As with all new technology.. there are always some glitches
As far as picture quality (the lens does work with the exception of the two things mentioned) I have been very happy. I do feel like adding a few steps of sharpness helps the images (custom picture settings are available for user to define), but I am wondering now if that may also be the lens issue.
Excellent image quality, straight-forward handling and quick performance
So while the Nikon D5300 doesn't add that many new features to the year-old D5200, what it does add makes it a unique product at the mid-range price-point, offering something genuinely different to the likes of the Canon EOS 650D, Pentax K-5 II and the Sony A65. The combination of a free-angle screen, great video mode, high-quality stills and new connectivity options mean that the Nikon D5300 is a worthy winner of our Highly Recommended award.
1080p60 HD video mode, Excellent image quality
The Nikon D5300 is what's often referred to in the technology world as an 'evolutionary' upgrade. Nikon has abandoned the D5200's optical low pass filter, which might have been considered revolutonary a year ago, but now looks, to borrow a fashion industry term, 'on trend'. That's not to say it's frivolous or unwarranted, given that it improves the D5300's image quality with no apparent drawbacks (Moire wasn't an issue in any of my test shots) it's absolutely the right move.
Built-in Wi-fi addition, Good build quality
Although the Nikon D5300 certainly isn't perfect, with the lack of a touchscreen and a high price-tag at launch two noticeable issues, it's among best DSLRs on the market and is certainly worthy of consideration if you're in the market for an upgrade from your first DSLR, CSC or advanced compact.
Built in Wi-Fi and GPS, Improved ISO performance
The Nikon D5300 takes the tried and tested Nikon D5x00 series and updates it with a new more compact body, upgrading the screen in the process to a larger 3.2inch version and adding built in Wi-Fi and GPS into the mix. Along with this the 24 megapixel sensor now features no optical low pass filter, which will give improved image quality when shooting with high quality lenses, and we would recommend using prime lenses to get the best out of the camera.
Image quality is unsurprisingly excellent
Ultimately the E-P5 joins the E-M5 as a fantastic compact system camera, albeit again a rather pricey one. It's different enough to its older sibling to warrant careful consideration - smaller, lighter, in some ways more flexible, and with some genuinely useful extra features - so much so that we can recommend the new Olympus E-P5 just as highly as our favourite compact system camera of 2012.
Beautifully-styled and built, with lots of external controls
The E-P5 is the most substantial re-working of the original PEN model, and it's the most impressive yet. It produces the same excellent image quality as the E-M5 and has a proper two-dial control system. This, combined with a better touch screen and arguably the prettiest PEN body, make it a more attractive and more complete camera than the series has seen before.
Excellent image quality, Excellent colour reproduction
The Olympus PEN E-P5 sits at the top of the Olympus PEN range and is the desirable premium mirrorless camera, while lacking weather sealing of the OM-D, the additional features and high IQ from the OM-D should make the E-P5 top of the list for a mirrorless camera. The VF-4 EVF (electronic viewfinder) with a high resolution, large view, and rapid refresh is an excellent bit of kit and well worth adding to the E-P5, making it a real pleasure to shoot with.
Super-fast autofocus, responsive touchscreen
Substance and style meld into one excellent camera. If you're after a compact system camera without a built-in viewfinder then the E-P5 is as good as they come. If a viewfinder is essential then the VF-4 accessory is great, but it might make better financial sense to buy an OM-D E-M5 instead.
Attractive retro design, Efficient and intuitive controls
All the staffers who had a chance to try out the E-P5 loved it, and we were sad to see it leave our hands. It's nicely designed, has a ton of features, and produces really nice images. The noise filter is a bit aggressive that results in less-than-sharp images, but this is easily fixable by adjusting the settings to your liking. The E-P5 is a camera that will do really well in any number of shooting situations, as long as you can handle the price tag.
Fantastic little camera
Very nice quality pictures that can handle high iso noises pretty well, Video quality is amazing with very fast auto focusing. Even at low light, the focus was amazingly well done. I own Canon 7D and I bought this camera for my wife and she is loving it so far. Lots of fun functions built in camera editor, as well as full touch screen effects are really nice. I highly recommend this camera whoever wants to buy a mirrorless. It even comes with free lightroom4 software!
Sharp images even from kit lens, Great Wi-Fi connectivity
The Samsung NX300 really does earn the title of the flagship NX mirrorless camera. It offers a classic leatherette skin draped over a sleek metal body. It is solid and sturdy--the best made NX of the entire lineup. Its image quality is clean and sharp, only giving way to serious pixel degradation at ISOs above 6400.
Deliver significantly more features and performance
The NX300's new 20.3 megapixel sensor delivers excellent still image quality, with a very usable ISO range of 100-6400, plus 1080p HD video at a range of frame rates complete with auto-focusing, full control over the exposure settings, stereo sound and a wealth of other options.
Image quality, Build quality and design
It's clear that a lot of consideration has gone into not only what the Samsung NX300 should do, but also how it should do it, since you're never more than a couple of clicks - or screen taps - away from any particular setting.
Samsung's iFunction lens system continues to impress, with the new Lens Priority function opening up the world of attractive short depth of field photography to less experienced users.
Great image quality
The Samsung NX300 is an welcome refresh to the Samsung NX range, with an impressive 3.31 inch touch screen (the largest on any mirrorless camera), and a good range of Wi-Fi features built in. Image quality is impressive with better results than the previous model, the NX210, thanks to improved noise performance, and excellent levels of detail.
iFunction control system, low light performance
The NX line-up was already strong, and the NX300 solidifies its position as one of the best compact system camera options currently on sale.
There's a pretty heady mix of specs inside its beautiful retro body, with - to coin a clich - something for everyone. For the pros, there's a large sensor, top notch low light performance, and of course the bundled Lightroom software.
Easy Wi-Fi connectivity
Samsung delivers a camera with plenty of power and features to satisfy photographers who want to step-up to an interchangeable lens model. That said, the lack of viewfinder options may be off putting to those who are looking for a compact alternative to an SLR.
The NX300 sells for AU$899 with an 18-55mm OIS III lens. It comes bundled with a free copy of Adobe Lightroom 4, which normally retails at AU$98.75 as a stand-alone package.
Excellent - this camera should cost more
If you're considering an NEX or u43 kit, keep in mind that neither those nor the X-M1 are pocketable. You'll likely carry those cameras in a bag. If you want something truly pocketable, you're probably better off looking at an RX100. So if you'll be using a bag anyways, I would recommend the X-M1 over the NEX or any of the smaller u43 cameras.
Smaller, lighter and significantly cheaper
Ultimately, while we actually preferred the X-E1 to its big brother, the X-Pro1, the same can't be said about the X-M1, despite it being significantly cheaper and shipping with a good kit lens. The lack of a viewfinder is the main problem - for us, it just feels wrong to pick-up an X-series camera and not be able to hold it up to your eye.
Excellent high ISO noise performance
The Fujifilm X-M1 is an interesting development in the X-series and provides the opportunity for those who hanker after the style and performance of the X-E1, but at a more affordable price. With the concurrent launch of a quality kit lens, a telephoto zoom coming later in 2013, and the promise of more affordable XC lenses to come, it's clearly a product the company is committed to.
Solid build quality, despite composite construction
The X-M1 is Fujifilm's entry-level mirrorless camera with its unique X-Trans sensor. While it lacks the build quality and EVF of the more expensive X-E1, it adds a sharper, tilting LCD and Wi-Fi. The X-M1 is capable of taking incredibly sharp photos with very little noise. Performance is very good, although AF speeds are not as quick as the best-in-class mirrorless cameras.The camera is missing a few other handy features too, like an electronic level and remote control via Wi-Fi.
Tilting screen, Small size, Large APS-C sensor
When it comes to shopping for a camera like this, although image quality is good, appearance is still very important. If you're willing to part with a large chunk of change in return for something that looks beautiful but still delivers in the image quality department, then you'll no doubt be pleased with the Fuji X-M1.
If, however, you're looking for your first camera in the interchangeable lens category, and you're on a budget, this wouldn't be our first recommendation.
Low noise, Excellent colour, 3 inch tilting screen
The X-Pro1 and X-E1 with manual control dials, and built in viewfinders were a joy to use due to classic styling and quick photographic control. The Fujifilm X-M1 on the other hand no longer features as many external controls, and with the 16-50mm OIS lens aperture and shutter speed is controlled by the two control wheels. However, the additional of a 3inch tilting screen and built in Wi-Fi, along with a more compact body helps make up for this.
Great image quality is super-sharp
The X-M1 is new ground for Fujifilm: it's a camera targeted towards the masses, yet it maintains a decent level of its all-important pro-spec look and feel. Imperfections there may be, and it can feel a little more B-movie than Hollywood at times, but the X-M1 will score a cult-movie-like following for all its positives. A compact system camera that really shouldn't be overlooked, there's more to it than meets the eye.
Delivers outstanding still images
Even the price of the Ricoh GR is appealing. At £599.99 / $799, it's substantially cheaper than its direct competitor, the Nikon Coolpix A, and also cheaper than an APS-C DSLR or compact system camera with a good quality 28mm lens fitted. If you're certain that a 28mm fixed lens will suit your style of shooting, then the Ricoh GR represents something of a bargain and comes Highly Recommended.
Good lens, very low distortion and without any real corner softness
A niche product, and one that Ricoh should be applauded for designing in a market stuffed with 'me too' cameras, but one that its hard to wholeheartedly recommend. If it had breathtaking image quality the price would be irrelevant, but as it stands you're paying nearly as much as a Nikon D50 outfit for the camera (and a lot more if you include the optical viewfinder), and a lot more than you would for one of the several excellent compacts on the market with a zoom starting at 28mm.
Extremely sharp lens, Excellent noise performance
The Ricoh GR (V) is an impressive upgrade to the previous GR Digital model, with a 16 megapixel APS-C sensor, the Ricoh GR suddently becomes much more attractive, with an extremely sharp 28mm equivalent lens, the camera delivers excellent image quality. It's also available for noticeably less than other APS-C sensor compact cameras, and would make a great pocket camera where image quality rather than zoom is of the highest importance.
Image quality is exceptional, super-sharp lens
Image quality is in the bag, there's no doubt about that, but as a full package it falls into some of the traps that its similar competitors do too. That has a two-fold effect - it stops the GR from being a five-star product while simultaneously making it the best of its kind.
So many customisable options, settings and function buttons
With an aggressive pricing strategy, Ricoh should win plenty of photography enthusiasts over with the GR. Competing cameras like the Nikon Coolpix A are easier to pick up and start shooting with for beginners, but it seems like a waste for these cameras to stay in auto all the time. This is where the GR steps in - there are just so many ways to customise this camera, it's almost ridiculous.
All the customisation in the world would mean nothing if the GR wasn't able to take good photos.
Compact size large APS-C sensor, 28mm prime lens
As much as we like to save money, the Coolpix A is a better overall camera than the Ricoh GR. The Nikon's images are sharper and colors more accurate. The fact the Coolpix has built-in image stabilization while the GR does not is definitely a factor. Also the lack of a focus ring takes away half the fun of shooting with an enthusiast camera. The Ricoh can take solid photos with enough light but in dim settings it doesn't have the ISO chops of the Nikon.
Sensor is very well rounded
Overall, the Ricoh GR has proved itself to be a very capable performer and it joins the Nikon Coolpix A and the Fujifilm Finepix X100 in moving on the performance level of prime lens compact cameras. While they don't feature the versatility of interchangeable lenses, they make very high quality discrete cameras for street and social documentary photography, without having to make too many compromises in image quality along the way.
Solid performance, good value, Nikon nails it again!
This camera may be the best APS-C in its class so far. After Nikon's quality control issue with the full-frame D600 (sensor oil spot problem), Nikon may be able to win back its trust with this new release, again aimed at enthusiasts and amateur photographers. Being an amateur photographer for years and have invested quite a sum in Sony, Canon and Nikon bodies and lenses, I myself settled with Nikon in personal preference.
Design is easy to use and comfortable to handle
The ultimate irony of these cameras is this: when the D5100 first came to market we awarded it both Camera of the Year, and Budget DSLR of the Year. It was just such an amazing deal, with rare levels of performance at the price point. But after two years and little improvement for the D5200, this great camera didn't hit us with the same impact its predecessor did. Like we've said countless times in the review, the D5200 is a fine camera, but it's not $300 finer than the old one.
Good still and video image quality
The D5200 is a nice little camera with no glaring deficiencies and would make a fine first DSLR for someone moving out of the compact digital ranks. It would be a great follow-on camera for someone who's cut their teeth on an earlier model Nikon DSLR but doesn't want to go all the way to the prosumer D7100. I'm just left wishing Nikon had added a few more external controls and some weather sealing.
Undoubtedly a great all-round DSLR
The new Nikon D5200 may not reinvent the wheel in any way, but it is undoubtedly a great all-round DSLR that's well-suited to a lot of different users and experience levels, exactly what a mass-market camera should be, and judged on that criteria, the Nikon D5200 is once again a very worthy winner of our Highly Recommended award.
Impressive 39-point AF system, Continuous shooting speed of 5fps
Costing £649 body only, or £719 with the 18-55mm VR kit lens, the D5200 currently costs around £320 more than the equivalent D5100 package. The developments to the D5200's internal specification - most notably the 39-point AF system and 24.1MP sensor - result in a truly impressive specification for a consumer model. It delivers stunning image quality and is a pleasing camera to use, but is it really worth the additional £300 or so?
Produces detailed images, Excellent ISO performance
When we reviewed the D5100 in April of 2011 we were impressed and gave it our highly recommended award. The biggest change on the D5200 is the upgrade to the 24.1 megapixel CMOS sensor, with the D5200 producing 5 star quality images. The D5200 can also shoot at a faster rate of 5 fps in continuous shooting.
The D5200 is compatible with a number of accessories such as the Wireless Mobile Adapter (WU-1a) allowing sharing of images with mobile devices.
Good picture quality, vari-angle LCD screen, decent autofocus system with motorised lenses
We love the D5200's low-mid sensitivity shots which are among the best in class, and the 39-point autofocus sensor is quality too. But a lack of the usual array of Nikon quick-access DSLR buttons, no touchscreen, banding hidden in shadow areas of raw files and poor movie clips hold the model back. The new sensor is a double-edged sword that brings both good and bad to the table from what we've seen.
Ability to shoot Raw as well as JPEG
With the ability to shoot Raw as well as JPEG, high quality video with stereo sound and do both in otherwise testing conditions, this is one compact styled CSC that just about does it all. Given this perhaps the asking price isn't as excessive as it might first seem in comparison with regular non-protected 'J' series Nikons.
Waterproof to 15 metres, High speed shooting at 60fps
The Nikon 1 AW1 is unique in offering a completely waterproof and shockproof interchangeable lens camera, making it ideal for travelling, swimming, snorkelling, scuba diving, or for giving to the kids to take photos with. Although with a limited number of lens options that are also waterproof, the choice of waterproof lenses is a little bit limiting at the moment, and it would benefit from a brighter prime lens or a wider zoom lens, as the standard zoom lens isn't very wide or very bright.
Above average image noise for a mirrorless
The Nikon 1 AW1 is absolutely unique. It is the only waterproof or shockproof interchangeable lens camera every made. Its relatively large 1" CMOS sensor provide it with image-quality superior to all other waterpoof cameras. This makes it an obvious choice for anyone serious about underwater photography but not able to spend on a DSLR submersible casing or willing to deal with the bulk and complexity of such a system.
First waterproof interchangeable lens camera
In its primary capacity as an underwater camera, the AW1 performs very well. Does it deliver the best photos from an ILC? No. But it is the only rugged model that will withstand whatever you can throw at it and give you the flexibility of changing between lenses. As a feat of pure engineering, the AW1 is a marvel.
High quality electronic viewfinder, Classic camera styling
The Olympus Stylus 1, by using the styling of the Olympus OM-D series, which itself was styled on the old and classic Olympus OM SLR series, has not only brought about a stylish compact camera, but it's also brought about a genuinely useful and somewhat unique digital camera.
Grip is large, well-shaped
Sony's NEX system has seen considerable growth since its inception just three short years ago. What started as two barely discernible options - the NEX-5 and NEX-3 - has grown into a fine system with options for just about everyone. The NEX-7 also became one of the first premium mirrorless cameras, providing advanced features for those who want a body that isn't just concerned with courting point-and-shoot users away from DSLRs.
Full feature set, good performance
The Sony NEX-6 is a great little camera and, one of my personal favorites. Other than its sometimes confusing menu system, the NEX-6 is well designed for comfortable and efficient shooting for enthusiasts and those just stepping up from compact cameras. To round out the mix, the camera offers good performance, above average image quality and an excellent feature set - including Wi-Fi.
High-ISO performance is pretty impressive
Unless you find the 24-megapixel sensor, standard microphone jack and Tri-Navi user interface of the more expensive NEX-7 - or the touchscreen-based functionality and lower price of the NEX-5R - more appealing, the NEX-6 is probably the best Sony compact system camera you can buy at the moment.
Very good image quality and high ISO performance
The NEX-6 offers a highly attractive combination of excellent image quality, courtesy of Sony's proven 16MP sensor, enthusiast-friendly ergonomics (including a mode dial - a first for the NEX-series), a 'real' hot shoe, an OLED electronic viewfinder, and useful features like Sweep Panorama and Auto HDR. That said, the NEX's user interface isn't for everyone, having to download (and sometimes pay for) apps can be frustrating, and for best results you'll need to shoot RAW.
Operational speed, Large and bright viewfinder
The Sony NEX-6 bridges the gap between the flagship NEX-7 and the more consumer-orientated NEX-5R, borrowing features from both models. From the NEX-7 it takes the bright and highly detailed electronic viewfinder, while from the NEX-5R it takes the built-in Wi-Fi connectivity. Coming in around £140 cheaper than the NEX-7 and yet sporting a similar feature set, the NEX-6 certainly represents good value for money.
Excellent image quality, Decent battery life
This new addition to the NEX range offers a wide range of features such as its APS-C sensor, tiltable screen, high-speed shooting, full HD video recording and you can purchase from a large number of NEX lenses. Picture quality is excellent, with good colour reproduction and noise performance up to and including ISO 3200.
Great build quality, Built-in electronic viewfinder
For owners of first generation NEX models, upgrading to an NEX-6 is a no brainer however, while the lure for owners of Alpha series DSLRs wanting a smaller second camera that they can use with the same lenses - via optional adapter - is also going to be strong. If you can stomach the price, and overlook the purely functional design, then the NEX-6 is a winner.
Outstanding sharpness scores
The Fujifilm X-E1 is all of the fun and none of the frivolity of the X-Pro1. The decision to exchange the hybrid OVF for lower costs will make a lot of consumers happy, but keeping performance at basically the same level is the real achievement here. We loved having this camera in-house and hate to see it go. Anyone whoâ?? s been watching this series but put off by the price should take a second look.
Intuitive handling, fantastic image quality
Retailing for £749 in the UK and $1000 in the US for the body-only, or £1149 / $1399 with the new 18-55mm f/2.8-4 OIS lens, means that you can buy the X-E1 with a great kit lens for less than the body-only launch price of the X-Pro1 (although obviously this is now significantly less). It also pits the X-E1 directly against the Olympus OM-D E-M5 and the Sony NEX-7, both of which are great cameras, but both of which are quite different in their approach.
Excellent image quality, Superb high ISO noise performance
The X-E1 is a great follow up model to Fujifilm's X-Pro 1 providing most of what the more expensive flagship model offers at a significantly lower price point. For purists, an optical viewfinder on a rangefinder style camera will be a must-have feature and the X-Pro 1's hybrid viewfinder is a technological wonder. But if you can live without an optical viewfinder, the X-E1's EVF is one of the best around and is arguably better suited to an interchangeable lens camera.
Unique camera design makes you want to take pictures
Overall, we really enjoyed shooting with the Fujifilm X-E1, and I'm very pleased with the images I got out of it. The camera crashed on occasion (it wouldn't be a new X-series camera if it didn't have some bugs...), leaving buttons unresponsive, and focus and exposure sometimes delivered odd results, but powering off usually cleared the error.
Stunning image quality
While it might be tempting to think of the X-E1 as a stripped back X-Pro1, that does it something of a disservice in that the X-E1 is a great camera in its own right. Gifted with the same premium grade construction and finish, the X-E1 feels more refined and balanced than it's more expensive sibling.
Impressive colour reproduction
The Fujifilm X-Pro1 and X-E1 are the definition of retro digital cameras, and the moment you pick it up, you'll be reminded of an old film camera from the past. With manual controls on the lens and body it is very easy to adjust settings and the menus and controls are well thought out and easy to get to grips with. The electronic viewfinder is excellent with an extremely high resolution and is great to use, although it's a shame the 2.8inch screen isn't larger and a higher resolution.
Image quality is excellent, build quality is superb
It's not cheap and the autofocus speed isn't going to see off its nearest competitors, but the X-E1 is a tool that never takes its eye off the image-quality ball, all wrapped up into a super chic retro-styled body. It looks great, its images look even greater, and that's where this retro snapper wins. However the limited selection of current XF lenses may be seen as an issue and this pro-targeted model isn't going to suit all tastes or needs on account of its AF system.
Extremely low image noise up to ISO 6400
The Fuji X-E1 follows the X-Pro1 with the same 16 MP CMOS sensor that delivers class-leading image quality thanks to its unique X-Trans sensor which does not use an anti-alias filter.
The X-E1 is an excellent successor to the X-Pro1. While it does not address all issues, it improves upon the X-Pro1 considerably with a better EVF in a smaller body, faster performance and even a considerably lower price tag.
Retro styling, Less daunting than the X-Pro1
The 16.3 effective megapixel, 1920x1080 pixels Full HD video shooting Fujifilm X-E1 competes directly with the Olympus OM-D E-M5 in the retro styled compact camera system stakes. While, if you prefer the more modernist look, the Sony NEX-7 and cheaper Sony NEX-6 likewise offer an eye-level viewfinder, as well as the larger format APS-C sensor for almost DSLR-style picture quality.
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