Impressive image quality, even at high ISO settings, Dust-proof, splash-proof design
With gorgeous images - even in low light, incredible speed, and a wealth of high-end features, the Olympus OM-D E-M1 is the best Micro Four Thirds camera that money can buy. It's an easy Editors' Choice award winner.
Excellent overall image quality, Great Low-Light performance
The Olympus OM-D E-M1 surpasses everything that we have seen so far from an ILC. Providing amazing performance and image quality that rivals a lower level pro mode dSLR, this much smaller camera is ready to go anywhere and perform in all situations.
Very good sensor, fast auto focus
Overall, our main criticism of the Olympus OM-D E-M1 lies not with its performance or feature-set, but with its price. £1299 / $1399 body-only is a lot to pay for a compact system camera these days. The combination of great image quality, an abundance of features, excellent auto focus, insane customisability and a robust dust-, drip- and freeze-proof body with a well-thought-out user interface do go a long way in justifying the cost, but with Sony soon releasing its similarly sized,...
Sturdy, weather-resistant body with lovely retro styling, Excellent image quality
In most respects the E-M1 does a good job bridging the gap between a traditional DSLR and a Micro Four Thirds camera. Its controls and customizability may overwhelm less hands-on users, but those who don't mind tinkering will love its flexibility. The improved autofocus tracking and performance with original Four Thirds lenses adds to the appeal of a camera with blazingly fast AF acquisition speeds with its native lenses.
Superb electronic viewfinder, Responsive AF system
The Olympus E-M1 delivers the goods across the board, with an impressive specification, fantastic build quality and a level of performance to match or better almost any CSC on the market. All of which combines to make to E-M1 not only one of the best CSCs currently available, but one of the best cameras of any type on the market today.
Best ever image quality from Micro Four Thirds
The Olympus OM-D E-M1 has improved image quality, and with improved handling, as well as an excellent and large electronic viewfinder this should be much more appealing to the professional user. With the addition of built in Wi-Fi, improved handling and controls, as well as support for Four Thirds, and new PRO Micro Four Thirds lenses coming we think the Olympus OM-D E-M1 could be all the camera you'll ever need, as well as being a significantly smaller complete package than traditional...
In-camera processing options like HDR and colour control are very effective
Even though it is a serious camera for enthusiast photographers, the OM-D E-M1 nevertheless brings a lot of fun to the imaging experience. Whether you enjoy using art filters or crave the fast burst speeds, the E-M1 is up to the challenge. The icing on the cake is that it produces great-looking photos.
However, the size and weight advantages of an interchangeable lens camera compared to an SLR are not really the case with the OM-D E-M1, especially when combined with the 12-40mm lens.
Images also looked extremely sharp
Owners of Olympus OM-D EM-5 bodies will rightly see the E-M1 as a worthwhile upgrade option and/or extension to their existing kit - provided they are happy about its higher price tag. The new camera has just enough improvements entice many stills photographers, although not photographers who are more video orientated.
The added support for Four Thirds lenses in the AF system will make the E-M1 attractive to owners of Olympus's older DSLR cameras.
A jack-of-all-trades with the best amateur video available
This is the most significant DSLR Canon has introduced since the 7D. It's the first one I've reviewed without some major caveat. And that's unusual. Canon doesn't often make game-changing cameras. They do what they did with the 30D, T3i, T5i, and 6D: make incremental improvements and leave a lot on the table. That's not what happened here, and so much the better.
Good still image quality, Good ISO noise performance
Is the 70D an automatic "must have" for 60D owners? If they shoot a lot of video, almost certainly - in video performance alone the 70D really outclasses the 60D, in no small part due to the lack of continuous AF in the 60D to begin with. Primarily shoot stills but a lot of bursts for sports or wildlife photography? Maybe - those extra 2 fps are a fairly significant jump over the 60D. Looking for your first DSLR and want/expect to shoot a lot of video?
Excellent image quality
Indeed, until we see Dual-Pixel CMOS AF inevitably make its way across the EOS range, we'd recommend the new Canon EOS 70D as the APS-C camera to go for if you're currently considering a mid-range DSLR camera. It offers a winning blend of features, performance and image quality that is hard to beat, both by its EOS brothers and other manufacturers' offerings. The new EOS 70D marks a real step forward for both Canon and the venerable SLR camera.
Great image quality, high resolution and low noise
Many cameras involve some compromises in what you can take, but the 70D suffers from little if any of those limitations. It can quickly respond to a wide variety of situations, taking high quality stills, tracking fast action through the viewfinder, shooting high speed bursts and confidently refocusing for movies. These make the 70D one of the most capable all-round cameras I've tested, even if the star of the show is the continuous movie AF.
Great touchscreen performance
The Canon EOS 70D is a real step forward in the world of DSLR photography, and if you shoot a lot of video, or find yourself using live view image capture with any regularity, it's a great choice. But It's not without its faults, with a few bugs in the Creative Filter settings proving particularly disappointing, although on the whole it's an impressive bit of kit that will change the way DSLRs handle AF technology in the future.
Excellent colour, Excellent vari-angle 3inch touch screen
The new dual pixel AF feature noticeably improves focus during video and live view, as promised, this will be particularly impressive and useful for those who shoot with Canon lenses for video or live view use, although at the expense of battery life, which drops dramatically from the otherwise excellent 920 shots offered.
7fps burst at full resolution with decent buffer, great image quality
Great new technology, great image quality, and great in use - there are only a few nitpick shortcomings to the Canon EOS 70D. Otherwise it's as close to redefining the mid-level DSLR sector as we've seen in recent years. It sure does earn its stripes; this is the colonel of cameras and deservedly so.
As with all new technology.. there are always some glitches
As far as picture quality (the lens does work with the exception of the two things mentioned) I have been very happy. I do feel like adding a few steps of sharpness helps the images (custom picture settings are available for user to define), but I am wondering now if that may also be the lens issue.
Excellent image quality, straight-forward handling and quick performance
So while the Nikon D5300 doesn't add that many new features to the year-old D5200, what it does add makes it a unique product at the mid-range price-point, offering something genuinely different to the likes of the Canon EOS 650D, Pentax K-5 II and the Sony A65. The combination of a free-angle screen, great video mode, high-quality stills and new connectivity options mean that the Nikon D5300 is a worthy winner of our Highly Recommended award.
1080p60 HD video mode, Excellent image quality
The Nikon D5300 is what's often referred to in the technology world as an 'evolutionary' upgrade. Nikon has abandoned the D5200's optical low pass filter, which might have been considered revolutonary a year ago, but now looks, to borrow a fashion industry term, 'on trend'. That's not to say it's frivolous or unwarranted, given that it improves the D5300's image quality with no apparent drawbacks (Moire wasn't an issue in any of my test shots) it's absolutely the right move.
Built-in Wi-fi addition, Good build quality
Although the Nikon D5300 certainly isn't perfect, with the lack of a touchscreen and a high price-tag at launch two noticeable issues, it's among best DSLRs on the market and is certainly worthy of consideration if you're in the market for an upgrade from your first DSLR, CSC or advanced compact.
Built in Wi-Fi and GPS, Improved ISO performance
The Nikon D5300 takes the tried and tested Nikon D5x00 series and updates it with a new more compact body, upgrading the screen in the process to a larger 3.2inch version and adding built in Wi-Fi and GPS into the mix. Along with this the 24 megapixel sensor now features no optical low pass filter, which will give improved image quality when shooting with high quality lenses, and we would recommend using prime lenses to get the best out of the camera.
Delivers great performance, weather-resistant build quality
We really can't think of anything bad to say about the new Pentax K-3, other than it deserves a better lens than either the 18-55 or 18-135mm kit lenses to realise its true potential. Pentax may not be as big or have the kudos of Nikon and Canon, but in the new K-3, they definitely have a fantastic semi-pro DSLR camera that's worthy of our highest Essential! award.
Superb clarity in image quality with 24MP sensor
Pentax have been consistently producing outstanding DSLRs, well specified and rugged. The K-3 continues that tradition, but honing areas that needed attention such as the AF tracking system and the video capability. The increased resolution and the clean images it produces all set off a well-rounded package that comes very close indeed to challenging very much more expensive kit.
Better handling and importantly faster performance than its predecessor
The new Fujifilm X-E2 offers more features, better handling and importantly faster performance than its predecessor, which we already loved, making it our favourite X-series camera and one of the best compact system cameras around. Fujifilm have clearly listened to their users and produced a camera that may look very much like the original X-E1, but which improves on it in virtually all ways.
Impressive noise performance, Great build quality and handling
The Fujifilm X-E2 improves on the X-E1 and addresses a number of the issues we found with the original camera, including accidentally knocking the exposure compensation dial, this hasn't happened on this new model, as well as adding a larger higher resolution screen. Focus speeds and continuous shooting speed has also been improved with the camera feeling extremely responsive in use.
A generational camera
The x100S has fine enough image quality and speed, in such a reasonably sized package, that the next generation of camera doesn't appeal to me. The x200S could have twice the resolution and twice the speed and I simply wouldn't care. I'm not suggesting that the x100S is the pinnacle of fixed lens digital cameras. But I am saying that Fuji has achieved such a balance of features and performance with the x100S that I can't reasonably see myself upgrading or switching for the foreseeable future.
Capable of excellent performance
While we could certainly dock the X100S for a lack of newbie-friendly features, this is still a $1,299.99 fixed-lens camera; there's probably not many beginners willing to shell out that kind of money for a camera lacking the flexibility of a system camera. Those in this part of the market probably know their way around a RAW converter or two, and are willing to suffer a bit for their art. Especially for street photographers who don't want to shell out for a Leica, the X100S is a fine choice.
Compelling mix of intuitive handling, impeccable image quality
There's no denying that £1099 / $1299 is a lot of money to pay for a compact camera with a fixed lens, but the Fujifilm X100S offers so many improvements that if you ever found yourself looking longingly at its predecessor, there's very little reason not to take a much, much closer look at this new version. Quite simply the new Fujifilm X100S is one of the best cameras that we've ever reviewed and joins its illustrious predecessor as a worthy winner of our coveted Essential! award.
Fast Hybrid AF with manual focus aids, Hybrid optical/electronic viewfinder.
The Fujifilm X100S builds on the success of its predecessor, the X100, with a new sensor, faster, more accurate focusing and a raft of other improvements. Fujifilm has concentrated on improving what needed it and fixing (most of) what was broken, while leaving what what best and most loved well alone - namely the X100's retro styling, composition and traditional controls.
Detail-rich images, Bright lens
By taking some of the best elements of the Fuji X-Pro1, such as the sensor design and Quick Menu, Fuji has produced a worthy update to the X100, and many owners of this camera will feel sorely tempted by the X100S. The improved handling and image quality makes it a very desirable step up.
Excellent resolution and detail in photos
The Fujifilm X100s improves quite dramatically over the Fujifilm X100, with a new 16 megapixel sensor that delivers excellent noise performance and detail in photos. The X100s gives the same familiar controls as the original X100 as well as a higher resolution electronic viewfinder, that when combined with the hybrid optical viewfinder, makes this camera a unique proposition.
Perfect Upgrade from D5100
If you're starting to outgrow your lower tier DX camera, get this one - you won't be disappointed. I already have quite a few DX lenses and don't feel like replacing them with FX lenses and I actually prefer the crop factor (1.5x teleconverter in effect) on my big nasty 70-200 2.8.
Sharpness was very strong
Aside from white balance, the D7100 leaves us with little to complain about. Videography is definitely improved over previous models, but there are some strange control quirks, and plenty of better video-oriented SLRs already exist on the market. Nikon could also do a much better job communicating its "unique" control techniques to new users.
Excellent build quality
There isn't much that we can say is wrong with the D7100 except for a couple of minor quibbles. But in the end, this may just be the best darned ASP-C DSLR that we've seen in a while. The fast fps shooting abilities will appeal to birding shooters, the dad photographing their kid's basketball game (and this is probably the perfect camera for it, and for the weekend landscaper.
Exposure, colour and white balance were all uniformly reliable
In summary the new Nikon D7100 further improves on the already excellent D7000 in several key ways and many minor ones, all adding up to make this the best DX-format DSLR to date. Nikon may be focusing on a full-frame future, but the D7100 clearly shows that they haven't forgotten the cropped sensor market. It may look almost identical to its predecessor, but the Nikon D7100 certainly proves that first impressions can be very deceiving.
Outstanding low ISO performance in both JPEG and Raw files
The D7100 is a well-built enthusiast DSLR that offers impressive image quality and easy access to shooting parameters along with a high degree of customization options. Video output is a bit disappointing and a very small image buffer limits sports shooters to JPEG-only mode.
Excellent LCD screen
There's no denying that the D7100 is an incredibly well-rounded DSLR with one of the most complete enthusiast DSLR feature-sets we've seen to date. The lack of an anti-aliasing filter gives images a pleasing crispness, while metering and White Balance systems are also difficult to fault.
Despite all of this, there are faults. Most noticeably, the high saturation of pixels on the sensor means that images are nosier at lower ISO settings then one would hope.
Excellent image quality and detail
The Nikon D7100 offers a compelling set of features, in a well built weather sealed body with a great looking 3.2inch screen. An updated 51 point focus system ensures focus is rapid and reliable, with the camera responding quickly. The camera features 6fps shooting in JPEG for 99 shots, which can be increased to 7fps when using 1.3x crop mode, although this isn't as quick as the Canon EOS 7D, or the Sony Alpha A77 with 12fps shooting.
Decent sharpness when on point
All in all we're impressed with the D7100 - it delivers great images, has an extensive autofocus system with 1.3x crop option, a long-lasting battery life and both the viewfinder and LCD screen are decent. What we'd like to see is yet more sensor improvements and a more capable buffer for burst shooting in the future - that would elevate this series to the next level.
Very nice camera
Great image quality, very nice zoom range. Crisp sharp images with great low light focus. I was looking for a nice carry around camera and after trying several others such as olympus omd m1, panasonics fz200 and canon hs50 and finally the fuji xs1(which is the only one of the group I kept) none compared to the rx10 in features or image quality. This camera is a nice compliment to the canon gear I am currently using for work - t5i, 7d, 70d, 6d and 5d miii.
Full-featured, best-performing super-zoom
Offering excellent image quality, great build, speedy performance, and slick ease-of-use, the Sony Cyber-shot DSC-RX10 is the best super-zoom camera currently on the market. Only you can decide if all of that is worth the the admittedly substantial investment - we'd strongly suggest that it is...
Spectacular image quality
The Nikon D600 was one of the worst-kept secrets in the industry this year, and the enthusiast and prosumer crowd has been foaming at the mouth to see what an affordable full-frame camera from Nikon would look like. The Nikon D600 does not disappoint, offering nearly every bit of control that the impressive D800 offers, with comparable features.
Excellent image quality, Full feature set, Dual SD card slots
The Nikon D600's release (along with that of the Canon 6D) has made full-frame shooting available to a broader market than ever before. This is particularly important for Nikon users since photographers with DX cameras don't have to buy new lenses when stepping up to the D600.
Additionally, the D600 offers a 24 megapixel sensor, a full complement of features that almost rival those of the more expensive D800 and performance that will meet the needs of most photographers.
Great, responsive and versatile tool
If you think you can live with that and a few other limitations / omissions versus the D800; the smaller, lighter and cheaper Nikon D600 will serve you just as well as the more expensive model - and even give you faster frame rates and more manageable raw file sizes as an added bonus.
Built-in AF motor for non AF-S lenses
From Nikon's point of view, the D600 has a tough role to fulfill. Primarily, it's an 'entry level' full frame DSLR designed to appeal to enthusiast photographers looking for the kind of build, image quality and features provided by pro DSLRs at a more affordable price. It's also got to function as a pro model backup, able to tick the same boxes as high end models like the D800 and D4, without being so good it begins to look like an attractively priced replacement rather than a supplement.
Outstanding low and high ISO performance in both JPEG and Raw files
There's a lot to like in the Nikon D600. In fact, really, there are very few areas in which it can be legitimately criticized given its market position and price point. Being a mid-range DSLR (albeit towards the top end) it lacks the customization options of the D800 (and D300S) and borrows its operational ergonomics primarily from the D7000.
Compact and light, Outstanding sensor performance
The superb sensor, extensive yet accessible features and compactness make the Nikon D600 an exceptionally user-friendly full-frame.
It's a pity the Nikon D600's larger sensor commands such a price premium over the Nikon D7000, but assuming it sees the kind of price reductions that the D800 has undergone, we're in for a treat.
But Nikon won't have this sector to itself for long. Canon's new full-frame EOS 6D will undercut the Nikon D600 on size, weight and price. Let battle commence.
Compact design may well appeal to many
On paper the D600 looks to be an attractive proposition and Nikon's attempt to once again bring an affordable full-frame DSLR to the enthusiast market is certainly to be applauded. There are, however, two things that may hold it back. The first of these is its closeness in price to the higher-spec and more robust D800, although given time we wouldn't be surprised to see the gap in price widen between the two models.
Excellent image quality, Excellent noise performance
The Nikon D600 is a full-frame 24.3 megapixel camera with excellent image quality and performance. It offers excellent noise performance, excellent image quality with good detail even as the ISO setting increases, and puts it all into a rugged weather sealed body with a great 3.2inch screen. The camera offers advanced Full HD video recording with both microphone and headphone sockets, and videos benefit from the full frame sensor in low-light situations.
Excellent image quality, small and light for a full-frame camera
The D600 opens the full-frame door to many that would never otherwise be able to afford such a DSLR. It's not exactly cheap, but it's great value for money when considering both the build and image quality. The feature set is much like a D800 mashed up with a D7000 - an excellent blend of pro and consumer features therefore kit out this full-framer and it definitely gets our seal of approval.
Superb video quality, Excellent grip design and button layout
Compact system cameras have always been the product of compromise; smaller sensors allow for a smaller package, but a smaller package means less physical control. The GH3 compromises very little, with image quality and video capability matching cameras that cost quite a bit more. It's a fine camera in every right with enough features and control to satisfy photographers of any level.
Fantastic camera in its own right
Overall the Panasonic Lumix DMC-GH3 is a fantastic camera in its own right, transcending the boundaries of mirrorless, DSLR, Micro Four Thirds, stills and video. The compelling mix of outstanding image quality, ease-of-use, intuitive design and a rich feature-set makes it very easy for us to highly recommend the new Panasonic Lumix DMC-GH3 - only that eye-watering price prevents us from awarding it our highest Essential rating.
Sensational video quality, Good stills image quality
The GH3 offers the best video quality of any camera we've ever seen and does a pretty good job of making it available to a wide range of users. This footage is available without external recorders, making it ideal for in-the-field shooting as well as more formal rigged-up setups. It's also a pretty handy stills camera with plenty of external controls, making it an impressively flexible package, overall.
Responsive touchscreen, Quick and easy controls
The Panasonic GH3 offers all modern conveniences we want in a digital compact system camera these days; a decent EVF, an articulating capacitive touchscreen, Wi-Fi connectivity and a fast autofocus system.
It may be a little larger than most compact system cameras, but it has a superb featureset in a very well-made body that is compatible with a wide variety of lenses. This makes it more versatile than most CSCs on the market and it turns out high quality images in most situations.
Class-leading touchscreen control
As Panasonic's flagship digital single lens mirrorless (DSLM) camera (more commonly referred to as a compact system camera) the Lumix GH3 has come on a long way from the two-year-old GH2 and brings with it a generous range of improvements. Indeed, with its larger hand grip, bigger battery, superb touchscreen and integrated Wi-Fi connectivity we don't have any hesitation in saying the GH3 is one of the most intuitive CSCs we've used.
Excellent range of lenses, Excellent handling
The Panasonic Lumix GH3 with a rugged weather sealed body and Digital SLR styling and controls, is one of the most advanced Micro Four Thirds cameras available, and has an extensive range of useful photographic and video upgrades in comparison to previous Panasonic cameras. In fact, it's one of the most advanced Full HD video recording cameras available at the moment.
Video capture is as good as it gets, feature-packed
Packed with features, exceptional on the video capture front, but otherwise a bit bulky and certainly pricey. Despite the GH3's obvious improvements over its predecessor, including in the image quality department, it's the significant price jump which sees the score slip.
A solidly built camera for professionals
The Lumix DMC-GH3 has all sorts of buttons and dials that can help you set the scene for your photos. If you use them correctly, you'll end up with images that are clean, highly detailed, and a pleasure to look at. You could also just plonk it in Intelligent Auto mode and let it do all the work for you, but that would go against the grain of the camera's design, which is meant to be a playground for pros and enthusiasts.
Very low image-noise until ISO 800
The Panasonic Lumix DMC-GH3 takes over the GH2 as Panasonic's flagship mirrorless camera. Its large body is weather-sealed and features triple control-dials among a plethora of buttons to make it efficient in use. The built-in EVF has been upgraded to 1.7 MP and the LCD to 610K pixels to improve viewing.
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