As with all new technology.. there are always some glitches
As far as picture quality (the lens does work with the exception of the two things mentioned) I have been very happy. I do feel like adding a few steps of sharpness helps the images (custom picture settings are available for user to define), but I am wondering now if that may also be the lens issue.
Excellent image quality, straight-forward handling and quick performance
So while the Nikon D5300 doesn't add that many new features to the year-old D5200, what it does add makes it a unique product at the mid-range price-point, offering something genuinely different to the likes of the Canon EOS 650D, Pentax K-5 II and the Sony A65. The combination of a free-angle screen, great video mode, high-quality stills and new connectivity options mean that the Nikon D5300 is a worthy winner of our Highly Recommended award.
1080p60 HD video mode, Excellent image quality
The Nikon D5300 is what's often referred to in the technology world as an 'evolutionary' upgrade. Nikon has abandoned the D5200's optical low pass filter, which might have been considered revolutonary a year ago, but now looks, to borrow a fashion industry term, 'on trend'. That's not to say it's frivolous or unwarranted, given that it improves the D5300's image quality with no apparent drawbacks (Moire wasn't an issue in any of my test shots) it's absolutely the right move.
Built-in Wi-fi addition, Good build quality
Although the Nikon D5300 certainly isn't perfect, with the lack of a touchscreen and a high price-tag at launch two noticeable issues, it's among best DSLRs on the market and is certainly worthy of consideration if you're in the market for an upgrade from your first DSLR, CSC or advanced compact.
Built in Wi-Fi and GPS, Improved ISO performance
The Nikon D5300 takes the tried and tested Nikon D5x00 series and updates it with a new more compact body, upgrading the screen in the process to a larger 3.2inch version and adding built in Wi-Fi and GPS into the mix. Along with this the 24 megapixel sensor now features no optical low pass filter, which will give improved image quality when shooting with high quality lenses, and we would recommend using prime lenses to get the best out of the camera.
Faster auto-focus and burst shooting speeds
The price of the S120 is an eye-watering £449.00 / $449.99, up £20 in the UK, which puts it on a price-par with the class-leading Sony Cyber-shot RX100, itself bested by the RX100 Mark II, albeit at an even higher price-point. Despite the improvements, we still feel that the RX100 with its much larger sensor delivers even better results than the S120, making it our choice in the "pocketable compact camera for enthusiasts" sector of the market.
One of smallest cameras with RAW & manual control
As it stands though the S120 can still be squeezed into most pockets which keeps it unique against most of its competition - indeed only the Lumix LF1 challenges it in this regard. And if it is a genuinely pocketable enthusiast-class compact you're after then you should be comparing the S120 very closely against the LF1 and also seeing what that extra 1cm of thickness gets you from the RX100 II.
Easy to take impressive star trail shots, Has built-in Wi-Fi
The Canon PowerShot S120 is a steady upgrade of last year's S110, with a slightly faster aperture, faster continuous shooting and a higher resolution screen. This might not be enough to tempt S110 owners to upgrade, but the star trail feature does offer something unique and the results we achieved during testing are quite impressive.
Small camera, plenty of control
With its handling improvements, brighter lens, 1080/60p video, and unquestionable pocketability, the S120 is a terrific camera either for DSLR owners looking for something svelte to slip into a pocket, or shutterbugs with no desire to lug a DSLR while on vacation.
Delivers great performance, weather-resistant build quality
We really can't think of anything bad to say about the new Pentax K-3, other than it deserves a better lens than either the 18-55 or 18-135mm kit lenses to realise its true potential. Pentax may not be as big or have the kudos of Nikon and Canon, but in the new K-3, they definitely have a fantastic semi-pro DSLR camera that's worthy of our highest Essential! award.
Superb clarity in image quality with 24MP sensor
Pentax have been consistently producing outstanding DSLRs, well specified and rugged. The K-3 continues that tradition, but honing areas that needed attention such as the AF tracking system and the video capability. The increased resolution and the clean images it produces all set off a well-rounded package that comes very close indeed to challenging very much more expensive kit.
Very good camera
I have not used a DSLR before and was in the market to get a camera that is comparable to SLR. My wife wanted something that is not too big to carry around. My previous camera was a Canon S90, which is good, but I wanted something better than that. Picture quality in NEX 5T is very good, it is easy to handle like a point and shoot. I read some complaints about Sony's confusing menu, but I didn't have any problems with it.
CMOS image sensor helps with low light results
If you're someone who purchased last year's Sony NEX-5R ILC model, you aren't going to want to upgrade the recently released NEX-5T, as the two cameras very similar. The NEX-5T introduces NEC wireless capabilities to this family of ILC models, but otherwise the 5R and 5T are basically the same camera. That doesn't mean the Sony NEX-5T isn't a great camera.
Excellent all-round compact system camera
Ultimately the new Sony NEX-5T is once again a likable and easy to recommend compact system camera which literally feels better balanced with the 16-50mm lens. Still Highly Recommended then, but we'd expect to see next year's inevitable update make some real strides forward.
Comfortable to hold, Extremely compact with 16-50mm lens
The Sony NEX-5T is one of the more compact mirrorless cameras available, particularly considering it has an APS-C CMOS sensor. For a smaller mirrorless camera you would have normally had to look at the smaller sensor Nikon 1 series, however there is now the option of the Panasonic Lumix GM1 with Micro Four Thirds sensor, and generally smaller Micro Four Thirds lenses.
Superior stills and videos, Advanced Hybrid AF, Built-in Wi-Fi/NFC
It's easy recommending the Sony NEX-5T. It grabs images that are this close to Fujifilm CSCs using the X-Trans CMOS sensor. Since Sony supplies chips for practically everyone, they could even be the same imaging device but we slightly prefer the photos of the X-M1, which are just a bit sharper thanks to the Fujifilm glass. Where Sony beats Fujifilm - and practically everyone else - is its 60p videos that seem to jump off the screen.
Solid image quality and low light performance
All in all, if you're an existing NEX-5R user, we see absolutely no reason for you to make that upgrade. However, the NEX-5T will make a compelling option for someone looking to make an upgrade from a compact camera, with its combination of good size and image quality, coupled with those nifty PlayMemories apps. But be warned, if you're a fan of touchscreen operation, I'm afraid the 5T isn't going to cut it.
Better handling and importantly faster performance than its predecessor
The new Fujifilm X-E2 offers more features, better handling and importantly faster performance than its predecessor, which we already loved, making it our favourite X-series camera and one of the best compact system cameras around. Fujifilm have clearly listened to their users and produced a camera that may look very much like the original X-E1, but which improves on it in virtually all ways.
Impressive noise performance, Great build quality and handling
The Fujifilm X-E2 improves on the X-E1 and addresses a number of the issues we found with the original camera, including accidentally knocking the exposure compensation dial, this hasn't happened on this new model, as well as adding a larger higher resolution screen. Focus speeds and continuous shooting speed has also been improved with the camera feeling extremely responsive in use.
A 'Fixed' D600 but a Failed Nikon Brand
I purchased the Nikon D600 when it first came out and THANKFULLY returned it when the dust/oil began to pop up on the sensor. I feel horrible for anyone that kept the D600 and now has a faulty camera out of warranty that has (essentially) been decommissioned from Nikon as a faulty product they don't want to fix. Thus the D610: a Nikon D600 with no dust and oil issues.
Great, responsive and versatile tool
That the D610 is lighter than any other Nikon FX digital SLR camera is a real boon to anyone planning to use it for extended periods of time, though be prepared that it's still quite a handful and noticeably heavier than the cheapest auto focus SLRs of the film era (then again, it's a much higher specified model than any of those). The Nikon D610's mirror is surprisingly quiet for a full-frame SLR camera and in normal use it produces only minimal viewfinder blackout.
High build quality, Excellent quality images
While the Nikon D610 is an excellent camera that's capable of recording plenty of detail in images with rich tones, good exposure and pleasant colours it is considerably more expensive the Canon 6D which can be bought for around $1899/£1475.
Those photographers who aren't tied to Nikon by a stash of lenses may feel tempted to invest in the Canon camera instead.
Excellent image quality, Excellent noise performance
The Nikon D610, like the D600 before, is a full-frame 24.3 megapixel camera with excellent image quality and performance. It offers excellent noise performance, excellent image quality with good detail even as the ISO setting increases, and puts it all into a rugged weather sealed body with a great 3.2inch screen. The camera offers advanced Full HD video recording with both microphone and headphone sockets, and video benefits from the full frame sensor in low-light situations.
Sony made a revolutionary camera
This is by far the best camera I have ever owned. Just in case you got here by accident, this is the smallest and lightest full frame changeable lens digital camera ever made. Full Frame just means that all the lenses out there for 35mm film cameras will look the same on this sensor. The pictures are amazing, the autofocus is lightning fast, and everything just feels like it should. It makes taking pictures very easy and fun.
Great quality rivals DSLRs of similar resolution
The Alpha A7 and A7r are a wake-up call for the photographic industry, especially to Canon and Nikon. Here are two cameras which not only match or outperform top-selling DSLRs in many respects, but which also can use their lenses, in some cases with minimal compromise on handling. If Canon and especially Nikon aren't careful, they could find themselves becoming lens manufacturers with a niche body business in pro sports photography.
Affordable, small size, full-frame image quality is great with prime lens attached
The Alpha A7 is a camera out there all on its own. It doesn't feel quite comparable to a full-frame DSLR, but we mean that as a positive. It's a different system, with a different ethos and, combined with the right gear, it'll bring you one thing that's the same as any other system worth its salt: glorious full-frame pictures.
Produce the best quality images
If you're a photo junky who values a low-profile, compact setup, you should run to get this camera. Your only other options for compact full-frame bodies are the Leica M, which is an unworldly $8000, or the Sony RX1, which is great but has a fixed lens. Sure there are trade-offs with the A7 series like poor lens selection and battery life, but those problems just fade away as you bask in the glory of the full-frame system.
Perfect Upgrade from D5100
If you're starting to outgrow your lower tier DX camera, get this one - you won't be disappointed. I already have quite a few DX lenses and don't feel like replacing them with FX lenses and I actually prefer the crop factor (1.5x teleconverter in effect) on my big nasty 70-200 2.8.
Sharpness was very strong
Aside from white balance, the D7100 leaves us with little to complain about. Videography is definitely improved over previous models, but there are some strange control quirks, and plenty of better video-oriented SLRs already exist on the market. Nikon could also do a much better job communicating its "unique" control techniques to new users.
Excellent build quality
There isn't much that we can say is wrong with the D7100 except for a couple of minor quibbles. But in the end, this may just be the best darned ASP-C DSLR that we've seen in a while. The fast fps shooting abilities will appeal to birding shooters, the dad photographing their kid's basketball game (and this is probably the perfect camera for it, and for the weekend landscaper.
Exposure, colour and white balance were all uniformly reliable
In summary the new Nikon D7100 further improves on the already excellent D7000 in several key ways and many minor ones, all adding up to make this the best DX-format DSLR to date. Nikon may be focusing on a full-frame future, but the D7100 clearly shows that they haven't forgotten the cropped sensor market. It may look almost identical to its predecessor, but the Nikon D7100 certainly proves that first impressions can be very deceiving.
Outstanding low ISO performance in both JPEG and Raw files
The D7100 is a well-built enthusiast DSLR that offers impressive image quality and easy access to shooting parameters along with a high degree of customization options. Video output is a bit disappointing and a very small image buffer limits sports shooters to JPEG-only mode.
Excellent LCD screen
There's no denying that the D7100 is an incredibly well-rounded DSLR with one of the most complete enthusiast DSLR feature-sets we've seen to date. The lack of an anti-aliasing filter gives images a pleasing crispness, while metering and White Balance systems are also difficult to fault.
Despite all of this, there are faults. Most noticeably, the high saturation of pixels on the sensor means that images are nosier at lower ISO settings then one would hope.
Excellent image quality and detail
The Nikon D7100 offers a compelling set of features, in a well built weather sealed body with a great looking 3.2inch screen. An updated 51 point focus system ensures focus is rapid and reliable, with the camera responding quickly. The camera features 6fps shooting in JPEG for 99 shots, which can be increased to 7fps when using 1.3x crop mode, although this isn't as quick as the Canon EOS 7D, or the Sony Alpha A77 with 12fps shooting.
Decent sharpness when on point
All in all we're impressed with the D7100 - it delivers great images, has an extensive autofocus system with 1.3x crop option, a long-lasting battery life and both the viewfinder and LCD screen are decent. What we'd like to see is yet more sensor improvements and a more capable buffer for burst shooting in the future - that would elevate this series to the next level.
Delivers outstanding still images
Even the price of the Ricoh GR is appealing. At £599.99 / $799, it's substantially cheaper than its direct competitor, the Nikon Coolpix A, and also cheaper than an APS-C DSLR or compact system camera with a good quality 28mm lens fitted. If you're certain that a 28mm fixed lens will suit your style of shooting, then the Ricoh GR represents something of a bargain and comes Highly Recommended.
Good lens, very low distortion and without any real corner softness
A niche product, and one that Ricoh should be applauded for designing in a market stuffed with 'me too' cameras, but one that its hard to wholeheartedly recommend. If it had breathtaking image quality the price would be irrelevant, but as it stands you're paying nearly as much as a Nikon D50 outfit for the camera (and a lot more if you include the optical viewfinder), and a lot more than you would for one of the several excellent compacts on the market with a zoom starting at 28mm.
Extremely sharp lens, Excellent noise performance
The Ricoh GR (V) is an impressive upgrade to the previous GR Digital model, with a 16 megapixel APS-C sensor, the Ricoh GR suddently becomes much more attractive, with an extremely sharp 28mm equivalent lens, the camera delivers excellent image quality. It's also available for noticeably less than other APS-C sensor compact cameras, and would make a great pocket camera where image quality rather than zoom is of the highest importance.
Image quality is exceptional, super-sharp lens
Image quality is in the bag, there's no doubt about that, but as a full package it falls into some of the traps that its similar competitors do too. That has a two-fold effect - it stops the GR from being a five-star product while simultaneously making it the best of its kind.
So many customisable options, settings and function buttons
With an aggressive pricing strategy, Ricoh should win plenty of photography enthusiasts over with the GR. Competing cameras like the Nikon Coolpix A are easier to pick up and start shooting with for beginners, but it seems like a waste for these cameras to stay in auto all the time. This is where the GR steps in - there are just so many ways to customise this camera, it's almost ridiculous.
All the customisation in the world would mean nothing if the GR wasn't able to take good photos.
Compact size large APS-C sensor, 28mm prime lens
As much as we like to save money, the Coolpix A is a better overall camera than the Ricoh GR. The Nikon's images are sharper and colors more accurate. The fact the Coolpix has built-in image stabilization while the GR does not is definitely a factor. Also the lack of a focus ring takes away half the fun of shooting with an enthusiast camera. The Ricoh can take solid photos with enough light but in dim settings it doesn't have the ISO chops of the Nikon.
Sensor is very well rounded
Overall, the Ricoh GR has proved itself to be a very capable performer and it joins the Nikon Coolpix A and the Fujifilm Finepix X100 in moving on the performance level of prime lens compact cameras. While they don't feature the versatility of interchangeable lenses, they make very high quality discrete cameras for street and social documentary photography, without having to make too many compromises in image quality along the way.
Excellent compact system camera
All in all the Panasonic Lumix GF6 is a surprisingly capable camera that will more than satisfy a lot of people's needs, including both casual snappers and more serious photographers alike. You'd be hard-pushed to find such a well-rounded, well-connected, and, well, great performing camera without spending quite a lot more, making the new Panasonic Lumix GF6 richly deserving of our coveted Highly Recommended award.
Excellent low-light AF performance, Stop motion intervalometer
Given the current obsession with retro styling and rangefinder chic, it would be easy to pass over a camera like the Panasonic Lumix GF6 in favour of something superficially more classy. But while it may not look as sexy and desirable as models like the Olympus E-P5 and the Fujifilm X-M1, the Lumix GF6 has a huge amount to offer photographers of every ilk.
Excellent screen, Digital filters, Built in Wi-Fi
The Panasonic GF6 is one of the best compact system cameras currently on the market, especially for the beginner user.
Although it is the next in line after the Panasonic GF5, it's perhaps elevated slightly above that, being a little more comparable to the Panasonic GX1, with which it shares its sensor.
Image quality is fantastic, while usability, thanks in part to the touchscreen and sensible menu system, makes it one of the more pleasurable cameras to shoot with.
Wi-Fi built in - remote operation, Great image quality
The Panasonic Lumix GF6 offers almost everything you could want from a mirrorless camera, with the most likely complaint about it likely to be the lack of flash hot-shoe, making it less appealing to the more serious photographer. For the majority of people having a built in flash will be preferable, and the re-introduction of the mode dial will make the camera easier to use for every level of photographer.
Affordable, Tilitng hi-res screen, Improved resolution
When we reviewed the GF5, one mild criticism we had was that Panasonic had hardly tinkered with it in comparison to the GF3. It seemed very much 'more of the same'.
The step on between the 12 megapixel GF5 and 16 megapixel GF6 is thankfully a little more pronounced, and, resolution aside, we now get the expanded ISO range, compositional convenience of a tilting LCD, plus wireless connectivity options to bring the latest model bang up to date.
Remote shooting of both photos and video clips
Panasonic's Lumix DMC-GF6 represents the latest iteration of the company's entry-level compact systems cameras. Similar in size and body styling to the GF5, the GF6 has a lot more to offer to enthusiasts. Its resolution has been increased to 16 megapixels and it features the latest Venus Engine image processor, along with integrated Wi-Fi plus near field communication.
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