Sony made a revolutionary camera
This is by far the best camera I have ever owned. Just in case you got here by accident, this is the smallest and lightest full frame changeable lens digital camera ever made. Full Frame just means that all the lenses out there for 35mm film cameras will look the same on this sensor. The pictures are amazing, the autofocus is lightning fast, and everything just feels like it should. It makes taking pictures very easy and fun.
Great quality rivals DSLRs of similar resolution
The Alpha A7 and A7r are a wake-up call for the photographic industry, especially to Canon and Nikon. Here are two cameras which not only match or outperform top-selling DSLRs in many respects, but which also can use their lenses, in some cases with minimal compromise on handling. If Canon and especially Nikon aren't careful, they could find themselves becoming lens manufacturers with a niche body business in pro sports photography.
Affordable, small size, full-frame image quality is great with prime lens attached
The Alpha A7 is a camera out there all on its own. It doesn't feel quite comparable to a full-frame DSLR, but we mean that as a positive. It's a different system, with a different ethos and, combined with the right gear, it'll bring you one thing that's the same as any other system worth its salt: glorious full-frame pictures.
Produce the best quality images
If you're a photo junky who values a low-profile, compact setup, you should run to get this camera. Your only other options for compact full-frame bodies are the Leica M, which is an unworldly $8000, or the Sony RX1, which is great but has a fixed lens. Sure there are trade-offs with the A7 series like poor lens selection and battery life, but those problems just fade away as you bask in the glory of the full-frame system.
Great Little Camera
The Panasonic ZS30 is compact enough to carry easily, has an incredably long, compact Leica lens, more than enough low light capability for most people - unless you are a pixel peeping nerd or a pro who has to make a living off of his/her talent as a photographer, and it has more neat features that most people will ever use. Is it a DSLR? NO. Is it a darned good compact camera? Yes. Is it an excellent, full-featured, long lens travel camera? Absolutely, yes!
Touchscreen interface, built-in wi-fi connectivity and GPS
While last years' Lumix DMC-TZ30 / ZS25 model was more of a modest upgrade rather than a radical departure from what had gone before, 2013's DMC-TZ40 / ZS30 feels like a much more significant step forward for Panasonic's wildly popular travel-zoom range. The TZ40 is veritably stuffed to the gills with cutting-edge features, while the combination of a 20x zoom, effective stabilisation system and good image quality is hard to resist.
1080p video with zooming, stereo sound and continuous AF
Impressive, but so far so similar to much of the competition. Where the TZ40 / ZS30 really differs from its rivals though is the implementations of various technologies. Amazingly it remains the only pocket super-zoom of its peer group to employ a touchscreen which genuinely enhances control and selective focusing. Of the models with GPS, the TZ40 / ZS30 is the only one with a built-in landmark database and mapping facilities.
Impressive zoom for such a compact body
The Panasonic Lumix TZ40 arrives at the same retail price as the TZ30 at launch. When you consider the added functionality - namely the connectivity features - as well as the all-round improvements to the specification, you have to say that then TZ40 is an attractive proposition.
On the whole the additions to the feature-set are successful and welcome, while the more general improvements are also positive.
Good picture quality, Built-in Wi-Fi and GPS
The Panasonic Lumix DMC-TZ40 has all the features needed to justify its travel zoom tag. It offers ample optical zoom, great for landscapes and distance objects, as well as built-in Wi-Fi and GPS, all in a pocketable body. It's a little on the expensive side, so some of the cheaper options may be more appealing, but the features and image quality certainly make it worth the money.
Solid build, 18 megapixel stills
Looking for one simple-to-use pocket camera with a creatively versatile zoom reach that will pretty much do it all? In offering a higher pixel count than its predecessor and newly adding Wi-Fi connectivity, the 18 megapixel, 20x optical zoom TZ40 is one of the more accomplished jack of all trades.
While in some ways its additions feel like a way of playing catch up with the rest of the 'travel zoom' market, the result is a snapshot camera that ends up a cut above.
Perfect Upgrade from D5100
If you're starting to outgrow your lower tier DX camera, get this one - you won't be disappointed. I already have quite a few DX lenses and don't feel like replacing them with FX lenses and I actually prefer the crop factor (1.5x teleconverter in effect) on my big nasty 70-200 2.8.
Sharpness was very strong
Aside from white balance, the D7100 leaves us with little to complain about. Videography is definitely improved over previous models, but there are some strange control quirks, and plenty of better video-oriented SLRs already exist on the market. Nikon could also do a much better job communicating its "unique" control techniques to new users.
Excellent build quality
There isn't much that we can say is wrong with the D7100 except for a couple of minor quibbles. But in the end, this may just be the best darned ASP-C DSLR that we've seen in a while. The fast fps shooting abilities will appeal to birding shooters, the dad photographing their kid's basketball game (and this is probably the perfect camera for it, and for the weekend landscaper.
Exposure, colour and white balance were all uniformly reliable
In summary the new Nikon D7100 further improves on the already excellent D7000 in several key ways and many minor ones, all adding up to make this the best DX-format DSLR to date. Nikon may be focusing on a full-frame future, but the D7100 clearly shows that they haven't forgotten the cropped sensor market. It may look almost identical to its predecessor, but the Nikon D7100 certainly proves that first impressions can be very deceiving.
Outstanding low ISO performance in both JPEG and Raw files
The D7100 is a well-built enthusiast DSLR that offers impressive image quality and easy access to shooting parameters along with a high degree of customization options. Video output is a bit disappointing and a very small image buffer limits sports shooters to JPEG-only mode.
Excellent LCD screen
There's no denying that the D7100 is an incredibly well-rounded DSLR with one of the most complete enthusiast DSLR feature-sets we've seen to date. The lack of an anti-aliasing filter gives images a pleasing crispness, while metering and White Balance systems are also difficult to fault.
Despite all of this, there are faults. Most noticeably, the high saturation of pixels on the sensor means that images are nosier at lower ISO settings then one would hope.
Excellent image quality and detail
The Nikon D7100 offers a compelling set of features, in a well built weather sealed body with a great looking 3.2inch screen. An updated 51 point focus system ensures focus is rapid and reliable, with the camera responding quickly. The camera features 6fps shooting in JPEG for 99 shots, which can be increased to 7fps when using 1.3x crop mode, although this isn't as quick as the Canon EOS 7D, or the Sony Alpha A77 with 12fps shooting.
Decent sharpness when on point
All in all we're impressed with the D7100 - it delivers great images, has an extensive autofocus system with 1.3x crop option, a long-lasting battery life and both the viewfinder and LCD screen are decent. What we'd like to see is yet more sensor improvements and a more capable buffer for burst shooting in the future - that would elevate this series to the next level.
Delivers outstanding still images
Even the price of the Ricoh GR is appealing. At £599.99 / $799, it's substantially cheaper than its direct competitor, the Nikon Coolpix A, and also cheaper than an APS-C DSLR or compact system camera with a good quality 28mm lens fitted. If you're certain that a 28mm fixed lens will suit your style of shooting, then the Ricoh GR represents something of a bargain and comes Highly Recommended.
Good lens, very low distortion and without any real corner softness
A niche product, and one that Ricoh should be applauded for designing in a market stuffed with 'me too' cameras, but one that its hard to wholeheartedly recommend. If it had breathtaking image quality the price would be irrelevant, but as it stands you're paying nearly as much as a Nikon D50 outfit for the camera (and a lot more if you include the optical viewfinder), and a lot more than you would for one of the several excellent compacts on the market with a zoom starting at 28mm.
Extremely sharp lens, Excellent noise performance
The Ricoh GR (V) is an impressive upgrade to the previous GR Digital model, with a 16 megapixel APS-C sensor, the Ricoh GR suddently becomes much more attractive, with an extremely sharp 28mm equivalent lens, the camera delivers excellent image quality. It's also available for noticeably less than other APS-C sensor compact cameras, and would make a great pocket camera where image quality rather than zoom is of the highest importance.
Image quality is exceptional, super-sharp lens
Image quality is in the bag, there's no doubt about that, but as a full package it falls into some of the traps that its similar competitors do too. That has a two-fold effect - it stops the GR from being a five-star product while simultaneously making it the best of its kind.
So many customisable options, settings and function buttons
With an aggressive pricing strategy, Ricoh should win plenty of photography enthusiasts over with the GR. Competing cameras like the Nikon Coolpix A are easier to pick up and start shooting with for beginners, but it seems like a waste for these cameras to stay in auto all the time. This is where the GR steps in - there are just so many ways to customise this camera, it's almost ridiculous.
All the customisation in the world would mean nothing if the GR wasn't able to take good photos.
Compact size large APS-C sensor, 28mm prime lens
As much as we like to save money, the Coolpix A is a better overall camera than the Ricoh GR. The Nikon's images are sharper and colors more accurate. The fact the Coolpix has built-in image stabilization while the GR does not is definitely a factor. Also the lack of a focus ring takes away half the fun of shooting with an enthusiast camera. The Ricoh can take solid photos with enough light but in dim settings it doesn't have the ISO chops of the Nikon.
Sensor is very well rounded
Overall, the Ricoh GR has proved itself to be a very capable performer and it joins the Nikon Coolpix A and the Fujifilm Finepix X100 in moving on the performance level of prime lens compact cameras. While they don't feature the versatility of interchangeable lenses, they make very high quality discrete cameras for street and social documentary photography, without having to make too many compromises in image quality along the way.
A generational camera
The x100S has fine enough image quality and speed, in such a reasonably sized package, that the next generation of camera doesn't appeal to me. The x200S could have twice the resolution and twice the speed and I simply wouldn't care. I'm not suggesting that the x100S is the pinnacle of fixed lens digital cameras. But I am saying that Fuji has achieved such a balance of features and performance with the x100S that I can't reasonably see myself upgrading or switching for the foreseeable future.
Capable of excellent performance
While we could certainly dock the X100S for a lack of newbie-friendly features, this is still a $1,299.99 fixed-lens camera; there's probably not many beginners willing to shell out that kind of money for a camera lacking the flexibility of a system camera. Those in this part of the market probably know their way around a RAW converter or two, and are willing to suffer a bit for their art. Especially for street photographers who don't want to shell out for a Leica, the X100S is a fine choice.
Compelling mix of intuitive handling, impeccable image quality
There's no denying that £1099 / $1299 is a lot of money to pay for a compact camera with a fixed lens, but the Fujifilm X100S offers so many improvements that if you ever found yourself looking longingly at its predecessor, there's very little reason not to take a much, much closer look at this new version. Quite simply the new Fujifilm X100S is one of the best cameras that we've ever reviewed and joins its illustrious predecessor as a worthy winner of our coveted Essential! award.
Fast Hybrid AF with manual focus aids, Hybrid optical/electronic viewfinder.
The Fujifilm X100S builds on the success of its predecessor, the X100, with a new sensor, faster, more accurate focusing and a raft of other improvements. Fujifilm has concentrated on improving what needed it and fixing (most of) what was broken, while leaving what what best and most loved well alone - namely the X100's retro styling, composition and traditional controls.
Detail-rich images, Bright lens
By taking some of the best elements of the Fuji X-Pro1, such as the sensor design and Quick Menu, Fuji has produced a worthy update to the X100, and many owners of this camera will feel sorely tempted by the X100S. The improved handling and image quality makes it a very desirable step up.
Excellent resolution and detail in photos
The Fujifilm X100s improves quite dramatically over the Fujifilm X100, with a new 16 megapixel sensor that delivers excellent noise performance and detail in photos. The X100s gives the same familiar controls as the original X100 as well as a higher resolution electronic viewfinder, that when combined with the hybrid optical viewfinder, makes this camera a unique proposition.
Very good image quality, Very good Wi-Fi connectivity
The Samsung NX2000 sits very comfortably between the NX1100 and the NX300--offering users a high quality camera for a reasonable price. If fact, at the time of this review we were able to find the NX2000 for about $600 (making it the same price as the NX1100. That's a $150 savings over the NX300. But is the price difference worth it? Not in my book. I would spend the extra money to get a camera with a little more beef and a hybrid AF system.
I'm not saying the NX2000 is a bad camera.
Delivers excellent still image quality
Sharing the same core DNA as the other NX models, the new NX2000 offers a much more phone-like interface than either the NX300 or range-topping NX20, with built-in wi-fi and NFC connectivity too, so for some people it will actually offer a more familiar handling experience.
Very good value for money, Adobe Lightroom 4 included
The Samsung NX2000 is a fairly compact mirrorless camera with a high resolution 20.3 megapixel APS-C CMOS sensor, and a large 3.7inch touch screen on the back. The camera delivers impressive image quality with excellent levels of detail and colour with good noise performance. The camera has a good level of control, with the large touch screen helping here, although visibility was not great when outdoors.
Outstanding image quality, Touchscreen LCD is large and sharp
The primary drawback to this camera is it has a slightly higher starting price than some other models in this segment of the market. Considering its feature list, though, the NX2000's price is fair and this camera is a good value. However, some intermediate-level photographers who are looking for an entry-level interchangeable lens cameras may not quite have the budget to afford this feature-rich Samsung offering.
Larger touchscreen, Sharp colourful images, Plenty of detail
The Samsung NX2000 offers the same 20.3-megapixel effective resolution from an APS-C sensor as last year's NX1000 - but that's good news.
We also get a larger touch screen LCD, NFC connectivity, expanded ISO range topping out at ISO25600 and other less important operational tweaks.
Image quality, Ergonomic design, Decent build
Interchangeable Lens Cameras have certainly come a long way from being a clunky piece of contraption to now a sleek and sometimes pocketable device. Sadly though, there are some crucial aspects of the camera that got lost in the transition, such as the case with the Samsung NX2000.
Maybe it's just a case of an old dog, new trick on my part, but I'm really disappointed with the scarcity of physical button on this camera to give way for the fairly large display.
Excellent compact system camera
All in all the Panasonic Lumix GF6 is a surprisingly capable camera that will more than satisfy a lot of people's needs, including both casual snappers and more serious photographers alike. You'd be hard-pushed to find such a well-rounded, well-connected, and, well, great performing camera without spending quite a lot more, making the new Panasonic Lumix GF6 richly deserving of our coveted Highly Recommended award.
Excellent low-light AF performance, Stop motion intervalometer
Given the current obsession with retro styling and rangefinder chic, it would be easy to pass over a camera like the Panasonic Lumix GF6 in favour of something superficially more classy. But while it may not look as sexy and desirable as models like the Olympus E-P5 and the Fujifilm X-M1, the Lumix GF6 has a huge amount to offer photographers of every ilk.
Excellent screen, Digital filters, Built in Wi-Fi
The Panasonic GF6 is one of the best compact system cameras currently on the market, especially for the beginner user.
Although it is the next in line after the Panasonic GF5, it's perhaps elevated slightly above that, being a little more comparable to the Panasonic GX1, with which it shares its sensor.
Image quality is fantastic, while usability, thanks in part to the touchscreen and sensible menu system, makes it one of the more pleasurable cameras to shoot with.
Wi-Fi built in - remote operation, Great image quality
The Panasonic Lumix GF6 offers almost everything you could want from a mirrorless camera, with the most likely complaint about it likely to be the lack of flash hot-shoe, making it less appealing to the more serious photographer. For the majority of people having a built in flash will be preferable, and the re-introduction of the mode dial will make the camera easier to use for every level of photographer.
Affordable, Tilitng hi-res screen, Improved resolution
When we reviewed the GF5, one mild criticism we had was that Panasonic had hardly tinkered with it in comparison to the GF3. It seemed very much 'more of the same'.
The step on between the 12 megapixel GF5 and 16 megapixel GF6 is thankfully a little more pronounced, and, resolution aside, we now get the expanded ISO range, compositional convenience of a tilting LCD, plus wireless connectivity options to bring the latest model bang up to date.
Remote shooting of both photos and video clips
Panasonic's Lumix DMC-GF6 represents the latest iteration of the company's entry-level compact systems cameras. Similar in size and body styling to the GF5, the GF6 has a lot more to offer to enthusiasts. Its resolution has been increased to 16 megapixels and it features the latest Venus Engine image processor, along with integrated Wi-Fi plus near field communication.
Great Camera! Love the Wireless!
I've had a number of PowerShot cameras. Really impressed with the picture quality of the camera and the overall speed. Colors and picture quality are quite good and the low-light performance is superior. The previous review focuses nicely on the picture quality, so I wil stick with the human factors.
Manual control and adjustment are simple to master, so you won't need to rely on the automatic settings. My only concern with the camera is hat the wifi settings are difficult to set up.
Finger rail grip, Better than average noise control
The SX280 HS is a compact, well designed, sturdy, and easy to use point and shoot digital camera with a 20x zoom. Compared to its competition, the biggest difference would seem to be in the resolution arena with Canon sticking with a reasonable 12-megapixels, while Panasonic, Sony, and other OEMs seem determined to push the 20 megapixel envelope. Constantly crowding more pixels onto tiny point and shoot sensors results in noticeably higher noise levels.
Quicker GPS and better image quality
Despite our quibbles with the wi-fi implementation and lack of touch-screen control, the inclusion of DIGIC 6 has brought a number of significant improvements to Canon's 2013 travel-zoom model, making the Canon PowerShot SX280 HS a real contender to the market-leading Panasonic TZ series.
Slightly superior image quality to peer group, but not by much
In short the Lumix ZS30 / TZ40 is a better-featured camera that avoids much of the annoyances and limitations of the SX280 HS, but it's also more expensive; in some regions not by a great deal, but the gap can be greater in others. If you think the limitations of the SX280 HS would frustrate you, then I'd definitely recommend you spend the extra on the Panasonic ZS30 / TZ40. But equally there'll be those for whom they're non-issues or things they can happily workaround.
20x optical zoom, Wi-Fi and GPS
What we have here is an excellent and well performing compact camera that offers lots of flexibility both to beginner users and those looking for something a little more advanced.
It would also be a good camera for anybody looking to learn a little more about photography, since you could start on the fully automatic settings and work your way through the manual options.
GPS and Wi-Fi built in, Excellent image quality, Excellent colour
The Canon Powershot SX280 HS offers a lot of optical zoom in a compact camera body and has a number of features that the traveller will find appealing including both GPS and Wi-Fi. Image quality is very good with excellent colours and good levels of detail. The 14fps high speed shooting mode will also appeal, although it would be nice if it was available in all of the modes, and could have been used for an automatic HDR mode.
Best-in-class image quality for a 20x zoom compact
The SX280 HS doesn't add much compared to its year-old SX260 sibling. We would rather have seen the addition of a touchscreen LCD and broader, more accessible autofocus options added on instead of the Wi-Fi feature which, in its current state, is just a bit of a faff to use. It will come in for occasional use though, so better to have it than not.
Powerful 20x zoom, Sharp images in well-lit/daylight situations
When it comes to compact superzooms, Canon puts together a pretty impressive list of specs with the Powershot SX280. Cameras like this show the performance and features of advanced point-and-shoots continue to evolve and there's still a place for them amidst the rise of cell phone photography, but still come with some drawbacks. However, for a user looking for a new point-and-shoot with a super zoom lens, the SX280 makes a nice choice.
Very nice camera
Great image quality, very nice zoom range. Crisp sharp images with great low light focus. I was looking for a nice carry around camera and after trying several others such as olympus omd m1, panasonics fz200 and canon hs50 and finally the fuji xs1(which is the only one of the group I kept) none compared to the rx10 in features or image quality. This camera is a nice compliment to the canon gear I am currently using for work - t5i, 7d, 70d, 6d and 5d miii.
Full-featured, best-performing super-zoom
Offering excellent image quality, great build, speedy performance, and slick ease-of-use, the Sony Cyber-shot DSC-RX10 is the best super-zoom camera currently on the market. Only you can decide if all of that is worth the the admittedly substantial investment - we'd strongly suggest that it is...
400$? Really? Sony is surely losing money on this camera. They are selling this camera at such a lower price only because they want their customers to invest in their great lenses later. I also own a couple of ff dslrs, leica m9 and nex6. But for some weird reasons I love shooting with it. Comes with a decent kit lens that alone should have cost 200$. Soo basically you are getting an apsc camera body for 200$. I think this is the bergain of the century.
Image quality is excellent for such a cheap camera
There's no getting away from that price-tag, which will almost certainly decrease even further, making the Sony A3000 an attractive proposition despite the shortcomings that we've identified. While certainly not perfect, this DSLR doppleganger is an intriguing entry into the market that may just prove to be a hit for Sony.
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