As with all new technology.. there are always some glitches
As far as picture quality (the lens does work with the exception of the two things mentioned) I have been very happy. I do feel like adding a few steps of sharpness helps the images (custom picture settings are available for user to define), but I am wondering now if that may also be the lens issue.
Excellent image quality, straight-forward handling and quick performance
So while the Nikon D5300 doesn't add that many new features to the year-old D5200, what it does add makes it a unique product at the mid-range price-point, offering something genuinely different to the likes of the Canon EOS 650D, Pentax K-5 II and the Sony A65. The combination of a free-angle screen, great video mode, high-quality stills and new connectivity options mean that the Nikon D5300 is a worthy winner of our Highly Recommended award.
1080p60 HD video mode, Excellent image quality
The Nikon D5300 is what's often referred to in the technology world as an 'evolutionary' upgrade. Nikon has abandoned the D5200's optical low pass filter, which might have been considered revolutonary a year ago, but now looks, to borrow a fashion industry term, 'on trend'. That's not to say it's frivolous or unwarranted, given that it improves the D5300's image quality with no apparent drawbacks (Moire wasn't an issue in any of my test shots) it's absolutely the right move.
Built-in Wi-fi addition, Good build quality
Although the Nikon D5300 certainly isn't perfect, with the lack of a touchscreen and a high price-tag at launch two noticeable issues, it's among best DSLRs on the market and is certainly worthy of consideration if you're in the market for an upgrade from your first DSLR, CSC or advanced compact.
Built in Wi-Fi and GPS, Improved ISO performance
The Nikon D5300 takes the tried and tested Nikon D5x00 series and updates it with a new more compact body, upgrading the screen in the process to a larger 3.2inch version and adding built in Wi-Fi and GPS into the mix. Along with this the 24 megapixel sensor now features no optical low pass filter, which will give improved image quality when shooting with high quality lenses, and we would recommend using prime lenses to get the best out of the camera.
Very good still image quality, Eye-Fi wireless compatibility
I'm not sure K-30 owners will be rushing out to trade into a K-50 in order to acquire an Eye-Fi capability missing from their current platform, but folks looking for a new or first-time DSLR can rest assured the K-50 is a worthy successor to the K-30, and that's a ringing endorsement indeed.
Excellent image quality, Dustproof and weather resistant
The Pentax K-50 is a very strong offering from Pentax, with a few unique bonuses such as weather resistance and even the range of colours. The idea of personalising a camera is something relatively new in the UK, but why not? It adds a certain something and takes nothing away. A rugged and reliable all weather DSLR that is well worth a look.
Internal shake resistance, Can run on AA batteries
The Pentax K-50 makes for a good starter option, and we were impressed with the lightning quick speed of its operation at this price point - with auto focus being particularly impressive. However, we did feel that overall the translucent APS-C sensor equipped Sony A58, or indeed Pentax's otherwise very similar K-500 DSLR, offer a slightly better value deal for an entry-level camera.
Excellent image quality, Fast operation including upgraded AF
We have in the Pentax K-500 an entry level model punching some way above its weight. Very well made, an excellent performer and ergonomically one of the best designs around. We still have here a 16.28 megapixel sensor, but this is well proven and produces superb results. Noise control is outstanding, colour quality is superb.
Prices may yet fall as this model is new, but outgoing Pentax K-30 and K-5 DSLRs may offer, temporarily, some keen competition themselves.
Good value for money, Decent resolution
If you're in the market for an entry-level DSLR such as the 16.2 megapixel Pentax K-500 there's a good chance that you're not going to be yet wedded to either the Canon or Nikon brands, which means that this easy-to-use means of getting more professional results stands a good chance of a fair hearing.
Solid performance, good value, Nikon nails it again!
This camera may be the best APS-C in its class so far. After Nikon's quality control issue with the full-frame D600 (sensor oil spot problem), Nikon may be able to win back its trust with this new release, again aimed at enthusiasts and amateur photographers. Being an amateur photographer for years and have invested quite a sum in Sony, Canon and Nikon bodies and lenses, I myself settled with Nikon in personal preference.
Design is easy to use and comfortable to handle
The ultimate irony of these cameras is this: when the D5100 first came to market we awarded it both Camera of the Year, and Budget DSLR of the Year. It was just such an amazing deal, with rare levels of performance at the price point. But after two years and little improvement for the D5200, this great camera didn't hit us with the same impact its predecessor did. Like we've said countless times in the review, the D5200 is a fine camera, but it's not $300 finer than the old one.
Good still and video image quality
The D5200 is a nice little camera with no glaring deficiencies and would make a fine first DSLR for someone moving out of the compact digital ranks. It would be a great follow-on camera for someone who's cut their teeth on an earlier model Nikon DSLR but doesn't want to go all the way to the prosumer D7100. I'm just left wishing Nikon had added a few more external controls and some weather sealing.
Undoubtedly a great all-round DSLR
The new Nikon D5200 may not reinvent the wheel in any way, but it is undoubtedly a great all-round DSLR that's well-suited to a lot of different users and experience levels, exactly what a mass-market camera should be, and judged on that criteria, the Nikon D5200 is once again a very worthy winner of our Highly Recommended award.
Impressive 39-point AF system, Continuous shooting speed of 5fps
Costing £649 body only, or £719 with the 18-55mm VR kit lens, the D5200 currently costs around £320 more than the equivalent D5100 package. The developments to the D5200's internal specification - most notably the 39-point AF system and 24.1MP sensor - result in a truly impressive specification for a consumer model. It delivers stunning image quality and is a pleasing camera to use, but is it really worth the additional £300 or so?
Produces detailed images, Excellent ISO performance
When we reviewed the D5100 in April of 2011 we were impressed and gave it our highly recommended award. The biggest change on the D5200 is the upgrade to the 24.1 megapixel CMOS sensor, with the D5200 producing 5 star quality images. The D5200 can also shoot at a faster rate of 5 fps in continuous shooting.
The D5200 is compatible with a number of accessories such as the Wireless Mobile Adapter (WU-1a) allowing sharing of images with mobile devices.
Good picture quality, vari-angle LCD screen, decent autofocus system with motorised lenses
We love the D5200's low-mid sensitivity shots which are among the best in class, and the 39-point autofocus sensor is quality too. But a lack of the usual array of Nikon quick-access DSLR buttons, no touchscreen, banding hidden in shadow areas of raw files and poor movie clips hold the model back. The new sensor is a double-edged sword that brings both good and bad to the table from what we've seen.
This is a great camera
The sensor is very good. Maybe two thirds to a full stop better than the a57 at ISO 3200. The EVF is now OLED so it's clearer, brighter and more detailed than the LCD finder in the a57 it replaces. In my week of use I've found the finder to be really good and the performance of the sensor to be equally good. I am not a beginner and also own Sony's full frame a99 and their previous full frame camera, the a850. I've owned the a77 camera as well.
Excellent OLED electronic viewfinder
The new Sony A58 offers most of its predecessor's design, features and performance at an aggressive price-point, which can only be good news for us consumers. Look under the hood and you do find a few corners have been cut to keep the cost down, but all things considered, this is simply a very good interchangeable lens camera at a very attractive price.
Picture Effects, Low light performance
Overall, Sony has produced a very good camera in the Alpha a58, and we're sure that anybody who buys one will be very pleased with its performance. At its current retail price of £449 / US$599.99 / AU$799 with the 18-55mm kit lens, it also offers excellent value for money, especially compared with its closest rivals.
Comfortable handgrip and handling
The entry-level DSLR market is one of the most competitive in photography and, as a result, anything that a camera can do to stand out is more than welcome. Sony had achieved this with past SLT range cameras, but the Sony A58 is a step back. The full resolution continuous shooting rate of 5fps isn't even best in class - other similar DSLRs shoot faster and maintain that speed for longer.
Good image quality
The screen on the A57 was a very nice 3inch screen with 921k dots, and it's a shame to see a smaller, lower resolution screen on the A58. However, with a low introduction price of roughly £440 with 18-55mm kit lens, the A58 feels more like a replacement for the A37 rather than a replacement for the A57, with those looking for a more advanced camera better off looking at the Sony Alpha A65.
Good levels of detail, Comfortable handgrip
The Sony A58 seems to be a muddied compromise between the two cameras it replaces, but it just doesn't do enough to excel in any one area, and with such stiff competition in the shape of the Canon EOS 650D, Nikon D3200 and Pentax K-30, it's hard to recommend the A58 above them.
Top Notch Entry Level Camera w/ Advanced Features
In conclusion, the Sony A37 hits the mark for the intended audience. It will provide good performance in typical shooting scenarios of amateurs. However, as you move into the creative realm of photography (think fashion and fine art), you will encounter some difficulty pushing the gear envelope. At higher ISO's you will experience significant noise and will need to move to prime or fast lenses and flash to get the ISO down.
5.5FPS continuous shooting speed puts it above competition
The Sony Alpha A37 is a fairly standard upgrade for the company's entry-level SLT DSLR lineup. It replaces the A35 with some basic upgrades to control, a new image sensor, but a largely unchanged design. The A37 is aimed largely at beginners, with most of its features designed for those adapting to DSLRs from point and shoots.
Image quality is excellent
The Sony A37 is a compelling entry-level DSLR camera with features, still and video image quality, and overall performance that beat its main rivals. Only the small, low-resolution, non-articulating LCD screen detracts from an otherwise outstanding camera that will more than satisfy the needs of its target audience. The A37 marries most of the core features of its bigger brother, the A57, with the more diminutive body of its predessor, the A33, resulting in the cheapest SLT camera to date.
Excellent image quality, Excellent value for money
The Sony Alpha A37 adds a tilting screen compared to the A35, although unfortunately it's smaller and a lower resolution than the A35 - this is partially made up for by the increase in viewfinder resolution, which is now 1.44million dots.
The Sony Alpha A37 is an extremely capable Digital SLR / SLT that produces excellent images with bright saturated colour and very good detail.
Has an arm-length list of features
The A37 is a patchwork of other Sony SLT cameras past and present. Its ultimate goal: to be as budget as possible. And it achieves that with bells on.
But not only is it affordable, the A37 is also a great camera. The continuous autofocus system will outdo anything at a similar price point, and the same can be said for movie mode's swift autofocus (just a shame it's 50i, not 50p). Then there's the 7fps burst shooting mode that's unrivalled for this kind of money.
Shooting 1920x1080 pixels Full HD video
As this a budget model costing a very reasonable £499 with the 18-55mm standard zoom supplied on test, we don't get the top plate function window found on semi pro models, but we are provided with a shooting mode dial crammed with 12 manual and automatic picture enhancing controls, including panorama and 3D stills option. Again this is more than we'd normally expect at this price point. Add in colour-rich, well-defined images and smooth 50fps video capture and you can't go wrong.
Seamless continuous autofocus in videos
Overall, the Sony Alpha SLT-A37 offers a good feature set, fast autofocusing and a useful tilting screen. Features which impressed us include its swift continuous autofocus performance in videos, the focus-peaking mode and inclusion of a 3.5mm microphone input port--aspects we think should appeal to aspiring videographers. Despite its smaller and lower-res screen, we think the A37 a worthy purchase and provides good value for money for shutterbugs looking for their first dSLR.
Ease of use, Affordable price
We'd recommend the 16.1 megapixel Sony SLT-A37 as a good option for anyone considering a step up from a humble snapper to a budget priced DSLR in the hope of a marked improvement in picture quality. This 'SLT' is more fluid to use than most DSLRs - we're not burdened down by a lot of controls we won't often use and all the essentials are here, recognisable from most compact cameras.
Ability to continuously auto-focus during movie recording
In summary the new 650D / Rebel T4i is the most complicated yet friendly mid-range Canon DSLR yet, truly a camera that you can grow into as your photography skills develop. It only misses out on our highest Essential award because of the still slow Live View auto-focusing and a small price increase over the 600D, but is more than deserving of our still-coveted Highly Recommended award.
High image quality with good balance between detail and noise reduction in JPEG output
With the EOS 650D, Canon faced the challenge of taking an already successful camera line and finding a way to offer more than a token upgrade without stealing too much thunder from its higher-spec'd DSLRs. By maintaining what has long been very good image quality for both stills and video shooting and addressing operational handling with a remarkably well-executed touchscreen implementation, the latest addition to the Rebel lineup carves out a niche as one of the more enjoyable to use entry...
Image quality and high ISO performance
Although it has an 18 million pixel sensor, Canon's EOS 650D/Rebel T4i doesn't use the same CMOS device as other cameras in Canon's range. It uses a new Hybrid CMOS sensor that is designed to facilitate a combined phase detection and contrast detection autofocus system that operates during video recording and when Live View is activated.
Touch-screen adds to user experience
The Canon EOS 650D is the first mid-range DSLR to offers touch-screen functionality and is all the better for it. While Canon has implemented the technology well, it hasn't made it obligatory to the camera's general operation. Autofocus performance has seen a fairly major improvement too, with the While other changes are more incremental they do make the EOS 650D a more enjoyable camera to use than its predecessor.
Excellent image quality, Excellent colour reproduction
Video is improved thanks to stereo sound and continuous AF, although this is still generally quite slow compared to mirrorless cameras, and the noise of the lens focussing is easily picked up by the internal microphones. In fact, the manual recommends the use of an external microphone if this is something you want to avoid.
Produces great quality shots
The 650D's improved autofocus system (as per the 60D) is a big step forward and the HD movie mode makes best use of the new touchscreen technology. The camera's 18-megapixel sensor produces great quality shots direct from camera, but the limitations at higher ISO settings and small buffer when shooting raw files in burst mode are sticking points.
Very fast in shot-to-shot performance and burst mode
Canon's EOS 650D is for users who want fast speed out of an entry-level digital SLR camera. It can pump out photos to the tune of five frames per second, making it perfect for budding sports and action photographers who don't want to spend more for an enthusiast-level body. It's an easy camera to use and get the hang of and Canon has included a touchscreen so that you can have more choice as to how you control the camera's settings.
Dedicated video switch
The Canon EOS 650D comes as an update to the 600D, which was announced early last year. The highlight of the 650D is its touchscreen display which makes it the first shooter in the dSLR segment to sport such a feature. This new 18-megapixel entry-level dSLR boasts better shooting performance and enhanced video controls with a duo of STM lenses. According to a Canon representative, the 600D will still be sold alongside the 650D.
Continuous AF in video
The Canon EOS 650D is packed with cool features, including a multi-touch touchscreen, full high-definition video with improved video controls and a faster auto-focus with better noise performance. It's a serious package for new SLR users -- but Micro Four Thirds and other lens-swapping cameras offer similar features for less money.
Grip is large and accommodating, offering great control
We'd recommend the K-30 to anyone looking for a sub-$1000 model to take to an environment where dust or moisture are a constant concern. Even if that's not an issue, the K-30 still handles great and offers performance similar to its peers from Canon and Nikon at this price point. It's not for absolute beginners and it's certainly not for video shooters, but the K-30 when paired with an appropriate lens-can go places other DSLRs at this price simply cannot.
Solid, weather-sealed body
Overall, it's pretty hard not to like the Pentax K-30. For $850 (body only), you get a well-equipped, weather-sealed D-SLR that takes great photos. Sure, I wish it had better battery life, stereo sound recording, and HDMI output, but aside from those issues, there's little to complain about. Whether you're a Pentax enthusiast or someone looking for a first D-SLR, the K-30 is certainly well worth looking at.
Image quality is excellent, producing noise-free images
The Pentax K-30 is a great alternative to similar offerings from the likes of Nikon, Canon and Sony, proving that Pentax can continue to deliver the goods in their core business, despite recent misfires in the world of compact system cameras. If you're looking for an intuitive, fast DSLR that delivers great pictures, then the Pentax K-30 certainly fits the bill.
Good detail at low sensitivities (even better in RAW)
The Pentax K-30 offers a comprehensive feature set, excellent high ISO performance and very flexible Raw files at an attractive price point and is therefore an easy recommendation for any stills photographer. However, if you are looking for a DSLR to shoot video with the competition offers better alternatives.
Stabilised sensor, Detail-rich images
The fact that the body is weather-proofed is a huge bonus as one of the main reasons why cameras area sent for repair is water damage. Of course to get the full benefit of the K-30's weatherproofing it needs to be matched with one of Pentax's WR (Weather Resistant) lenses.
Impressive image quality
The Pentax K-30 is a richly featured mid-range DSLR that combines features from the more expensive but older K-5 with more recent innovations present in the K-01 compact system camera. As such the K-30 offers enough to stand out from its peers, with the overall build quality and weather sealing a notable highlight. Image quality impresses too, as does the 6fps top burst speed.
Excellent colour, Adobe DNG RAW files
The Pentax K-30 offers a vast array of features including 6fps continuous shooting, built-in HDR creation, electronic level, and a weather sealed and compact Digital SLR body, all for a very reasonable price, making it the cheapest weather sealed Digital SLR available. The camera has a slightly un-conventional design for a Digital SLR, and being available in glossy white or blue, may not appeal to some, although it's also available in the more traditional black.
Colours are realistic
The Pentax K-30 shows off what a DSLR can do without blowing the budget. But that doesn't mean this DSLR scrimps on its features. Far from it, it blows most of the competition out of the water.
Not that most of its peers can survive a blast of the wet stuff. The weather-sealed body is a great feature to have, and something that would usually only be found in a pricier camera, but that doesn't detract from the K-30's ability to produce great images too.
Image quality for still images is very good
The Pentax K-30 is an excellent DSLR choice for adventure photographers and creatives who will appreciate its in-camera effects. For most outdoor situations, the 18-135mm zoom provides plenty of width and reach, yet doesn't add much weight to the overall compact package. Image quality for still images is very good, both for raw and JPEG formats, although we like the raws a bit better. And the assortment of in-camera effects, such as HDR and multiple exposure, encourages experimentation.
Fully weather sealed
The Olympus OM-D E-M5 is the best Micro Four Thirds camera we've tested. It's got a top-notch stabilization system, is fully weather sealed, can shoot in all types of light, and ships with a sharp and versatile kit lens. Add it all up, and you have our new Editors' Choice for high-end compact interchangeable lens cameras.
Shot-to-shot speed that touches 10+ FPS
It hasn't taken Olympus long to speed into our hearts with their retro-inspired compact system camera lineup. The Micro Four Thirds PEN series was well-received not only for its style, but its image quality and usability. Seeing a gap at the top of their product line, Olympus now has the OM-D E-M5, answering the question: what would happen if you stuffed modern digital guts in a 1970s compact SLR body?
Well-built, weather-sealed metal body with a retro flair
Overall, the Olympus OM-D EM-5 is an excellent Micro Four Thirds camera, assuming that you can survive with the less-than-stellar ergonomics. It produces very good photos and HD movies, performs extremely well, has a large feature set, and has top-notch build quality. Besides the button clutter issue I described above, its other "big" downsides include poor outdoor OLED visibility and focus hunting in movie mode.
Extensive feature set
The OM-D E-M5 is the best Olympus compact system camera to date, and also a strong contender for best compact system camera full stop. It delivers a compelling mix of classic looks, excellent image quality, an extensive feature set and immediate responsiveness, with the camera so well designed that it rarely gets in the way of the creative process. The E-M5 may hark back to a bygone era, but it's definitely bang-up-to-date in all the places that count.
Very good image quality
The E-M5 is, without question, the most accomplished Micro Four Thirds camera we've yet seen and, given how well established the system has become, it vies for the title of most capable mirrorless option yet. It's not entirely without flaws and, predictably, most of those relate to continuous autofocus. But, for the most part, the E-M5 is simply an awful lot of camera in a compact and attractive body. It's a nice camera to use and the images it takes are just as enjoyable.
Image quality is very good
The Olympus E-M5 E-M5 is an enthusiast-level compact system camera that seriously impresses. Enthusiasts will doubtless appreciate its rich feature set and generous customisation options, but there's plenty more to like about the E-M5; not least its intuitive handling, excellent build quality and lightening-quick autofocus.
Excellent noise performance
The new Olympus OM-D E-M5 takes the mirrorless market into a new area, with a weather sealed body the camera brings another new feature to the market, making it more useful for outdoors photographers and those looking for a professional level camera that's (much) smaller than the typical weather sealed Digital SLR.
Fast focus and performance, Excellent viewfinder.
The full-frame Nikon D800 manages to deliver 36 megapixels of resolution, without sacrificing image quality at high ISOs. It only shoots 4 frames per second, but that should be sufficient for event photographers, landscape shooters, and well-heeled enthusiasts.
Solid handling and ergonomics while shooting
The Nikon D800 is a beast of a camera, an extraordinarily high-resolution anachronism dropped into a supposedly post-megapixel world. The 36.3-megapixel sensor of the D800 defines it; it is the camera's greatest asset, making it one of the most flexible, enjoyable cameras we've ever shot with.
In actual use, the Nikon D800 is a fantastic tool that seldom disappoints
The Nikon D700 has been a hot seller ever since it was introduced back in the summer of 2008. It had a great sensor, a robust but relatively lightweight body and a comprehensive feature set, and was sold at a price that many thought was reasonable for all the goodness it offered.
The D800 combines swift operation and well-designed controls with outstanding image quality
The D800 combines swift operation and well-designed controls with outstanding image quality that is particularly impressive at high ISO settings. Expanded video capabilities hold appeal those who need to produce both stills and video while on assignment. The camera's 36MP sensor allows for class-leading resolution in a 35mm format camera...if you're prepared to hold your technique and equipment to the highest standards.
Extensive dynamic range, Large images, Superb AF system
Many see the Canon EOS 5D Mark III as the D800's natural competitor. While the average serious enthusiast is likely to think long and hard about switching manufacturer, professional photographers are less loyal and will go with whichever option works best for them.
Best DSLR: top cameras by price and brand
The D800 will be very attractive to photographers who need a comparatively light camera that is capable of capturing a lot of detail and producing large prints.
Delivers phenomenal image quality at around half the price of Nikon's flagship D4 model
The Nikon D800 is a professional-grade 36.3MP DSLR that delivers phenomenal image quality at around half the price of Nikon's flagship D4 model. Overall, it's a fantastic addition to the Nikon range that easily justifies its £2,600 price tag. Build quality is superb, handling is excellent and despite the huge range of customisation on offer the D800 remains relatively intuitive and easy to use.
Excellent image quality, Extremely high resolution images
To me, this camera is essentially the one I'd been hoping Canon would release for over a year now! Good image size, decent ISO performance, nice video capabilities and at a very reasonable price for the specs, it just happens to be a different manufacturer. What's interesting is that now I own one, I've found that I'm not shooting with the Nikon all the time...
Camera layout is practical and simple to use
A week was all the time it took for us to fall in love with the D800. And we were starting to get butterflies when we first took it out of the box. This is the camera we'd get if money were no object. While the D4 has a lot to offer in terms of speed, the resolution of the D800 is its main selling point, and it really is a game-changer in our view.
Considerably higher resolution than peers
The Nikon D800 has impressive specifications but that is just the beginning. Its 36 MP sensor with ISO 50-25600 sensitivity is capable of shooting at 4 FPS and capturing full 1080p HD. It includes a 51-point autofocus system and all features expected from a professional DSLR, including a large 100% coverage viewfinder and sturdy weatherproof body with dual control-dials.
© 2007-14 ReviewGist.com. All Rights Reserved.
Reviews and Ratings for 0 to 800 $ Prices, 3 to * Frames Frames Per Second, SLR/Professional Camera Type Digital Cameras from ReviewGist