Decent sensor
Like its predecessor, the Pentax K-5 II succeeds where it matters most. It produces high image quality (although its resolution scores are a little low), boasts strong autofocus performance, high build quality and is easy to use. It is a pity we can't add the camera's exposure metering to the list of superlatives, because capable though it is, the few occasions where overexposure does occur can frustrate.
However, the biggest problem the Pentax K-5 II faces is the old Pentax K-5.
Impressive AF in low light
First and foremost, the Pentax K-5 II represents a relatively minor upgrade over its predecessor, the K-5. It's worth noting though that the original K-5 was a pretty impressive DSLR, so the lack of any great sweeping changes isn't necessarily a bad thing. The main improvements the new model does bring to the table are with regards to AF performance and the viewability of the LCD screen, both of which make a noticeable difference.
Fast operation, Outstanding colour reproduction
The Pentax K-5 II is a rugged, magnesium alloy bodied, weatherproof, well designed and high quality camera with a kit zoom that is really very good indeed, and provides a package that looks very exciting against its rivals. It is more compact, arguably slicker in operation and provides the highest standards at a relatively low price level. There's not much to dislike, so the K-5 can be totally recommended.
Excellent control over image noise
The Pentax K-5 II follows its predecessor by two years with an almost identical specification which hides the most sensitive autofocus system yet. The new SAFOX X AF system is sensitive down to -3 EV which is beyond any available digital camera. The simultaneously-launched K-5 IIs which lacks an anti-alias filter is the only DSLR to top the image quality of the original K-5. The K-5 II lands right between them.
Image quality, Colour reproduction
Pentax has followed up its highly regarded K5 with an equally impressive consumer dSLR. With good image quality and great interface design in both the hardware and software, it's a very enjoyable camera to use. Although a little more expensive than some direct competitors, it's well worth serious consideration.
Advanced autofocus system handles moving subjects beautifully
When we first saw the Canon 1D X way back in the fall of 2011, it became immediately clear that Canon was looking to produce a camera that would be right at home in the bags of world-class photographers and videographers alike.
Even amongst pure still photographers, the Canon 1D X's dove-tailing of the sports-centric 1D Mark IV and the studio-centric 1Ds Mark III lines seemed to be an ambitious move designed to capture the majority of the pro market with a single professional body.
Performs exceptionally well in low-light situations
At around £5,300 for the body-only the Canon EOS-1D X doesn't come cheap, but if you're a professional photographer who makes a living from photography then the 1D X is one of the best tools that money can buy. Put simply the Canon EOS-1D X is remarkable camera and we have no hesitation in saying it's the best Canon DSLR we've ever used.
Exceptional high ISO performance, Excellent image quality
If you're looking for the ultimate in speed, image quality, and performance, as well as exceptional low light performance then the Canon EOS 1D X certainly delivers in abundance. With extremely high ISO settings available it's possible to shoot in low light situations hand-held where you would normally have to setup a tripod and timer, as long as you don't mind using these higher ISO settings.
Super fast burst rate, incredible battery life
Fast, tough, long-lasting and able to produce exceptional images. Some other full-frame models outperform in the resolution stakes, and Canon's lost its formerly enviable "movie king" hat, but otherwise the 1D X is as good as professional full-frame DSLR cameras get.
Fast and accurate focusing, high burst speeds and a generous buffer capacity
Arguably, the EOS 1D X is Canon's most versatile camera to date and there are few situations in which it won't shine. Sports and wildlife photographers will relish the new AF system, high burst speeds and clean films at high sensitivity settings. (With a caveat to photographers who use extender lenses, as explained above.)
Recorded spectacular video
There's no question the Canon 1D X is capable of recording excellent video images, but that's what you should expect from a camera that costs in excess of 6000 dollars. The multiple compression options (ALL-I or IPB), as well as the numerous record modes and extensive manual video controls offer everything the professional videographer needs to capture high-quality video. But the camera isn't marketed to video users as much as, say, the Canon 5D Mark III or the Panasonic GH3.
Excellent low-light, High ISO performance
The Canon 1D X is certainly an exciting new addition to the Canon line-up. It raises the bar in a number of areas such as speed and customisability. I also have high hopes that the image quality and low-light performance will live up to the hype.
faster processor, a more advanced metering system and a more extensive AF system
The previous 1D Mark IV was no slacker in this regard but the Canon EOS 1D X offers a new faster processor, a more advanced metering system and a more extensive AF system. This should not only cope with the higher resolution full-frame sensor but offer greater performance too.
Compact for a full-frame SLR
The Canon EOS 5D Mark III looks a lot like its predecessor on the outside, but offers plenty of improvements under the hood. It's a solid option for advanced shooters with an investment in Canon glass, but doesn't match the rapid-fire shooting capabilities of the EOS-1D X or Nikon D4.
Has many of the 1D X's best video features
All in all, the 5D Mark III may not turn the photography world on its ear the way the Mark II did, but it's a worthy update that adds many of the features Mark II users have been asking for. What's more, it represents a real and valid alternative to the Canon 1D X at a little more than half the cost. With performance upgrades also in tow, we're excited to see just how far Canon has pushed the 5D series in its third iteration.
Excellent build quality
On paper, the Canon 5D Mark III may not seem like a huge step up from the 5D Mark II especially given all the rumors (and long-time anticipation) surrounding its release. In some ways, the Mark III on the surface doesn't dazzle with additional bells and whistles or even any huge leap forward in technology.
61-point auto-focus system
The Canon EOS 5D Mark III builds on the success of its popular predecessor with a series of improvements that add up to a much better all-round camera for stills and video alike. The 61-point auto-focus system in particular is very welcome, along with the excellent performance at higher ISOs, faster continuous shooting and a much more refined movie making interface. Only a sharp increase in price prevents us from recommending this new model quite as enthusiastically as we did the 5D Mark II.
Good ergonomics, build quality and twin card slots
The Canon EOS 5D Mark III is a very satisfying all-round DSLR. It feels tough, handles quickly and delivers great-looking photos and video. Canon has pretty much addressed all the complaints of the Mark II and also included all the nice extras commonly offered by Nikon, like 100% viewfinder coverage, twin card slots, deep bracketing and an AF system packed with points.
Good color and tonality across the ISO range
Since the launch of the original EOS 5D in 2005 Canon's 5D series has become extremely popular with enthusiast photographers and for many has been the gateway to the world of 'full-frame' photography. Unsurprisingly, more than 3 years after the launch of the EOS 5D Mark II, the latest model in the line, the Canon EOS 5D Mark III, was one of the most eagerly awaited cameras that we can remember.
Excellent HDR mode
While the key specification changes since the 5D Mark II largely just bring the Canon EOS 5D Mark III into line with Canon's existing DSLRs, we're impressed with the results from the new camera. Raw and JPEG images have plenty of detail, noise is well controlled at the higher native sensitivity settings and colour and exposure are generally very good.
Vastly improved AF module
The Canon 5D Mark III is a professional-grade full-frame DSLR that builds on the strengths of previous models in the range to deliver an impressive looking camera that is sure to appeal to video enthusiasts as much as stills shooters. With the recent arrival of the Nikon D800, Canon needed a bit of a showstopper model with the 5D Mark III, the company appears to have delivered one.
Excellent noise performance
The Canon EOS 5D Mark III is an excellent camera, capable of taking stunning photos in a wide variety of situations and has a wealth of lenses available to go with it. The 5D Mark III may not be as ground-breaking as the 5D Mark II, but this is simply because the Mark II was so good, and where the Mark III has been improved is noticeable.
Fast focus and performance, Excellent viewfinder.
The full-frame Nikon D800 manages to deliver 36 megapixels of resolution, without sacrificing image quality at high ISOs. It only shoots 4 frames per second, but that should be sufficient for event photographers, landscape shooters, and well-heeled enthusiasts.
Solid handling and ergonomics while shooting
The Nikon D800 is a beast of a camera, an extraordinarily high-resolution anachronism dropped into a supposedly post-megapixel world. The 36.3-megapixel sensor of the D800 defines it; it is the camera's greatest asset, making it one of the most flexible, enjoyable cameras we've ever shot with.
In actual use, the Nikon D800 is a fantastic tool that seldom disappoints
The Nikon D700 has been a hot seller ever since it was introduced back in the summer of 2008. It had a great sensor, a robust but relatively lightweight body and a comprehensive feature set, and was sold at a price that many thought was reasonable for all the goodness it offered.
The D800 combines swift operation and well-designed controls with outstanding image quality
The D800 combines swift operation and well-designed controls with outstanding image quality that is particularly impressive at high ISO settings. Expanded video capabilities hold appeal those who need to produce both stills and video while on assignment. The camera's 36MP sensor allows for class-leading resolution in a 35mm format camera...if you're prepared to hold your technique and equipment to the highest standards.
Extensive dynamic range, Large images, Superb AF system
Many see the Canon EOS 5D Mark III as the D800's natural competitor. While the average serious enthusiast is likely to think long and hard about switching manufacturer, professional photographers are less loyal and will go with whichever option works best for them.
Best DSLR: top cameras by price and brand
The D800 will be very attractive to photographers who need a comparatively light camera that is capable of capturing a lot of detail and producing large prints.
Delivers phenomenal image quality at around half the price of Nikon's flagship D4 model
The Nikon D800 is a professional-grade 36.3MP DSLR that delivers phenomenal image quality at around half the price of Nikon's flagship D4 model. Overall, it's a fantastic addition to the Nikon range that easily justifies its £2,600 price tag. Build quality is superb, handling is excellent and despite the huge range of customisation on offer the D800 remains relatively intuitive and easy to use.
Excellent image quality, Extremely high resolution images
To me, this camera is essentially the one I'd been hoping Canon would release for over a year now! Good image size, decent ISO performance, nice video capabilities and at a very reasonable price for the specs, it just happens to be a different manufacturer. What's interesting is that now I own one, I've found that I'm not shooting with the Nikon all the time...
Camera layout is practical and simple to use
A week was all the time it took for us to fall in love with the D800. And we were starting to get butterflies when we first took it out of the box. This is the camera we'd get if money were no object. While the D4 has a lot to offer in terms of speed, the resolution of the D800 is its main selling point, and it really is a game-changer in our view.
Considerably higher resolution than peers
The Nikon D800 has impressive specifications but that is just the beginning. Its 36 MP sensor with ISO 50-25600 sensitivity is capable of shooting at 4 FPS and capturing full 1080p HD. It includes a 51-point autofocus system and all features expected from a professional DSLR, including a large 100% coverage viewfinder and sturdy weatherproof body with dual control-dials.
Excellent image quality, Great high ISO performance
We've come to expect follow-on cameras to generally out-do the camera they're replacing features-wise, and the 60D follows suit in most cases compared to the 50D. Sensor resolution is up and an HD video capability exists where none did before. The 3.0-inch LCD monitor is movable and viewfinder coverage is improved, albeit only 1% and only to 96% overall.
Compositional advantage of a tilt and swivel LCD
Canon's robust enthusiast targeted EOS 60D is a more consumer-friendly version of the 50D it replaces. It slots into the current range between the Canon EOS 550D, of interest to those stepping up from a compact, and the semi-professional Canon EOS 7D.
Shoot both still pictures and HD video clips
A DSLR camera for photo enthusiasts who also want to be able to record Full HD video clips.Replacing the popular EOS 50D, Canon's new EOS 60D sits between the EOS 550D and EOS 7D and appears to have the same sensor as its 'siblings'. The company is clearly aiming this model at photo enthusiasts, adding some new features that will attract those upgrading from an entry-level DSLR or Advanced digicam, the most visible being a vari-angle LCD monitor.
Excellent balance, great choice of lenses
The EOS 60D costs a pretty penny, but you'll be rewarded with fine handling, Canon's superb selection of lenses, and excellent video capabilities. We wish the user interface was a little less awkward and some of the key features present in the older 50D had been retained, but you'll get great photos and videos with the EOS 60D.
It features good imaging specs, improved battery life and HD video
This camera performs well with its DIGIC 4 technology, and the Canon EOS 60D professional DSLR camera is a solid choice for anyone looking to take high-quality pictures. We are disappointed that the speed has dropped to 5.3 images per second, while the 50D shoots 6.3 images per second.
Everything I hoped it would be
I have been an amateur photographer since I got a Asahi Pentax spotmatic II while I was in the army in 1971. I eventually had many lenses and accessories for it. When it was damaged beyond repair I got a Nikon autofocus 35mm. I was happy with that too. This is my 3rd Fuji digital camera, I loved the first one which I eventually gave to my son and replaced with an S1800 which I did not like. I did a lot of research before I settled on the HS25.
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