Impressive image quality, even at high ISO settings, Dust-proof, splash-proof design
With gorgeous images - even in low light, incredible speed, and a wealth of high-end features, the Olympus OM-D E-M1 is the best Micro Four Thirds camera that money can buy. It's an easy Editors' Choice award winner.
Excellent overall image quality, Great Low-Light performance
The Olympus OM-D E-M1 surpasses everything that we have seen so far from an ILC. Providing amazing performance and image quality that rivals a lower level pro mode dSLR, this much smaller camera is ready to go anywhere and perform in all situations.
Very good sensor, fast auto focus
Overall, our main criticism of the Olympus OM-D E-M1 lies not with its performance or feature-set, but with its price. £1299 / $1399 body-only is a lot to pay for a compact system camera these days. The combination of great image quality, an abundance of features, excellent auto focus, insane customisability and a robust dust-, drip- and freeze-proof body with a well-thought-out user interface do go a long way in justifying the cost, but with Sony soon releasing its similarly sized,...
Sturdy, weather-resistant body with lovely retro styling, Excellent image quality
In most respects the E-M1 does a good job bridging the gap between a traditional DSLR and a Micro Four Thirds camera. Its controls and customizability may overwhelm less hands-on users, but those who don't mind tinkering will love its flexibility. The improved autofocus tracking and performance with original Four Thirds lenses adds to the appeal of a camera with blazingly fast AF acquisition speeds with its native lenses.
Superb electronic viewfinder, Responsive AF system
The Olympus E-M1 delivers the goods across the board, with an impressive specification, fantastic build quality and a level of performance to match or better almost any CSC on the market. All of which combines to make to E-M1 not only one of the best CSCs currently available, but one of the best cameras of any type on the market today.
Best ever image quality from Micro Four Thirds
The Olympus OM-D E-M1 has improved image quality, and with improved handling, as well as an excellent and large electronic viewfinder this should be much more appealing to the professional user. With the addition of built in Wi-Fi, improved handling and controls, as well as support for Four Thirds, and new PRO Micro Four Thirds lenses coming we think the Olympus OM-D E-M1 could be all the camera you'll ever need, as well as being a significantly smaller complete package than traditional...
In-camera processing options like HDR and colour control are very effective
Even though it is a serious camera for enthusiast photographers, the OM-D E-M1 nevertheless brings a lot of fun to the imaging experience. Whether you enjoy using art filters or crave the fast burst speeds, the E-M1 is up to the challenge. The icing on the cake is that it produces great-looking photos.
However, the size and weight advantages of an interchangeable lens camera compared to an SLR are not really the case with the OM-D E-M1, especially when combined with the 12-40mm lens.
Images also looked extremely sharp
Owners of Olympus OM-D EM-5 bodies will rightly see the E-M1 as a worthwhile upgrade option and/or extension to their existing kit - provided they are happy about its higher price tag. The new camera has just enough improvements entice many stills photographers, although not photographers who are more video orientated.
The added support for Four Thirds lenses in the AF system will make the E-M1 attractive to owners of Olympus's older DSLR cameras.
Delivers great performance, weather-resistant build quality
We really can't think of anything bad to say about the new Pentax K-3, other than it deserves a better lens than either the 18-55 or 18-135mm kit lenses to realise its true potential. Pentax may not be as big or have the kudos of Nikon and Canon, but in the new K-3, they definitely have a fantastic semi-pro DSLR camera that's worthy of our highest Essential! award.
Superb clarity in image quality with 24MP sensor
Pentax have been consistently producing outstanding DSLRs, well specified and rugged. The K-3 continues that tradition, but honing areas that needed attention such as the AF tracking system and the video capability. The increased resolution and the clean images it produces all set off a well-rounded package that comes very close indeed to challenging very much more expensive kit.
Better handling and importantly faster performance than its predecessor
The new Fujifilm X-E2 offers more features, better handling and importantly faster performance than its predecessor, which we already loved, making it our favourite X-series camera and one of the best compact system cameras around. Fujifilm have clearly listened to their users and produced a camera that may look very much like the original X-E1, but which improves on it in virtually all ways.
Impressive noise performance, Great build quality and handling
The Fujifilm X-E2 improves on the X-E1 and addresses a number of the issues we found with the original camera, including accidentally knocking the exposure compensation dial, this hasn't happened on this new model, as well as adding a larger higher resolution screen. Focus speeds and continuous shooting speed has also been improved with the camera feeling extremely responsive in use.
A generational camera
The x100S has fine enough image quality and speed, in such a reasonably sized package, that the next generation of camera doesn't appeal to me. The x200S could have twice the resolution and twice the speed and I simply wouldn't care. I'm not suggesting that the x100S is the pinnacle of fixed lens digital cameras. But I am saying that Fuji has achieved such a balance of features and performance with the x100S that I can't reasonably see myself upgrading or switching for the foreseeable future.
Capable of excellent performance
While we could certainly dock the X100S for a lack of newbie-friendly features, this is still a $1,299.99 fixed-lens camera; there's probably not many beginners willing to shell out that kind of money for a camera lacking the flexibility of a system camera. Those in this part of the market probably know their way around a RAW converter or two, and are willing to suffer a bit for their art. Especially for street photographers who don't want to shell out for a Leica, the X100S is a fine choice.
Compelling mix of intuitive handling, impeccable image quality
There's no denying that £1099 / $1299 is a lot of money to pay for a compact camera with a fixed lens, but the Fujifilm X100S offers so many improvements that if you ever found yourself looking longingly at its predecessor, there's very little reason not to take a much, much closer look at this new version. Quite simply the new Fujifilm X100S is one of the best cameras that we've ever reviewed and joins its illustrious predecessor as a worthy winner of our coveted Essential! award.
Fast Hybrid AF with manual focus aids, Hybrid optical/electronic viewfinder.
The Fujifilm X100S builds on the success of its predecessor, the X100, with a new sensor, faster, more accurate focusing and a raft of other improvements. Fujifilm has concentrated on improving what needed it and fixing (most of) what was broken, while leaving what what best and most loved well alone - namely the X100's retro styling, composition and traditional controls.
Detail-rich images, Bright lens
By taking some of the best elements of the Fuji X-Pro1, such as the sensor design and Quick Menu, Fuji has produced a worthy update to the X100, and many owners of this camera will feel sorely tempted by the X100S. The improved handling and image quality makes it a very desirable step up.
Excellent resolution and detail in photos
The Fujifilm X100s improves quite dramatically over the Fujifilm X100, with a new 16 megapixel sensor that delivers excellent noise performance and detail in photos. The X100s gives the same familiar controls as the original X100 as well as a higher resolution electronic viewfinder, that when combined with the hybrid optical viewfinder, makes this camera a unique proposition.
Sony made a revolutionary camera
This is by far the best camera I have ever owned. Just in case you got here by accident, this is the smallest and lightest full frame changeable lens digital camera ever made. Full Frame just means that all the lenses out there for 35mm film cameras will look the same on this sensor. The pictures are amazing, the autofocus is lightning fast, and everything just feels like it should. It makes taking pictures very easy and fun.
Great quality rivals DSLRs of similar resolution
The Alpha A7 and A7r are a wake-up call for the photographic industry, especially to Canon and Nikon. Here are two cameras which not only match or outperform top-selling DSLRs in many respects, but which also can use their lenses, in some cases with minimal compromise on handling. If Canon and especially Nikon aren't careful, they could find themselves becoming lens manufacturers with a niche body business in pro sports photography.
Affordable, small size, full-frame image quality is great with prime lens attached
The Alpha A7 is a camera out there all on its own. It doesn't feel quite comparable to a full-frame DSLR, but we mean that as a positive. It's a different system, with a different ethos and, combined with the right gear, it'll bring you one thing that's the same as any other system worth its salt: glorious full-frame pictures.
Produce the best quality images
If you're a photo junky who values a low-profile, compact setup, you should run to get this camera. Your only other options for compact full-frame bodies are the Leica M, which is an unworldly $8000, or the Sony RX1, which is great but has a fixed lens. Sure there are trade-offs with the A7 series like poor lens selection and battery life, but those problems just fade away as you bask in the glory of the full-frame system.
A 'Fixed' D600 but a Failed Nikon Brand
I purchased the Nikon D600 when it first came out and THANKFULLY returned it when the dust/oil began to pop up on the sensor. I feel horrible for anyone that kept the D600 and now has a faulty camera out of warranty that has (essentially) been decommissioned from Nikon as a faulty product they don't want to fix. Thus the D610: a Nikon D600 with no dust and oil issues.
Great, responsive and versatile tool
That the D610 is lighter than any other Nikon FX digital SLR camera is a real boon to anyone planning to use it for extended periods of time, though be prepared that it's still quite a handful and noticeably heavier than the cheapest auto focus SLRs of the film era (then again, it's a much higher specified model than any of those). The Nikon D610's mirror is surprisingly quiet for a full-frame SLR camera and in normal use it produces only minimal viewfinder blackout.
High build quality, Excellent quality images
While the Nikon D610 is an excellent camera that's capable of recording plenty of detail in images with rich tones, good exposure and pleasant colours it is considerably more expensive the Canon 6D which can be bought for around $1899/£1475.
Those photographers who aren't tied to Nikon by a stash of lenses may feel tempted to invest in the Canon camera instead.
Excellent image quality, Excellent noise performance
The Nikon D610, like the D600 before, is a full-frame 24.3 megapixel camera with excellent image quality and performance. It offers excellent noise performance, excellent image quality with good detail even as the ISO setting increases, and puts it all into a rugged weather sealed body with a great 3.2inch screen. The camera offers advanced Full HD video recording with both microphone and headphone sockets, and video benefits from the full frame sensor in low-light situations.
Very nice camera
Great image quality, very nice zoom range. Crisp sharp images with great low light focus. I was looking for a nice carry around camera and after trying several others such as olympus omd m1, panasonics fz200 and canon hs50 and finally the fuji xs1(which is the only one of the group I kept) none compared to the rx10 in features or image quality. This camera is a nice compliment to the canon gear I am currently using for work - t5i, 7d, 70d, 6d and 5d miii.
Full-featured, best-performing super-zoom
Offering excellent image quality, great build, speedy performance, and slick ease-of-use, the Sony Cyber-shot DSC-RX10 is the best super-zoom camera currently on the market. Only you can decide if all of that is worth the the admittedly substantial investment - we'd strongly suggest that it is...
Spectacular image quality
The Nikon D600 was one of the worst-kept secrets in the industry this year, and the enthusiast and prosumer crowd has been foaming at the mouth to see what an affordable full-frame camera from Nikon would look like. The Nikon D600 does not disappoint, offering nearly every bit of control that the impressive D800 offers, with comparable features.
Excellent image quality, Full feature set, Dual SD card slots
The Nikon D600's release (along with that of the Canon 6D) has made full-frame shooting available to a broader market than ever before. This is particularly important for Nikon users since photographers with DX cameras don't have to buy new lenses when stepping up to the D600.
Additionally, the D600 offers a 24 megapixel sensor, a full complement of features that almost rival those of the more expensive D800 and performance that will meet the needs of most photographers.
Great, responsive and versatile tool
If you think you can live with that and a few other limitations / omissions versus the D800; the smaller, lighter and cheaper Nikon D600 will serve you just as well as the more expensive model - and even give you faster frame rates and more manageable raw file sizes as an added bonus.
Built-in AF motor for non AF-S lenses
From Nikon's point of view, the D600 has a tough role to fulfill. Primarily, it's an 'entry level' full frame DSLR designed to appeal to enthusiast photographers looking for the kind of build, image quality and features provided by pro DSLRs at a more affordable price. It's also got to function as a pro model backup, able to tick the same boxes as high end models like the D800 and D4, without being so good it begins to look like an attractively priced replacement rather than a supplement.
Outstanding low and high ISO performance in both JPEG and Raw files
There's a lot to like in the Nikon D600. In fact, really, there are very few areas in which it can be legitimately criticized given its market position and price point. Being a mid-range DSLR (albeit towards the top end) it lacks the customization options of the D800 (and D300S) and borrows its operational ergonomics primarily from the D7000.
Compact and light, Outstanding sensor performance
The superb sensor, extensive yet accessible features and compactness make the Nikon D600 an exceptionally user-friendly full-frame.
It's a pity the Nikon D600's larger sensor commands such a price premium over the Nikon D7000, but assuming it sees the kind of price reductions that the D800 has undergone, we're in for a treat.
But Nikon won't have this sector to itself for long. Canon's new full-frame EOS 6D will undercut the Nikon D600 on size, weight and price. Let battle commence.
Compact design may well appeal to many
On paper the D600 looks to be an attractive proposition and Nikon's attempt to once again bring an affordable full-frame DSLR to the enthusiast market is certainly to be applauded. There are, however, two things that may hold it back. The first of these is its closeness in price to the higher-spec and more robust D800, although given time we wouldn't be surprised to see the gap in price widen between the two models.
Excellent image quality, Excellent noise performance
The Nikon D600 is a full-frame 24.3 megapixel camera with excellent image quality and performance. It offers excellent noise performance, excellent image quality with good detail even as the ISO setting increases, and puts it all into a rugged weather sealed body with a great 3.2inch screen. The camera offers advanced Full HD video recording with both microphone and headphone sockets, and videos benefit from the full frame sensor in low-light situations.
Excellent image quality, small and light for a full-frame camera
The D600 opens the full-frame door to many that would never otherwise be able to afford such a DSLR. It's not exactly cheap, but it's great value for money when considering both the build and image quality. The feature set is much like a D800 mashed up with a D7000 - an excellent blend of pro and consumer features therefore kit out this full-framer and it definitely gets our seal of approval.
Generally impressive image quality
For those with prior lens family affiliation, your decision is already made. Almost all the praise we have for the Nikon D600 also applies to the 6D. We think the autofocus system does lag behind - only by a little - but enough to make this camera a slightly inferior choice for action photography. Otherwise, the Canon EOS 6D is tied for the best entry point for new full-frame photographers, and yes, represents a fantastic value, even at $2100.
Outstanding pictures in both good and bad light
Compared to the 5D Mark III's official price of £2999 / $3499, the 6D is something of a bargain at £1799 / $2099, especially as it delivers very similar image quality to its big brother. The only fly in the ointment in terms of price is the Nikon D600, which due to being released earlier now typically undercuts the 6D by a couple of hundred pounds / dollars. Still, the EOS 6D should also drop in price once the novelty has worn off.
Tough, moisture and dust resistant body, Built-in Wi-Fi and GPS
The Canon EOS 6D is an extremely capable and well-designed full-frame digital SLR that provides a clear upgrade choice for anyone looking to graduate from an APS-C model to a full-frame DSLR. It combines excellent image quality with superb high ISO noise performance, has an AF system that works in very low light levels and adds built-in GPS and Wi-Fi features in a tough, moisture and dust resistant body that's lighter and more compact than other full-frame bodies.
Excellent detail in raw file output across ISO range
The EOS 6D ticks off many of the things an APS-C DSLR owner could want in a full frame upgrade: great image quality, excellent handling, light weight and a sub-$2100 price tag. The challenge for Canon, of course is that the 6D does not exist in a vacuum.
Enthusiast-centric controls, Remote control via Wi-Fi
All things considered, the Canon EOS 6D is an excellent choice for the enthusiast and club photographer looking for a full-frame DSLR. These users will find that they have just about everything they need, and a bit more besides.
It may take them a while to get to grips with the subtleties of the camera's AF system, and they will have to remember some of the basics of metering when using the iFCL evaluative system in high contrast conditions, but they will appreciate the end results.
Excellent image quality, Excellent high ISO performance
The Canon EOS 6D feels like it's an improvement over the Canon EOS 5D Mark II, and gives most of what you get with the 5D Mark III, but with the addition of GPS and Wi-Fi, as well as the excellent 20.2 megapixel sensor for improved noise performance, but with a fraction of the price of the 5D Mark III, making this an excellent camera for those wanting a full-frame Digital SLR.
Full-frame image quality, EOS Utility wireless shooting via computer has potential
The EOS 6D delivers the image quality, but is paired with a focus system that's a game of two halves: it's great in low-light, but lacks the extended number of AF points that we'd like to see. A partially restricted viewfinder is also a downside, while the likes of Wi-Fi and GPS, "nice" though they are, would have been better off replaced by a more detailed core spec. Some good points and some lessons to be taken from Canon's budget full-framer.
Image quality, Full frame sensor, Built in wifi
It isn't pocket money, but the EOS 6D nonetheless puts full-frame features within reach of the more ambitious enthusiast photographer. I'd have happily swapped the GPS and Wifi for more autofocus points, but it's nonetheless a great body that captures great colours and very detailed shots.
Excellent video performance
Panasonic has taken the G3 and gave it some enhancements such as a higher-resolution screen, proximity sensor and an improved handgrip. We were also impressed with the improvement in video quality, which is one of the best we've seen from an ILC. Beginners will like its user-friendly interface and reliable programmed settings, while advanced users are not left out with its customizable options and rich feature set.
Smaller, lighter body than DSLR, but with grip and viewfinder
Panasonic were one of the original innovators in the mirrorless space, but with this year's GF5 and now the G5, it looks like they've settled into a safe, comfortable routine of predictable, conservative yearly updates. The G5 is a modest update to last year's G3; a slight rework of the body, a few spec bumps, and an otherwise familiar experience for both G-series fans and traditional DSLR shooters.
Most of the improvements seem genuinely helpful.
High-resolution live view LCD
The Panasonic Lumix DMC-G5 offers a lot of high-end features in a small, lightweight, well-designed package. The biggest draws are its impressive low-light performance, high still image quality, and its customizability. The three customizable buttons plus two on-screen function buttons really help you adapt the camera to your style.
Super-fast auto-focusing system
The Panasonic Lumix G5 is an accomplished mirrorless camera that upgrades its excellent predecessor in a number of significant ways in order to keep up with the fast-moving competition. A higher price tag means that it's not quite the bargain that the G3 was, but we can still highly recommend this realistic alternative to a bigger and bulkier DSLR.
Solid build quality, Impressive image quality
The Panasonic Lumix G5 is one of the most complete compact system cameras we've yet seen. While its launch price does make it slightly expensive at present (especially if purchased with the 14-42mm power zoom), it's surely only a matter of time before the street price drops. In all other respects though the G5 is an impressive addition to the G-series range.
Excellent image quality
The Panasonic Lumix G5 has been introduced with a new telephoto zoom lens, the compact 45-150mm f/4.0-5.6, and with Micro Four Thirds offering one of the most extensive ranges of lenses available for CSCs / DSLMs / Mirrorless cameras. Whatever you decide to call it, the G5 makes a compelling case for itself. It offers high speed performance, with extremely quick focus, shutter response, and very good continuous shooting at 6fps.
It's just as speedy and accurate
Exciting stuff for the G5 then. We will have more later when we have put the Panasonic camera through its paces in the full review. The G5 is going to start at £599 for body only, £699 with included 14-42mm, £879 with 45-150mm and £829 with 14-42x. It should be on sale in mid August.
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Reviews and Ratings for 1200 to 2000 $ Prices Digital Cameras from ReviewGist